Thursday, July 17, 2008

disFIGURED

Film Review by Kam Williams

Headline: Obese and Anorexic Women Bond in Body Image Dramedy

Lydia (Deidra Edwards) is a queen-sized sales clerk who lives and works in Venice Beach, a trendy section of L.A. where it’s fashionable for women to be thin. Unable to measure up to that unreasonable, hourglass ideal despite dieting, she joins a fat acceptance support group dedicated to fighting prejudice against the obese. In meetings, the members share their fears and frustrations about everything from dating to being teased to weight-loss surgery, while encouraging each other to love themselves just the way they are.
Darcy (Staci Lawrence), on the other hand, is an emaciated anorexic with a body dysmorphic disorder who thinks of herself as too fat. So, when she shows up saying she wants to join the group, people don’t know what to make of her. After they take a vote and decide to reject her application, only Lydia offers a shoulder to cry on.
Although physically polar opposites, chubby and skinny still manage to bond because they are both lonely and many issues in common revolving around hunger, fear, fashion and femininity. And their unlikely friendship is the focus of disFIGURED, a female empowerment flick filled with painful dramatic moments offset by occasional comic asides.
This slice of life adventure paints a picture so realistic you often wince while wondering whether the talented cast was acting or just encouraged to be themselves in a series of improvised scenarios. Regardless, director Glenn Gers deserves raves for his refreshingly-honest exploration of such a sensitive subject.
A novel buddy vehicle contrasting the unique perspectives of a two segments of society ordinarily either marginalized in movies or treated almost as if they didn’t exist at all.

Excellent (4 stars)
Unrated
Running time: 96 minutes
Studio: Cinema Libre Studio

To see a trailer of disFIGURED, visit: http://www.youtube.com/watch?v=V4MVXkCKbyA

A Man Named Pearl

Film Review by Kam Williams

Headline: Black Man’s Green Thumb Proves Best Revenge for White Intolerance

When Pearl Fryar needed to move to Bishopville, South Carolina in 1976 to start a new job as a janitor in a can factory located there, the first house he and his wife, Metra, settled on was located on the white side of town. However, they changed their plans upon being informed by their new neighbors that they weren’t welcome because “Black people don’t keep up their yards.”
Though hurt by the racist remark, the African-American couple didn’t become embittered but instead opted to buy a place on a 3½ acre plot across the proverbial tracks in the black community. Immediately, Pearl began to cultivate a top-flight garden, determined to make those bigots eat their words. Even though he had to work a 12-hour day shift, he would find time in the evenings to attend to his flowers and bushes, hoping to become the first black person to win the Iris Garden Club’s “Yard of the Month Award.”
Because he didn’t have much money to fund his ambitious enterprise, most of Pearl’s plants and seedlings came from the dump behind the local nursery. And even though this son of a sharecropper didn’t have any book knowledge about botany, he had enough of a green thumb to figure out ways to revive all sorts of ailing and abandoned vegetation.
Mr. Fryar knew that to land the “Yard of the Month Award” he would have to create something spectacular, so he began shaping his growing shrubs into an eye-catching collection of over 150 topiary figures. Not only did he ultimately earn the coveted accolade, but today folks flock from all over to see his world-renowned garden. In fact, because Bishopville is in economic decline due to the outsourcing overseas of the industries which had served as the city’s backbone, it can thank its lucky stars that Pearl’s topiaries have turned tourism into an alternate source of revenue.
This moving story of rejection-turned-acceptance is the subject of A Man Named Pearl, a touching bio-pic about a humble man who encountered intolerance and responded with love, peace and goodwill towards all people. A life-affirming documentary illustrating how a black man’s green thumb proved to be the best revenge for white intolerance.

Excellent (4 stars)
Unrated
Running time: 78 minutes
Studio: Shadow Distribution

To see a trailer of A Man Named Pearl, visit: http://www.youtube.com/watch?v=yFW2zuWCcFg

Wednesday, July 16, 2008

Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun

OPENING THIS WEEK

Kam's Kapsules:

Weekly Previews That Make Choosing a Film Fun

by Kam Williams

For movies opening July 25, 2008





BIG BUDGET FILMS



American Teen (PG-13 for sexuality, profanity, smoking and alcohol consumption, all involving teens) Coming-of-age documentary traces ten months in the lives of four high school seniors, a popular jock (Colin Clemens), a nerdy band geek (Jake Tusing), a spoiled prom queen (Megan Krizmanich) and an artsy bohemian (Hannah Bailey) in the tiny town of Warsaw, Indiana.



Brideshead Revisited (PG-13 for sexuality) Emma Thompson stars in this WWII era tale of forbidden love set in England and based on Evelyn Waugh’s classic novel about a Protestant of humble birth (Matthew Goode) who becomes infatuated with the sister (Hayley Atwell) of a college classmate (Ben Whishaw) from an aristocratic Catholic family when brought home to their palatial castle over vacation.



The Longshots (Unrated) Overcoming-the-odds sports saga chronicles the real-life tale of a pigtailed, 11 year-old tomboy (Keke Palmer) who, with the help of her uncle (Ice Cube), became the first girl in league history to play Pop Warner football. Cast includes Tasha Smith, David Banner and Earthquake.



Step Brothers (R for crude humor, sexuality and pervasive profanity) Will Ferrell and John C. Reilly co-star in this dysfunctional family comedy about a couple of immature slackers still living at home with a single parent who suddenly find themselves forced to coexist under the same roof when one’s mother (Mary Steenburgen) marries the other’s father (Richard Jenkins).



The X-Files: I Want to Believe (PG-13 for mature themes, violence and disturbing content) David Duchovny and Gillian Anderson reprise their lead roles as FBI Agents Mulder and skeptic Scully in second screen adaptation of their hit TV-show about paranormal phenomena. This installment, a sci-fi thriller set six years after the end of the series, co-stars Amanda Peet, Billy Connolly and Xzibit.





INDEPENDENT & FOREIGN FILMS



Back to Normandy (Unrated) Nicolas Philibert directed this documentary chronicling his return to the village of La Faucterie in Normandy to find out what became of the local peasants who had starred in the historical crime drama which he had shot there thirty years earlier. (In French with subtitles)



Baghead (R for nudity, profanity and sexuality) Horror farce abut four struggling actors (Ross Partridge, Elise Muller, Greta Gerwig and Steve Zissis) who retreat to a cabin in the woods to collaborate on a screenplay about a stalker wearing a bag over his head only to find themselves on the run from a madman with the same modus operandi.



Boy A (Unrated) Flashback flick about the frustrations encountered by an ex-con (Andrew Garfield) who paid his debt to society as he tries to make a new life for himself after having served a 14-year sentence for a monstrous murder he committed as a minor. Principal cast includes Siobhan Finneran, Peter Mullan Shaun Evans and Katie Lyons. .



Bustin’ Down the Door (Unrated) Edward Norton narrates this “Hang Ten” documentary recounting how the sport of surfing was revolutionized, popularized and corporatized in the Seventies in the wake of the arrival in Hawaii of a half-dozen, brash young beach boys from Australia and South Africa.



Canary (Unrated) Docudrama revisits the events surrounding the release of a deadly gas in the Tokyo subway system by members of a religious cult. Fact-based plot revolves around the friendship forged between a 12 year-old refugee (Hoshi Ishida) from the apocalyptic sect and a young runaway (Mitsuki Tanimura) escaping an abusive father. (In Japanese with subtitles)



CSNY: Déjà Vu (R for profanity and brief war images) Combination concert flick and anti Iraq War polemic shot during Crosby, Stills, Nash and Young’s 2006 “Freedom of Speech Tour.” Featuring an appearance by Comedy Central talk show host Steven Colbert.



Late Bloomer (Unrated) Gruesome horror flick, shot in black & white, about a severely disabled man (Sumida Masakiyo) who goes berserk after an unrequited crush on his caregiver (Mari Torii) turns him into a maniacal misanthrope. (In Japanese with subtitles)



Man on Wire (PG-13 for sexuality, nudity and drug references) Don’t look down documentary revisits Frenchman Philippe Petit’s daring, death-defying and illegal high-wire walk at 1368 feet in the air between the roofs of the World Trade Center’s Twin Towers back in 1974. (In English and French with subtitles)



The Order of Myths (Unrated) Mardi Gras in Mobile, Alabama is the subject of this documentary about a still segregated city which stages two annual celebrations, one black, one white.



Red 71 (Unrated) Neo-noir, set in an Arizona desert town where a private eye (Nathan Ginn) develops a crush on a mysterious woman (Michelle Belegrin) whose husband (Ted Parks) has just been killed. Plot thickens when the femme fatale’s lover (Justin Kreinbrink) is murdered, too.



A Thousand Years of Good Prayers (Unrated) cross-cultural drama about a retired, widowed rocket scientist (Henry O) who travels to America from Beijing to be with his small town librarian daughter (Feihong Yu) as she recovers from the trauma of her recent divorce. (In Mandarin, Persian and English with subtitles)

Letters to a Young Sister: Define Your Destiny

by Hill Harper
Gotham Books
Hardcover, $22.50
312 pages, illustrated
ISBN: 978-1-592-40351-6



Book Review by Kam Williams

“In Letters to a Young Sister, Hill has covered all the important issues. As a woman, I can’t agree more with how important it is to focus on becoming your best self, a point Hill makes several times in this book. That means focusing on individual accomplishments and doing the things that help you become a whole person...

Part of the reason I like having a friend like Hill is because during a time when my goals are constantly changing, he helps me find clarity... He wants to make sure I always do my best and challenge myself. He constantly reminds me that I am worthy and deserving of the best. There truly are good ‘brothas’ out there, and Hill is one of the best. I hope you enjoy the book.” -- Excerpted from the Foreword by Gabrielle Union (pages xvi-xvii)


Attorney-turned-actor Hill Harper received nothing but positive feedback a couple of years ago after the release of Letters to a Young Brother, his inspirational how-to book aimed at African-American males. Its uplifting message emphasized the value of a good education over the accumulation of material possessions while also stressing the importance of being the architect of your own life.
Still, everywhere he went, Hill was surprised at how many women approached him about an opus offering similar sensible advice for their daughters, so it was only fitting that he would choose to write a companion text entitled Letters to a Young Sister. With the help of a host of celebrities from all walks of life, such as Angela Bassett, Michelle Obama, Ruby Dee, Congresswoman Carolyn Cheeks Kilpatrick, Nikki Giovanni, Sanaa Lathan, Bishop Noel Jones, Dr. S. Elizabeth Ford, Nia Long, Tatyana Ali, Lauren London and business executive Cathy Hughes, he addresses a litany of concerns occupying the inquiring minds of impressionable black females in their formative years.
The subjects touched upon range from boys to morals to self-esteem to sexuality to academics to faith to racism to reputation to sexism to fathers to misogyny and beyond. To give you a taste of what to expect, here’s an excerpt of how Michelle Obama responds to an A-student who says she’s being teased for getting good grades.

“I was once in your shoes... Neither of my parents went to college, and I never knew college or Ivy League universities were an option for me… Because of how hard I worked and the grades I made, I was ready for anything – ready for Princeton, and next Harvard Law – ready to move home to Chicago to give back to my community… Ready to be a strong woman and raise two strong daughters. And ready to be the First Lady of the United States, if that’s what the future holds for me.
So I encourage you, young sister, to stay smart and thoughtful and creative… Keep reading and learning and sharing your thoughts and ideas. Own who you are and be proud of you. I am.”

Overall, an uplifting collection of sage insights aimed at instilling black girls with self-confidence, self-respect and self-reliance while imploring them to dream big every step of the way to becoming a fulfilled and successful woman.

Monday, July 14, 2008

Bobby Seale: The Chicago 10 Interview

with Kam Williams



Headline: Seizing the Time with the Black Panther Founder



Robert George Seale was born on October 22, 1936 in Dallas, Texas where, from the age of six, he was raised by his father to be a carpenter-builder and a hunter-fisherman. During WWII, the family migrated to Northern California where Bobby graduated from Berkeley High with plans of becoming an architect.

However, those plans were put on hold when he instead enlisted in the Air Force, serving for almost four years, till being discharged for insubordination. He then moved to Los Angeles to take a shot at showbiz as a stand-up comedian and as a jazz musician, before returning to the Bay Area in 1961.

The next year, while working the night shift, full-time in the aerospace industry, Bobby attended Merritt College as an Engineering Design major. It was during this period of his life that he would meet Huey Newton and develop a passion for grassroots organizing and progressive politics.

After identifying some pressing needs of black America, the two decided to create a grass roots community-based organization. On October 15, 1966, they founded the Black Panthers, outlining the new political party’s 10-Point Platform, and naming Bobby its Chairman, and Huey its Minister of Defense, after flipping a coin.

The organization membership rolls surged in the wake of the assassination of Dr. Martin Luther King, when most young African-Americans began to question the wisdom of the late civil rights leader’s philosophy of civil disobedience and passive resistance. But the government would come down hard on the Panthers, using the FBI’s notorious Counter-Intelligence Program (COINTELPRO) along with local authorities to discredit, kill, frame, imprison and otherwise neutralize its members and sympathizers.

Although Bobby would himself spend over two years in jail on a variety of trumped-up charges, he was ultimately vindicated in every case. The most famous trial he was ever associated, dubbed the Chicago 8, began after his arrest along with 7 other activists for conspiracy and inciting to riot at the Democratic Convention in Chicago during the Summer of 1968.

The proceedings became something of a shameful spectacle when the judge had Bobby bound, shackled and gagged in the courtroom for repeatedly demanding that he be allowed to exercise his Constitutional right to represent himself. Here, he reflects on the new animated docudrama about the trial called Chicago 10, and on his enduring career as an unwavering advocate of the rights of the disenfranchised and the downtrodden.



KW: Hey, Bobby, it’s an honor to speak with you. Thanks for the time.

BS: Thank you, Kam. How do you spell your name?

KW: K-A-M. It’s short for Kamau, an African name.

BS: Oh, I see, not C-A-M but K-A-M.

KW: Yeah. So, what did you think of the film, Chicago 10?

BS: Well, it needed my voice.

KW: I take it you would’ve preferred to do your own voice for the animation, instead of having Jeffrey Wright do you.

BS: Sure, the director [Brett Morgen] has since admitted to me that when he heard I was 70 years-old, he didn’t even consider me. He expected that I was going to be an old guy with a shaky voice going, “Well, you know, back in the day…” I said, “No, brother,” and got to reciting strings of historical facts about the Black Panther Party, and he said, “My God! You run off at the mouth like you’re 19!”

KW: I guess it must be strange to hear someone else doing you, especially since you have such a distinct, and recognizable voice.

BS: Well, it’s alright, thought I feel he should have at least made a better effort to contact me and consult me about the film and about the history, regardless of how he ultimately made the movie. Plus, I had produced my own documentary, so I’m aware of a lot of the factors that go into making a halfway decent movie. I think I could’ve made a hellified contribution in terms of the storyline.

KW: I even had a problem with the title. I felt it should be called The Chicago 8, as the defendants were known collectively, not Chicago 10.

BS: I think it was a bad title, too. It should have been The Chicago 7 or The Chicago 8, preferably, the latter, because that’s the historical reference point for the average person who knows something about the Sixties. It reminds me how in 1988 I put a bad title on my own cookbook, calling it just “Barbeque’n with Bobby.” Only in small letters at the bottom did it say “recipes by Bobby Seale.” The title should have been Barbeque’n with Bobby Seale, because 100 million people know my name. So, that was bad marketing on my part.

KW: Other than the title and not using your voice, what did you think of Chicago 10?

BS: I thought it was pretty good, for a doc. It could have been about ten minutes longer to include more about what happened to me when I was in lockup, because I was in jail the whole time of the trial. The other seven defendants were out on bail, except for Jerry Rubin for three weeks.

KW: Why do you think Judge Hoffman had you bound and gagged, and had your trial separated? Do you think he got an order from above, from someone like J. Edgar Hoover?

BS: Nah, he just couldn’t handle me. He kept trying to say that William Kunstler was my lawyer. I kept telling him that Kunstler was not my lawyer. He and I went around and around arguing about that.

KW: Charles Garry was your attorney, right?

BS: Yeah, but Charles Garry was in the hospital recovering from a gall bladder operation. So, I had made a motion to defend myself at the beginning of the trial, before the jury had heard even one shred of evidence, since my lawyer wasn’t there. Every time anyone would mention my name in the courtroom, I would jump up out of my chair and yell, “I object! I object, because my lawyer, Charles R. Garry, is not present.” He’d order me, “Sit down, Mr. Seale.” And I’d respond, “No, I want the record to reflect that I am objecting, and I am going to continue to object because you denied me my right to defend myself.” So, he chained, shackled and gagged me for three days, until finally the press went against him.

KW: Did you behave yourself after the restraints came off?

BS: No. For instance, after the defense attorneys finished cross-examining an FBI agent on the witness stand, the judge would say, “Are there any more questions?” I would jump up and say, “Well, I want cross-examine the witness.” And I’d walk over to the lectern and say, “Looka here, what the hell were you doing following me around in the first damn place?” I wasn’t a learned lawyer, but I but I was still doing my best to defend myself by asking logical questions. The judge would interrupt and say, “No, no, no, you don’t have to answer him” And I’d ask, “Why not? Why shouldn’t he have to answer the question? I’ve been denied the right to defend myself. Somebody has to answer these pointed questions if I’m going to be given a fair chance to prove my innocence.” At that point, Hoffman decided to charge me with 16 counts of contempt, and to sever my trial from that of the others. So, really, he got rid of me because he couldn’t handle me.

KW: Do you think he would have had you bound, gagged and shackled, if you weren’t black?

BS: I don’t know. That’s hard to say. The fact that I was a Black Panther, a political revolutionary, had a lot more to do with the mentality of Judge Julius Hoffman, and his, quote-unquote, putting Bobby Seale the Black Panther leader down. In other words, J. Edgar Hoover, the FBI, the right-wing, the prosecution, the Nixon Administration, etcetera had all declared me and the other defendants a threat to the internal security of America. The government hated us. And Hoffman knew this. So, his thinking in gagging me was “I’m going to gag this Black Panther.”

KW: I was fifteen in the 1968, and like the typical black teenager, the Panthers became my heroes after Martin Luther King was assassinated. We saw where non-violence and passive resistance would get a pacifist begging for equality in a racist society.

BS: Before King was killed, my friend Huey was in jail. To that point, I had only organized about 400 Black Panther Party members up and down the West Coast, between San Diego and Seattle. There were no other branches or chapters elsewhere in the country. Alright? Then, in April, 1968 King is murdered, and by late May, when schools start letting out, I begin getting a flood of people into the organization, folks flying from cities all over the nation into Oakland to talk to me and the central committee about setting up new chapters in their hometowns. Young black people were reacting to the fact that Dr. Martin Luther King had been killed. That tragedy enabled my organization to spread across the country. By November, I had 5,000 members and 49 branches. That’s 49 cities that we operated offices of the Black Panther Party in. We had the Free Breakfast for Children Program, free Sickle Cell Anemia Testing and Free Preventative Medical Healthcare Clinics in every last one of them. These programs organized and unified people on the grassroots level in the black communities where we operated. And it is a real threat to the power structure, when you can organize and unify people around something concrete. Do you see what I’m getting at?

KW: Yeah.

BS: So, here is the Counter-Intelligence Program of the FBI (COINTELPRO) doing everything it can to distort and stereotype us. They don’t tell you that I was an engineer on the Gemini missile program, and an architect, and a stand-up comedian. All they said was that I was a hoodlum and a thug. They never said that Huey Newton had finished two years of law school by the time that we created the Black Panthers. They don’t say that I was actually employed by the City of Oakland when we created the Black Panther Party.

KW: Do you think the Panther 10-Point Program is as relevant today as it was then?

BS: Yes, as profoundly relevant. In fact, Congresswoman Barbara Lee, who worked with my organization for five years back then, says that the Black Panther Party’s 10-Point Program is just as relevant today as it was years ago. And we could add some points to this son of a gun.

KW: The big sister of a friend of mine was married to one of the Panther 21 arrested in NYC in 1969. I remember him telling me they had all been framed on bogus charges. Did you ever determine exactly when the FBI began infiltrating the Panthers and to what lengths it went to bring down the organization?

BS: First of all, let’s say it this way. The FBI’s Counter-Intelligence Program would work hand-in-hand with police departments, literally planning attacks on Black Panther Party offices throughout the United States of America. They did this over a period of time. They also used provocateurs, and had agents infiltrating the organization. And they would issue press releases every month or so which they would send to politicians and the press in cities where we were operating. But the most profound thing the FBI did was being complicit in the murder of Fred Hampton and Mark Clark in Chicago, working with a special police division. The FBI was complicit in setting up that operation in December of 1969. A former FBI Agent named Wesley Swearingen even admitted it in a book published by South End Press called “FBI Secrets.” He also shows how the FBI was involved in the killings of Black Panthers John Huggins and Bunchy Carter at UCLA in January of 1969. COINTELPRO was trying to terrorize us out of existence. They didn’t say you’re under arrest on a bullhorn and ask for us to surrender. They just came in shooting. By the end of ‘69, every Black Panther Party office in this country had been attacked.

KW: In 1969, there was also a lot of tension in L.A. between the Panthers and Ron Karenga’s black nationalist organization, US.

BS: It was half generated by COINTELPRO. The FBI admitted it in the Senate investigation hearings.

KW: Would you say the FBI succeeded in bringing you down?

BS: No, we weathered everything they threw at us. At a certain point, the U.S. Senate started investigating their attacks on us. When the FBI couldn’t give a good explanation as to why they were attacking all our offices, the raids finally stopped.

KW: Meanwhile, how were you holding up behind bars?

BS: In the end, I won all my cases. They had to let me out after holding me for two years in jail without bail. Lots of people think I went to prison. I never went to prison. I was in jail without bail. After I won all the cases, they had to release me. And from 1971 to 1974 there were no shootouts. We maintained our programs and ran for political office. So, the Black Panther Party was not destroyed in that sense, but our Constitutional, democratic, civil, human, and life rights had been violated.

KW: What would you have done differently, had you known the government was going to come down on you like that?

BS: What would I have done differently? I don’t know. I’ve tried to assess that. You know that racists are going to attack you. When we started out, we accept the fact that sooner or later they were going to try to kill us. But we decided not to let that deter us. We chose to stand on the right to self-defense as best we could. And it just so happened that they came down on us. Ultimately, 28 of my Black Panther Party members were killed in various attacks by or shootouts with the police. And in those confrontations, at least a dozen black police officers were killed. I still have 10 political prisoners in jail to this day behind some of those dead cops, when they were just defending themselves against those policemen. They were convicted of first-degree murder, but they were really only defending themselves. I wish I could get amnesty for them, and get my political prisoner friends out. At any rate, I can’t obsess about what I would have done if I knew they were going to come down on me, because I did kinda know they were going to come down on us. They were coming down on the black community in the first place via institutional racism, rampant police brutality and so on.

KW: What do you think of the New Black Panthers? Their philosophy strikes me as being totally different from yours.

BS: Thumbs down! They hijacked our name. They do not represent what we represent. Our program was about all power to all the people. We had a progressive program… a relevant humanistic program… a true human liberation program. I have no time for the so-called New Black Panthers. We have invited them to three different Black Panther reunions, and every time they act stupider and stupider. I’m tired of them and have not time for them. It’s gotten to the point where we believe that their leadership is nothing but government operatives. They spout stuff that we were not about. The rank-and-file New Black Panthers probably don’t even know this. It’s like a COINTELPRO operation. I think the leadership is working for the government to spout a bunch of black racist remarks and attitudes, saying they support Al-Qaeda and that sort of crap. I’m very skeptical. I feel for the young brothers who don’t know this is what’s happening. They should get out of that group. They act so silly and stupid. For instance, they took that famous picture of me and Huey standing in front of the original Black Panther Party office, and cut my head off and replaced it with Brother Khalid Muhammad’s. In other words, they want to hijack our reunions. They’re arrogant, and I have no time for that. So, I told them, “Don’t talk to me. And don’t try to act bad, just because you’ve got some little pistols under your coats there, because if you jump up in people’s faces here, they will defend themselves.” In fact, I said, “Your damn leadership ain’t nothing but a bunch of CIA a-holes.” That’s what I believe.

KW: Yet, I always see some spokesman for them on Fox.

BS: Fox News never calls up Bobby Seale to articulate a stance in opposition to right-wing conservatives. To me, giving the New Black Panthers a platform on Fox is a subtle tactic to scare people. As far as I’m concerned, any extremist organization whether it’s Al-Qaeda, the Ku Klux Klan, or any other a-holes who indiscriminately murder and blow-up innocent people, need to be routed out and dealt with. If they claim to be fighting for human liberation, they’re liars, because when you start killing indiscriminately on that level, you have totally stepped outside the civility of what human liberation is all about.

KW: Were you politicized while serving in the Air Force?

BS: Oh, no. I didn’t know politics back then. They put me in the stockade twice. I had been an honor student. But I ran into racism in the military and didn’t know how to handle it. I’d knock a racist out. So, they put me in the stockade.

KW: So, what would you say politicized you?

BS: The first thing that began to politicize me was Jomo Kenyatta’s “Facing Mount Kenya.” I started reading that in the Spring semester of 1962. From there, I went to hear Martin Luther King speak. In the early part of ’63, I was working on the freedom of Nelson Mandela and on ending apartheid. Next, I was listening to Malcolm X after he’d left the Nation of Islam. I was thinking about joining his new organization, the OAAU, but that never happened, because he wound up getting assassinated before I had an opportunity. I was steeped in African-American history and in and out of many different organizations in the Oakland area. I was a programmatic organizer. I quit my engineering job after three years to work at the grassroots level. I wasn’t married and had no kids, so I was able to do those things.

KW: What was at the heart of your and Huey Newton’s creating the Panthers?

BS: Patrolling the police, the breakfast and job programs were all political moves, but our overall objective was to organize a mass membership organization and to evolve a political, electoral, community unity in the black community. That was my objective.

KW: Do you think the government would have come down as hard on you if you hadn’t exercised your right to bear arms?

BS: Yeah, because they came down hard on peaceful protesters. They were already shooting, killing, murdering and brutalizing peaceful protesters, so what’s the difference?

KW: How do you think you managed to survive the Sixties when so many black leaders either ended up dead, in prison or in exile?

BS: I think they thought it was best to put Bobby Seale in jail and to try to convict him than to kill him, because killing him might make him a martyr and cause his organization to grow some more.

KW: What do you think of Barack Obama?

BS: I like Obama very much. He’s representative of a lot of changes which are necessary for the country. He might just be another guy who has been handed the keys by the corporate establishment. But if he can make it to President and actually use the bully pulpit to become a driving force for some progressive legislation related to human liberation, then that’s all the better.

KW: How would you describe yourself politically today?

BS: I am still a progressive, political revolutionary. I am a revolutionary humanist, like I was in the Sixties. Do you understand what I mean by revolution? Revolution is about the need to re-evolve political, economic and social justice and power back into the hands of the people, preferably through legislation and policies that make human sense. That’s what revolution is about. Revolution is not about shootouts.

KW: The Tasha Smith question: Are you ever afraid?

BS: What do you mean by afraid? I’m too old to be running around being afraid. I been through a lot of [expletive] in my life. Beat up… choked unconscious by cops, etcetera.

KW: Is there any question no reporter has ever asked you, that you wished one would?

BS: Yeah, Where’s my eldest son?

KW: Where is he?

BS: In Iraq. He just got shipped there on June 19th. He’s been in the Army Reserves from the age of 18 to 30. He was going to leave, but he agreed to reenlist if they would make him a Military Police Officer, because that would help him get a higher paying job he wanted as a security guard with a bio-tech company. And right after that Bush started that damn, dumb-ass Iraq War. And my son just got shipped to Iraq for the first time.

KW: Are you able to sleep, or are you always worried now?

BS: Sure, I’m able to sleep. But I got a kid in Iraq, and I just don’t want him to be killed over there. I call him and email him and tell him I’m behind you and the troops, but not behind Bush. I also have a son who’s a doctor, and a daughter who’s 30. She’s finished school and needs to get married. I’m hoping she’ll find somebody really nice soon. But she’s got her job, and her principles, and her independence, which are all important in terms of her personalized liberation.

So, what else do you want ask? How much my income is?

KW: I wasn’t planning to but, okay, how much money do you make?

BS: How do you think I survive?

KW: By giving lectures and writing books.

BS: Yep, college lectures. I do about 20 lectures a year. I haven’t written any books for a while, although I have two books in the works. I’ve almost finished “The Eighth Defendant.” I’m looking for a top publisher who’ll give me a half-million dollar advance for it. I need a big advance to make my family secure. Are you going to write include that in the article?

KW: Yep. I’m going to write-up every word of this conversation.

BS: Have you heard about the Spielberg film? He’s make a drama call The Trial of the Chicago 7. Guess who he has playing me?

KW: Jeffrey Wright again?

BS: Nope, Will Smith. And Kevin Spacey will be playing one of the attorneys.

This is going to be a big Hollywood production. So, I need to publish “The Eighth Defendant.” by the time the movie is released.

KW: Bookworm Troy Johnson wants to know, what was the last book you read?

BS: The last book I read, digested and loved was “Shades of Love” by Leon Higginbotham.

KW: I haven’t read that one, but I loved his book “In the Matter of Color.” Do you still live in Philly?

BS: No, man, I’m living in Oakland. I lived in Philly for a while because my wife was from Philadelphia, and she had a home and everything there. But we moved back to my home in Oakland, California four or five years ago. In fact, we really started coming back about eight years ago when my daughter began studying at San Francisco State University. She graduated, let me see, about five years ago now.

KW: You can look for this article in a couple of your local papers. I write for, the Oakland Globe and the Oakland Post.

BS: Paul Cobb’s paper.

KW: Yep, the Post is the paper whose editor, Chauncey Bailey, was murdered on the street about a year ago for writing an expose’. I had just spoken to him a couple of days before.

BS: Yeah, that was a tragedy.

KW: Well, Bobby, thanks for your lifelong commitment to oppressed people, and thanks for the great interview.

BS: You’re welcome. Thanks a lot.



CHICAGO 10 will have its broadcast premiere on Tuesday, October 22, at 9 PM ET (Check Local Listings) as the season opener of the award–winning PBS series Independent Lens, hosted by Terrence Howard.
For more information, visit: http://www.pbs.org/independentlens/about.html



To see archival footage of Bobby Seale explaining the Black Panther Party’s political platform, visit: http://www.youtube.com/watch?v=LPP0hiLuxdQ

Sunday, July 13, 2008

Days & Clouds (ITALIAN)

(Giorni & Nuvole)
Film Review by Kam Williams

Headline: Unemployment Takes Toll on Marriage in Dysfunctional Family Drama

When Michele (Antonio Albanese) was fired from the company he had built into a very successful enterprise, he was too embarrassed about having been stabbed in the back by his co-founder to tell his pampered wife, Elsa (Margherita Buy), or their 20 year-old daughter, Alice (Alba Rohrwacher). Wallowing in a state of denial, he allowed them to continue enjoying the lavish lifestyle to which they had become quite accustomed over the years.
But after behaving like an ostrich for a couple of months, the bills began to mount and it was only a matter of time before Michele would have to pull his had out of the proverbial sand. He finally ‘fesses up to Elsa about the family’s dire economic straits the morning after throwing her an expensive, surprise birthday party.
This development is particularly upsetting to her because she had recently gone back to college to pursue her love of art history. And now, unfortunately, she’ll have to drop out of school prior to completing her degree. Worse, when she tries to find employment, the only gig she can find is working as a telemarketer at a call center.
In the interim, Michele becomes frustrated by his own job search after not being able to land a high-paying professional position. He settles for odd-jobs like delivering messages and hanging wallpaper only to end up depressed by this sorry state of affairs.
Then, he quits even these minimum-wage, make-do positions and stops
looking entirely, Elsa becomes emotionally distant and loses respect for her husband over his failure as a provider.
Next, she starts coming home late in order to entertain the advances of her solicitous boss after hours. Eventually, Michele gets the message, moves out of the house and is humbled when he has to crash on the couch of his daughter and her ne’er-do-well boyfriend (Fabio Troiano).
“Can this marriage be saved?” is the timely theme explored by Days & Clouds, a compelling, dysfunctional family drama from Italy by Silvio Soldini (Bread and Tulips). Plausibly-scripted and well-acted, the telling tale proves to be decidedly universal, given the world economy’s currently teetering on the brink of a widespread recession. Undoubtedly, plenty of previously comfortable middle-aged middle-managers must be struggling with the same sort of marital and money issues in the wake of the toll taken on that beleaguered demographic by downsizing and globalization.
Dude, where’s my wife and job?

Excellent (4 stars)
Unrated
In Italian with subtitles.
Running time: 115 minutes
Studio: Film Movement

To see a trailer of Days & Clouds, visit: http://www.youtube.com/watch?v=hiyORFElMGg

Meet Dave

Film Review by Kam Williams

Headline: Eddie Murphy Misfires as Brother from Another Planet

In 1984, John Sayles directed The Brother from Another Planet, a thought-provoking, sci-fi comedy about an alien who washes ashore at Ellis Island and makes his way to Manhattan where he does his best to blend in because he’s being chased by a couple of bounty hunters who had followed him to Earth. Aside from being hilarious, what made that screen classic worthwhile was its touching on a timely theme in a meaningful manner.
For the film’s protagonist was an escaped slave who looked exactly like a black man. However, he had been persecuted back on his planet not on account of his skin color but rather because he was born with only three toes on each foot.
Ironically, his effort to survive in New York City was complicated by his having to accommodate himself to an unfamiliar form of prejudice, namely, American racism. Sayles’ overall aim was to make a subtle statement about bigotry of any form by showing how silly it would be to divide people into minority groups based on the number of their toes or along the lines of any other arbitrary physical characteristics.
Almost a quarter century later, we now have Meet Dave, a sci-fi adventure which borrows Brother’s basic premise, while conveniently ignoring the movie’s more cerebral aspects. The dumbing-down is no surprise since it stars Eddie Murphy who is again directed by Brian Robbins with whom he successfully collaborated last year on the equally brainless Norbit.
The familiar-sounding storyline starts with the crash of a human-looking spacecraft played by Eddie Murphy next to the Statue of Liberty (instead of on Ellis Island ala Brother). But we still get the idea that we’re dealing with the theme of America as a melting pot and a land of opportunity.
The rocket, we learn, is being operated by 100 tiny aliens under the command of a Captain also played Mr. Murphy. He guides the vehicle to Manhattan where the movie morphs into the kind of fish-out-of-water comedy we’ve seen countless times before, from Crocodile Dundee to Mr. Deeds to Elf to Enchanted. This repeatedly recycled scenario revolves around a naïve newcomer who must survive a series of ordeals on the mean streets of the city.
At this juncture, the plot thickens when Dave is hit by a car driven by Gina (Elizabeth Banks), a widowed-mom with a heart of gold. When she then brings the odd fellow home to recuperate, her precocious young son, Josh (Austyn Myers), immediately picks up on the fact that their guest isn’t normal.
For example, Dave defecates dollar bills and sharpens pencils by sticking them up his nose. Plus, he can be very literal, such as the occasion on which he shoved everything to the floor when asked to clear the table. These eccentricities don’t prevent Gina from developing a crush on innocent Dave, which simply cannot be reciprocated since he’s a machine after all.
Forget the love story, this is a flick to be savored for its asinine slapstick, the sort of infantile poop and fart fare likely to keep the tykes in stitches for ninety minutes. Besides Brother from Another Planet, Meet Dave shamelessly steals bits made famous by a few other films, such as In and Out’s coming out scene (“I’m Dave Ming!” instead of “I’m gay!”), and Chris Rock’s unsuccessful hail of a taxi from Down to Earth (“What, an alien can’t get a cab in this town?” instead of “I’m a black man again!”)
All in all, this unoriginal, derivative disaster is the worst sci-fi comedy since, well, since Eddie Murphy made The Adventures of Pluto Nash.

Poor (0 stars)
Rated PG for action, suggestive humor and mild epithets.
Running time: 90 minutes
Studio: 20th Century Fox

To see a trailer of Meet Dave, visit: http://youtube.com/watch?v=rhDX0fTq7WY