Wednesday, September 25, 2013

PHD to PH.D. (BOOK REVIEW)



PHD to Ph.D.
How Education Saved My Life
by Dr. Elaine Richardson  
New City Community Press
Paperback, $22.95                       
264 pages
ISBN: 978-0-9840429-7-5


Book Review by Kam Williams

                        “Elaine Richardson grew up in a poverty stricken area of Cleveland, Ohio to her Jamaican mother and American father. Being raped at 13, she became involved with what basically amounted to the same abusive boyfriend over and over again.  
                        She also became a teen-aged and then adult prostitute, drug addict, and single mother. Addicted to drugs, abusive controlling pimps,  the streets, short stints in jail, the cycle of death that was her life, and on   top of that, pregnant again. 
                        It was the end. The only way out was death or prison, but that wasn’t her fate. Instead, she went to school… and never stopped. On her journey, she became empowered with knowledge of her culture and history.
                        Today, Dr. Elaine Richardson shares her story of sexual exploitation and other forms of bondage to promote healing and empowerment through education. Her story is about going from a Po’ Ho on Dope to a Ph.D.” 
    -- Excerpted from the Introduction (pages 5-6)

            Dr. Elaine Richardson encountered a host of horrors practically from birth. That’s because she was raised on a rough side of Cleveland in a seedy apartment where she recalls seeing a rat scamper across the floor as a toddler.
            Growing up, she was teased mercilessly about both her lips and her weight by cruel kids in the neighborhood who called her everything from ‘liver lips’ to ‘rubber lips’ to ‘bubble lips’ to ‘chub’ to ‘fat girl.’ And soon after reaching puberty, she lost her virginity when she was raped while just in junior high school.
            That sexual assault, which left the 13 year-old pregnant, was only the start of a deep descent into depravity that would be marked by pimps, prostitution, drug addiction, incarceration and single-motherhood. She eventually bottomed out but was able to turn her life around before her future was swallowed up by the streets entirely.
            That admirable transformation is the subject of PHD to Ph.D., an inspirational autobiography chronicling Elaine’s very unlikely transformation from a self-described “Po Ho’ on Dope” to a Ph.D. and professor at Ohio State University. This heartbreaking cautionary tale is tailor-made for at-risk girls since the author recounts her tragic experiences in a gripping and graphic fashion which leaves little to the imagination.
            Crediting God and her supportive mother for putting her on the road to recovery, Elaine nevertheless acknowledges that she’s still healing and learning to love herself after all the years of abuse. A remarkable memoir by a remarkable survivor who miraculously managed to beat the odds!
           

Tuesday, September 24, 2013

Steve McQueen (INTERVIEW)



Steve McQueen
The “12 Years a Slave” Interview
with Kam Williams

God Save McQueen!

            Artist and filmmaker Steven Rodney McQueen was born in London on October 9, 1969. His critically-acclaimed directorial debut, Hunger, won the Camera d’Or at the 2008 Cannes Film Festival. He followed that up with the incendiary offering Shame, a well-received, thought-provoking drama about addiction and secrecy in the modern world.
            In 1996, McQueen was the recipient of an ICA Futures Award. A couple of years later, he won a DAAD artist’s scholarship to Berlin. Besides exhibiting at the ICA and at the Kunsthalle in Zürich, he also won the coveted Turner Prize. He has exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville de Paris, Documenta, and at the 53rd Venice Biennale as a representative of Great Britain.  
            His artwork can be found in museum collections around the world like the Tate, the Museum of Modern Art, and the Centre Pompidou. In 2003, he was appointed Official War Artist for the Iraq War by the Imperial War Museum and he subsequently produced the poignant and controversial project Queen and Country commemorating the deaths of British soldiers who perished in the conflict by presenting their portraits as a sheet of stamps.
            Steve and his wife, cultural critic Bianca Stigter, live and work in Amsterdam which is where they are raising their son, Dexter, and daughter, Alex. Here, he talks about his latest film, 12 Years a Slave, which recently won the People’s Choice Awards for Best Film and Best Director at the Toronto Film Festival.

Kam Williams: Hi Steve. Thanks for honoring me with the opportunity to interview you.
Steve McQueen: Thanks so much for the interest, Kam.

KW: I’ve loved all three of your feature films, this new one, and Hunger and Shame as well. They are so different from each other and yet quite remarkable and memorable, each in their own way. 
SM: Thank you. Well, I do my best. I’m just happy that people are responding to the films as positively as they are. To be honest with you, it’s one of those things where we’re just happy to get them made. When you get to make something, you always hope people will go and see it. And we’re very, very pleased by the response to 12 Years a Slave. It’s kind of humbling and remarkable.

KW: Your work reminds me of Ang Lee’s in terms of its quality and versatility in the way that his movies are each phenomenal yet so very different from each other.
SM: Wow! That’s a huge compliment. What can I say? He’s a master. Ang Lee is a person I really admire and look up to. I love so many of his films, especially Ride with the Devil, Sense and Sensibility, and The Ice Storm.

KW: Editor/Legist Patricia Turnier asks: What does it mean to you to be in charge of adapting Solomon Northup’s memoir? How do you explain that his autobiography was buried for around a hundred years contrary to those of some of his contemporaries like Frederick Douglass?
SM: I feel tremendously honored but I also feel a tremendous responsibility because through this film we can bring Solomon Northrup’s memory to the surface. His story was buried for so long. When the book first came out in 1853, it was a phenomenal best seller for its time, and sold 27,000 copies in 18 months. But what happened was Uncle Tom’s Cabin was published the following year, and that was it for 12 Years a Slave. It fell into obscurity. Academics knew about the memoir but it otherwise became lost. To me, it was always like the American equivalent of The Diary of Anne Frank. That’s why it became my passion to get this film made. 

KW: Harriet Pakula-Teweles asks: In a film described as a historical drama, how do you establish a healthy balance between history and drama?
SM: By relying on the book. As a filmmaker I was interested in illustrating the history of what slavery was about, which was slave labor. In the background of one frame, for example, you see sugar cane. In the second plantation, you see logging. And on the third location, we see corn. So, at the same time you’re following Solomon’s adventure of trying to get home, in the background you simultaneously see the horrors and pains of what slavery was about. 

KW: Fellow director Rel Dowdell asks: Do you feel that the great success of Django Unchained improves your very visceral film’s chances for a warm reception?
SM: I think that film was very helpful, of course, in making people aware by getting the subject-matter on film. So, I couldn’t say it didn’t help.

KW: What interested you as a Brit in an African-American story?
SM: The story’s not just an African-American story. It’s a universal story. It’s a world story. My parents are from the West Indies. My father’s from Grenada which is where Malcolm X’s mother was born. My mother was born in Trinidad which is where Stokely Carmichael, the man who coined the phrase “Black Power!” was born. Sidney Poitier was born in the Bahamas. I’m part of that diaspora of people displaced by the slave trades. I’m part of that family. It’s our story. It’s a global story.

KW: My grandparents were born St. Croix, St. Kitts and Barbados. Do you eat any West Indian food like curried goat, callaloo or roti?
SM: Yeah, all of that. And then, when you go to New Orleans, you find similar dishes. We’re all family! 

KW: How did you settle on Chiwetel as Solomon Northrup?
SM: Chiwetel was always the one I wanted to make the movie with because there’s a certain humanity and gentility about him that I needed for the lead role. Solomon was a person who maintained his humanity whatever his circumstances, and I needed someone of that same caliber, because he would be tested to the breaking point. I needed an actor who could hold up during those moments of extreme stress.  

KW: Why did you use the great Michael Fassbender in each of your films?
SM: I think Michael is the most influential actor of his generation. He’s like a Mickey Rourke or a Gary Oldman. People want to be him. Actors want to act with him. Students choose to pursue acting because of him. I was very fortunate to land him for Hunger. We’ve been close friends ever since. He’s an amazing actor I willl always want to work with. 

KW: How did you assemble such a top-flight cast: Benedict Cumberbatch, Paul Giamatti, Brad Pitt, Quvenzhane Wallis, Paaul Dano, and newcomer Lupita Nyong’o.
SM: I had huge help from the casting director, Francine Maisler. She did an incredible job. We auditioned over a thousand girls for the role of Patsey. And we ended up with Lupita who hadn’t even graduated from acting school yet. But she auditioned for us, and that was it. A star was born!

KW: The bookworm Troy Johnson question: What was the last book you read?
SM: The last one I actually read was a children’s book I read to my son last night called something like “Teacher Goes to School.”  

KW: What is your favorite dish to cook?
SM: Pasta, because it’s easy.

KW: When you look in the mirror, what do you see?
SM: I see all the lines in my face from tiredness.

KW: The Ling-Ju Yen question: What is your earliest childhood memory?
SM: Borrowing roller skates from a next-door neighbor when I was about 3 or 4 years-old.  

KW: The Mike Pittman question: What was your best career decision?
SM: Meeting my wife.

KW: If you could have one wish instantly granted, what would that be for?
SM: World peace. It might sound corny, but that’s the truth.

KW: The Jamie Foxx question: If you only had 24 hours left to live, how would you spend the time?
SM: With the people I love.

KW: The Kerry Washington question: If you could be another animal, which one would you choose?
SM: A dolphin.

KW: The Melissa Harris-Perry question: How did your first big heartbreak impact who you are as a person?
SM: I learned that life is a long and difficult road, but you have to keep going, or you’ll fall by the wayside. 

KW: The Anthony Mackie question: Is there something that you promised to do if you became famous, that you still haven’t done yet?
SM: Am I famous? 

KW: The Tavis Smiley question: How do you want to be remembered?
SM: As a person who tried.

KW: Thanks again for the time, Steve, and best of luck with the film.
SM: Thank you. Take care, Kam.

To see a trailer for 12 Years a Slave, visit:

Saturday, September 21, 2013

Top Ten DVD Releases for 9-24-13



This Week’s DVD Releases
by Kam Williams


Top Ten DVD List for September 24, 2013      
         
The Kings of Summer


Dark Girls


Iron Man 3


Unfinished Song


Foyle’s War: Set Seven


2 Broke Girls: The Complete Second Season


The Power of Love


Anything Is Possible

Geronimo Stilton: Operation Shufongfong


Aleksandr's Price


Honorable Mention

Ashes


Blood of Redemption


Silent but Deadly


Lionhead


Showgirls 2: Penny’s from Heaven


Cody the Robosapien

Friday, September 20, 2013

Men at Lunch (FILM REVIEW)



Men at Lunch
Film Review by Kam Williams

30 Rock Doc Unearths Untold Story behind Iconic Photograph

            During the construction of Rockefeller Center in 1932, a photo was taken of 11 ironworkers taking a break from their arduous labors to eat, drink, smoke and talk to each other. Because they were sitting on a steel beam dangling perilously some 69 stories in the air with Central Park and the Manhattan skyline in the background, the iconic image would soon sear itself permanently into the country’s subconscious.
            But who took the picture called “Lunch atop a Skyscraper,” how was it staged, and who were the guys posing for the camera? These are the questions which nagged director Sean O’Cualain ever since the day he and his brother saw the famous photo hanging on the wall while hoisting a few a world away in Whelan’s pub in Shanaglish, Ireland. A note next to the stunning snapshot identified a couple of emigrants to America from County Galway, Sonny Glynn (1903-1953) and Matty O’Shaughnessy (1901-1978), as the bookends on the far left and far right of the girder, respectively.
            That chance encounter in the bar was the source of inspiration for Men at Lunch, an enlightening documentary narrated by Fionnula Flanagan which unearths a cornucopia of factoids about the picture’s previously unheralded subjects. Perhaps more importantly, the film also tells the greater story of the thousands of ironworkers who built skyscrapers during the Depression, a very dangerous undertaking indeed given the 2% annual mortality rate along with a 2% permanent disability rate.
            Still, given the dire state of the economy back then, any able-bodied man was likely happy just to have a $1.50 an hour job, even if it was as thankless as it was treacherous. Plus, perched so close to the heavens, they seemingly enjoyed an elevated social status relative to the working-class men making an honest day’s pay down on street level.
            A posthumous testament to the intrepid crew of immigrants who risked their lives in the sky over New York City to erect 30 Rock.

Very Good (3 stars)
Unrated
Running time: 67 minutes
Distributor: First Run Features

To see a trailer for Men at Lunch, visit:  http://www.youtube.com/watch?v=AJaoSD3tAxs 


Thursday, September 19, 2013

Kam's Movie Kapsules for 9-27-13



OPENING THIS WEEK
Kam's Kapsules:      
Weekly Previews That Make Choosing a Film Fun         
by Kam Williams
For movies opening September 27, 2013


BIG BUDGET FILMS   

Baggage Claim (PG-13 for profanity and sexuality) Paula Patton stars in this romantic comedy about a marriage-minded flight-attendant’s frantic search to find Mr. Right before her younger sister’s (Lauren London) impending wedding. Ensemble cast includes Derek Luke, Jill Scott, Christina Milian, Djimon Hounsou, Taye Diggs, Tia Mowry-Hardrict, Adam Brody, Boris Kodjoe, Jenifer Lewis and Trey Songz.

Cloudy with a Chance of Meatballs 2 (PG for mild rude humor) Eco-conscious, animated sequel finds Flint (Bill Hader) and friends forced to vacate Swallow Falls by an evil corporation with a diabolical plan to repopulate their idyllic island with a motley menagerie of anthropomorphic food monsters. Voice cast includes Anna Faris, Neil Patrick Harris, Andy Samberg, James Caan, Terry Crews, Will Forte and Benjamin Bratt.    

Don Jon (R for nudity, graphic sexuality, crude humor, profanity and drug use) Joseph Gordon-Levitt wrote, directed and stars in this romantic dramedy, set in New Jersey, about a guy addicted to internet porn who seeks a more satisfying sex life with a real woman only to end up involved with two (Julianne Moore and Scarlett Johansson). With Tony Danza, Rob Brown and Brie Larson.

Rush (R for profanity, nudity, sexuality, disturbing images and brief drug use) Ron Howard directs this fact-based auto racing drama chronicling the cutthroat competition in 1976 between flamboyant, British playboy James Hunt (Chris Hemsworth) and relatively low-key Austrian Niki Lauda (Daniel Bruhl) to be crowned the Formula 1 world champion. With Olivia Wilde, David Calder and Natalie Dormer. (In English, German, Italian and French with subtitles)   


INDEPENDENT & FOREIGN FILMS  

As I Lay Dying (Unrated) James Franco directed and stars in this adaptation of the William Falkner novel of the same name about a woman’s (Beth Grant) family’s effort to fulfill her last wish to be buried in a nearby town. With Danny McBride, Tim Blake Nelson and Richard Jenkins. 

Inequality for All (PG for violence, smoking, mature themes and mild epithets) Former Secretary of Labor Robert Reich narrates this economic expose’ bemoaning the widening income gap in the U.S. between the haves and the have-nots.

Morning (R for sexuality) Character-driven drama chronicling five days in the life of a grief-stricken couple (Leland Orser and Jeanne Tripplehorn) in the wake of the accidental death of their young child. With Laura Linney, Elliott Gould and Jason Ritter. 

Muscle Shoals (Unrated) Musical retrospective revisiting the legendary, riverside music studio in rural Alabama which provided the unlikely setting for classic recordings by everyone from Aretha to The Rolling Stones to Bob Dylan.    

On the Job ((Unrated) Cat-and-mouse crime thriller, set in the Philippines, about two police officers’ (Joey Marquez and Piolo Pascual) attempt to apprehend a couple of ex-cons (Joel Torre and Gerald Anderson) given reduced sentences in exchange for performing some high-profile assassinations. With Angel Aquino, Michael De Mesa and William Martinez. (In Filipino with subtitles)

Out in the Dark (Unrated) Middle East tale of forbidden love, set in Israel, about a gay love affair between a Palestinian student (Nicholas Jacob) and an Israeli attorney (Michael Aloni). With Jamil Khoury, Alon Pdut and Loai Nofi. (In Hebrew and Arabic with subtitles)

The Secret Life of Dorks (PG-13 for sexuality, profanity and crude humor) Romantic roulette revolving around a nerdy teenager (Vanessa Marano) who has a crush on an equally-geeky classmate (Gaelan Connell) who, in turn, is in love with a cheerleader (Riley Voelkel) who is already dating their school’s football team captain (Beau Mirchoff). Featuring Jim Belushi, Jennifer Tilly and William Katt.

Shepard & Dark (Unrated) Long distance documentary about the pen pal friendship of Sam Shepard and Johnny Dark.  

Wild Style (R for profanity) 30th anniversary re-release of the hip-hop classic featuring appearances and performances by such seminal rap artists as Grandmaster Flash, Fab Five Freddy and the Rock Steady Crew.   

Sharni Vinson (INTERVIEW)



Sharni Vinson
The “You’re Next” Interview
with Kam Williams

Vinson’s Vision


Born in Sydney, Australia on July 22, 1983, Sharni Vinson was raised in Cronulla Beach in New South Wales where she began singing, dancing and acting at a young age. She is best known for playing the role of Cassie Turner on the long-running Aussie TV soap opera “Home and Away.”
At just 17, she was signed to Roadshow Music to become a member of the R&B band, Foxfire IV. In 2008, she relocated to Los Angeles and was immediately embraced by the entertainment industry, booking guest roles in “NCIS,” “CSI: NY,” “My Boys,” and the pilot for “Austin Golden Hour.”
After an extensive search for a leading lady with amazing dance ability, Vinson landed the coveted lead role of ‘Natalie’ in Summit Entertainment’s Step Up 3D, which was released in August 2010. The plot revolves around a tight-knit group of New York City street dancers who found themselves pitted against the world's best hip hop dancers in a high-stakes showdown that would change their lives forever.
In 2011, Sharni starred in Blue Crush 2 for Universal Studios, the follow up to the hit film about a group of girls who worked as waitresses and chamber maids to finance their passion for surfing. Last year, she starred in the action- thriller BAIT 3D, a disaster flick about a freak tsunami which traps shoppers inside a coastal supermarket along with a herd of hungry sharks.
Besides performing, Sharni is also an accomplished athlete, having represented New South Wales at the National Swimming Championships.  Here, she talks her latest film, You’re Next, a horror flick co-starring AJ Bowen, Joe Swanberg, Nicholas Tucci and Wendy Glenn.

Kam Williams: Hi Sharni, thanks for the opportunity to interview you.
Sharni Vinson: No, thank you so much, Kam.

KW: I really loved You’re Next. In fact, I’d have to say it’s the best horror flick of 2013 so far, in a great year for scary movies including The Conjuring, The Purge, and a few others.
SV: That’s great!

KW: And in my review, I don’t reveal any of the shocking developments, since this is a picture that has to be seen cold, with no knowledge of its unpredictable twists and turns.
SV: I agree. The element of surprise is everything.

KW: How would describe You’re Next in 25 words or less?
SV: As not your typical home invasion horror movie. It takes place at a family reunion where things quickly turn very dramatic. Basically, we all have to fend for our lives in the house. I don’t know if I can say too much more than that without spoiling it.

KW: That’s perfect. I loved your breakout performance. Your character Erin’s spunkiness very much reminded me of Katniss Everdeen, the heroine of The Hunger Games.
SV: Thank you. We wanted to keep the character likable, relatable, and still very strong and tough, so she’d be a very positive, female role model. There’s nothing in her that’s out of the ordinary in the sense that she’s not a superhero with superpowers. She’s just doing what she has to do in order to get the job done. I like the role for me and for the general audience because I think it shows how important it is to learn self-defense. So, I hope people can come out of this film getting into that more.   

KW: I know you were a nationally-ranked swimmer as a teenager, so you’re already very athletic. But did you have to do any specially training for this physically-demanding role?
SV: Not really, because there wasn’t any time. We shot this film over four weeks, and I only had three days of training in the lead-up to rolling the cameras. So, it was very important to the producer and director to find a girl who was already physically capable of stepping into a role like this. And thanks to my swimming and dancing and very competitive sports upbringing, I had that physicality ready to go. So, we were more or less focusing on certain exact skills like reaction time, boxing, agility exercises, and how to twirl a knife and a fireplace poker.  That was really a lot of fun. But overall, we devoted more time to developing the mentality of the character than her physicality. 

KW: I noticed that a number of your fellow cast members, like Joe Swanberg and Amy Seimetz, are members of the Mumblecore movement here in the U.S. Are you familiar with Mumblecore?
SV: I really am not. It’s really a whole new experience for me, which has been so great, because Amy and Joe and Ti [West] are not only amazing actors but also incredible directors to this specific horror genre. It was mind-expanding to be able to work with them on a project of this scale. Having them on the set, made the director’s [Adam Wingard] and the rest of the cast’s work so much easier. I thought I was learning from the best with them. 

KW: Harriet Pakula-Teweles asks: How do you prepare for and detox from a blood-and-guts thriller?
SV: It’s funny, because so many people assume it must have been a horrific experience making this movie. But because we were there every day, shooting on a night schedule from 5 p.m. until 7 a.m., bonding as a cast and watching how the prosthetic department put the props and blood and gore together, it was actually so much fun. It wasn’t scary because we were privy to the inside gag of how you create movie magic. And that just became the running joke on the set. You can’t help but laugh when you’re eating dinner at 1 in the morning next to someone with an arrow sticking out of his back. It was all so light off-camera, yet when we would roll, we would literally snap from a laughing, singing and joking moment into a totally serious mood. So, it never was scary during the film, just very entertaining because we were having such a great time.  

KW: You started out as a singer in the R&B group Foxfire IV. Are you still singing? 
SV: I started out learning all the different aspects of the entertainment industry: singing, dancing and acting. It was very much put to me from a young age that it benefits you to be a triple-threat in the business. I come from a line of performers in musical theater, my mom and my grand-mom, who encouraged me to train in all three areas of the arts. So, now it’s second nature in me, and I always keep those options open. At different points in my life, one has overtaken the others, but the great thing about acting is that you can find a way to incorporate any skill you have into a role. I’ve done a dance movie, maybe now we can do a musical. That would be really cool.

KW: The Harriet Pakula-Teweles question: With so many classic films being redone, is there a remake you'd like to star in?
SV: Oh, man, that’s hard to say, because anything classic-classic almost should not be touched. But sometimes you feel the passion that you’d like to be in that movie yourself. I’m not suggesting it needs to be remade, but if they ever redid A Chorus Line, I’d love to play Valerie. Who knows? Maybe one day. [LOL]

KW: Is there any question no one ever asks you, that you wish someone would?
SV: No, I’ve been getting a lot of questions lately that even I wouldn’t have ever thought of.

KW: The bookworm Troy Johnson question: What was the last book you read?
SV: “Conversations with God.”


KW: The music maven Heather Covington question: What was the last song you listened to? 
SV: “Blurred Lines” with Pharrell and Robin Thicke.

KW: What is your favorite dish to cook?
SV: Anything with a lot of garlic and a lot of chili, like a Thai chicken vegetable stir-fry. You’d be lucky if you can find the other ingredients under all the garlic and chili I use. 

KW: The Uduak Oduok question: Who is your favorite clothes designer?
SV: Roberto Cavali.

KW: Haven’t you done modeling, too? 
SV: No, that’s a bit of a myth. I read that in the press a lot, but I don’t know where that came from.

KW: The Mike Pittman question: What was your best career decision?
SV: Moving to America.

KW: When you look in the mirror, what do you see?
SV: The person I always wished I could be.

KW: If you could have one wish instantly granted, what would that be for?
SV: I would like to be able to fly.

KW: The Ling-Ju Yen question: What is your earliest childhood memory?
SV: Making all my cousins, even the boys, get dressed-up in these ridiculous outfits every Sunday, and then have them sing and dance for the family.

KW: The Anthony Mackie question: Is there something that you promised to do if you became famous, that you still haven’t done yet?
SV: Yeah, I haven’t bought a house in Hawaii yet, and that’s been my dream for a dozen years now. I want my first house to be in Hawaii.

KW: You should’ve done a little house hunting when you made Blue Crush 2.
SV: I wasn’t there then. The original was made in Hawaii, but the sequel was shot in South Africa.

KW: The Kerry Washington question: If you were an animal, what animal would you be?
SV: A mole. I already am a mole in every sense of the word. Nothing gets past a mole. They’re like spies and detectives. So, the question’s not if I were an animal, since I’m already a mole.

KW: The Anthony Anderson question: If you could have a superpower, which one would you choose?
SV: I already said I’d like to fly. Do I have to pick another? Invisibility would be a good one.

KW: The Gabby Douglas question: If you had to choose another profession, what would that be?
SV: Something working with animals, like animal rescue. I’m very passionate about animals and the ocean. Maybe marine biology. 

KW: Editor/Legist Patricia Turnier asks: Do you believe that with great power comes great responsibility?
SV: Yes, I believe it’s very important to be a positive role model. And yet, no, to a degree because you also can’t merely live your life purely from the aspect of “How will this affect others?” It’s like a balance. You have to take the public image into account, but not let it rule your life.

KW: Attorney Bernadette Beekman asks: What is your favorite charity?
SV: I’m very involved with the Guide Dog Association in Australia. I have a chocolate Labrador, and we do the walk every year to raise money for that. I also work with the World Wildlife Foundation.

KW: What advice do you have for anyone who wants to follow in your footsteps?
SV: Never give up! Most of life’s biggest failures are people who didn’t realize how close they were to success when they gave up. Life begins at the end of your comfort zone. If you believe that you were meant to do something, then you were. So, persist with it, have some patience, and stay true to your own beliefs. Don’t let others make decisions for you.

KW: Thanks again for the time, Sharni, and best of luck with You’re Next.
SV: I’m so glad you liked it, Kam. I really appreciate that.

To see a trailer for You're Next, visit: http://lionsgatepublicity.com/theatrical/yourenext/