Friday, February 6, 2015

Addicted (DVD REVIEW)


Addicted

DVD Review by Kam Williams

Headline: Adaptation of Zane’s Erotic Best-Seller Arrives on DVD

I’m not sure whether in these more enlightened, politically correct times I’m still allowed to call a movie a “chick flick.” But that describes how I felt after watching Addicted, since I assume that testosterone heavily influenced my displeasure with it. Therefore, fellow males might want to take anything positive I have to say here with a ton of salt.
At the point of departure, we’re introduced to Zoe Reynard (Sharon Leal). The attractive wife/mother/career woman has a thriving business and a sprawling house in the suburbs where she lives with a couple of cute kids and a doting husband (Boris Kodjoe) who just adores her. Jason showers her with affection and little reminders of his devotion like “I love you more than life itself,” and “Our love is forever.”
Trouble is he can’t satisfy her sexually, despite being a handsome hunk and giving it his best efforts between the sheets. Consequently, after they’ve made love, she remains so aroused that she slips out of bed to finish herself off with a huge dildo.
But she’s somehow still horny the next morning and, despite making mild protestations (“This isn’t right!”), easily succumbs to the seductive charms (“I just love the way your lips move.”) of Quentin (William Levy), an ardent Latin lover with an unintelligible accent that just screams “Subtitle this!” Meanwhile, the indiscriminate adulterer also indulges her illicit urges with a buff biker named Corey (Tyson Beckford).
All of the above unfolds flashback-style as recounted by the regretful protagonist in therapy sessions with Dr. Marcella Spencer (Tasha Smith). Unfortunately, the ineffective shrink comes off as more of a voyeur than a psychologist, given her vapid, incongruous responses (“We need to talk about your childhood,” and “We need to talk about your past.”) to Zoe’s couch confessions.
Long ago, I learned Newton’s law that bodies at rest stay at rest, and bodies in motion stay in motion. But what about a body hit by a speeding car at about 70 mph? You’ll have to see the movie to get that laughable lesson in cartoon physics.
Far be it from me to totally trash a seemingly-silly soap opera males (0 stars) might find laughable to the same extent it moves females (4 stars) to tears. Go figure! Consequently, with the wisdom of a modern day Solomon, permit me to play it safe by splitting the difference, (hence the 2 stars).

Good (2 stars)
Rated R for nudity, profanity, graphic sexuality and brief drug use
Running time: 106 minutes
Distributor: Lionsgate Home Entertainment
DVD Extras: Deleted scenes; Getting Intimate with Zane; and Filming Addicted with the Hottest Men on the Planet.

To see a trailer for Addicted, visit:

To order a copy of Addicted on DVD, visit:

Thursday, February 5, 2015

Jupiter Ascending (FILM REVIEW)



Jupiter Ascending
Film Review by Kam Williams

Headline: Humble Housekeeper Turns Earth Heir Apparent in Futuristic Sci-Fi

            In 1999, Andy and Lana Wachowski wowed the world with a spectacular mind-bender called The Matrix. But that was ages ago, another millennium, in fact, and their diehard fans have been patiently awaiting the launch of another groundbreaking, sci-fi franchise over the intervening years.
            Those prayers might have finally been answered by Jupiter Ascending, a futuristic adventure featuring Mila Kunis in the title role of Jupiter Jones. The film is likely to serve as the first installment in a special f/x-driven series revolving around an apocalyptic showdown over the fate of humanity.  
            The picture’s point of departure is the city of Chicago, which is where we meet Jupiter, a humble housekeeper born without a country, a home, or a father. She hates her life, between cleaning other people’s toilets and a never-ending string of tough luck, despite an astrological chart marked by Jupiter rising at 23 degrees ascendant which supposedly means she’s a woman of great destiny.
            Truth be told, she’s not merely a maid, but has royal blood running through her veins, even if it is of the alien variety. As it turns out, Jupiter’s actually entitled to inherit Earth, and is informed of that good fortune by Caine Wise (Channing Tatum), a hunky emissary from a distant galaxy.    
            The epic unfolds like a classic origins tale by introducing a plethora of characters and filling in their back stories. For instance, we learn about a trio of aliens from the same planet as Caine, Balem (Eddie Redmayne), Titus (Douglas Booth) and Kalique Abrasax (Tuppence Middleton), each of whom is vying for control of the family food business in the wake of the death of their mother.
            That gruesome business involves the seeding of countless planets with life forms for the purpose of consumption. And they are just about ready to harvest humanity, since the Earth is now overflowing with people.
The only thing standing in the way is Jupiter, whose royal genetic signature has established her to be an Abrasax as well as the rightful heir to Earth. For that reason, there’s a price on her head. And her and humanity’s hope for survival rests on the broad shoulders of her proverbial half-albino/half-wolf knight in shining armor, Caine.
Once this creepy Soylent Green (1973) subplot is revealed, the pace of Jupiter Ascending ramps up substantially. For, at that juncture, the film sweeps up Jupiter for a visually-captivating journey which careens around the universe at breakneck speed, while barely pausing to take a breath until finally depositing a very relieved heroine back home where she’s happy to find herself surrounded by familiar faces.
            An over-stimulating, intergalactic odyssey evocative of The Wizard of Oz.      

Very Good (3 stars)
Rated PG-13 for violence, sci-fi action, partial nudity and some suggestive content
Running time: 127 minutes
Distributor: Warner Brothers Pictures

To see a trailer for Jupiter Ascending, visit:    https://www.youtube.com/watch?v=TLyk00gFPdQ

3 Nights in the Desert (FILM REVIEW)



3 Nights in the Desert
Film Review by Kam Williams
 

Intriguing Romantic Romp Revolves around Musical Trio’s Awkward Reunion

            At 20, Anna (Amber Tamblyn), Barry (Vincent Piazza) and Travis (Wes Bentley) were members of a Rock & Roll trio with high expectations. But that was before the band broke up and each went their separate ways a half-dozen years ago.
In the interim, they’ve become estranged from each other. Anna made her way to Europe where she became something of singing sensation. Meanwhile, drummer Barry abandoned the dream of superstardom for the conventional path of becoming a lawyer, marrying and settling down in the suburbs to start a family. And guitarist Travis, a purist who never sold out, is still a struggling artist living in the desert.
But since they share the same birthday, and they’re all about to turn 30, Travis decides it’s time to bury the hatchet. So, he invites them to spend the weekend at his desolate lair hoping to orchestrate a reunion and maybe even regenerate some of the group’s musical magic.
Unfortunately, Travis forgot about the unresolved romantic tensions which contributed to the breakup, given how Barry had an unrequited crush on Anna who, in turn, had one on him. And the three find out how quickly those unresolved feelings can resurface upon reconvening, especially if isolated in very cramped quarters.
            Directed by Gabriel Cowan (Growth), 3 Nights in the Desert is an intriguing, character-driven drama which unfolds in thoroughly compelling fashion. The picture works because each of the protagonists is complicated, having both strengths and flaws that are readily identifiable.
If the aim of the picture is to trigger introspection in an audience about the consequences of the choices one makes in life, then bullseye!

Very Good (3 stars)
Rated R for profanity and sexuality
Running time: 83 minutes
Distributor: Monterey Media

To see a trailer for 3 Nights in the Desert, visit:  https://www.youtube.com/watch?v=Jb1ydKHyuAg

F.B. Eyes (BOOK REVIEW)



F.B. Eyes
How J. Edgar Hoover’s Ghostreaders Framed African American Literature
by William J. Maxwell
Princeton University Press
Hardcover, $29.95
384 pages, Illustrated
ISBN: 978-0-691-13020-0

Book Review by Kam Williams

“Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau’s intimate policing of African American poems, plays, essays, and novels. Starting in 1919… secret FBI ghostreaders monitored the latest developments in African American letters…
These ghostreaders knew enough to simulate a sinister black literature of their own. The official aim… was to anticipate political unrest. Yet, FBI surveillance came to influence the creation and public reception of African American literature in the heart of the 20th Century...
Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature.”
-- Excerpted from the Bookjacket

Allen Ginsberg’s epic poem “Howl” begins, “I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn…” I couldn’t help but recall that iconic line while reading F.B. Eyes, a damning expose’ by William J. Maxwell illustrating the FBI’s long history of monitoring, policing and infiltrating the ranks of African-American writers.
            For decades, from the Harlem Renaissance of the Twenties clear through to the Black Arts Movement of the Seventies, J. Edgar Hoover not only closely monitored the movements and work of black authors but employed agents to create and promote content as a counterintelligence measure.
            These revelations are rather disturbing to me, as a Black Literature major-turned-aspiring novelist who failed to get either of my books published after getting a masters degree from an Ivy League institution. It never occurred to me way back then that the reason for all the rejections from publishers might have had more to do with interference on the part of government spies than the quality of the work itself.
However, the degree of FBI interference chronicled here is nothing short of shocking, between the abuses of power and infringements of Constitutional rights. This meticulously-researched opus reveals the Bureau to be a diabolical outfit dedicated to the destruction of the African-American intelligentsia by any means necessary.
For example, we learn that after Amiri Baraka founded the Black Arts Repertory Theater (BART) in Harlem in 1965, Hoover planted moles in the group to ensure the organization’s early demise. He even had the temerity to allow a white Assistant Director, William Sullivan, pose as black while ghostwriting everything from best-sellers to letters threatening the life of Dr. Martin Luther King, Jr.
A daunting discussion of the FBI’s chilling effect on the writing careers and private lives of members of the black literati.

To order a copy of F.B. Eyes, visit:  

Kam's Movie Kapsules for 2-13-15



OPENING THIS WEEK
Kam's Kapsules:      
Weekly Previews That Make Choosing a Film Fun         
by Kam Williams
For movies opening February 13, 2015


BIG BUDGET FILMS   

Fifty Shades of Grey (R for profanity, graphic sexuality, frontal nudity and perverse behavior) Screen adaptation of E.L. James’ steamy romance novel revolving around the sadomasochistic adventures of a literature student (Dakotta Johnson) under the spell of a wealthy businessman (Jamie Dornan). Supporting cast includes Jennifer Ehle, Luke Grimes and Rita Ora.

Kingsman: The Secret Service (R for profanity, sexuality and graphic violence) Espionage thriller based on The Secret Service, a comic book series about a suave veteran spy (Colin Firth) who recruits a promising young protégé (Taron Egerton) to help thwart a twisted tech billionaire’s (Samuel L. Jackson) diabolical plot. With Michael Caine, Mark Hamill, Sophie Cookson and Mark Strong. (In English, Arabic and Swedish with subtitles).  


INDEPENDENT & FOREIGN FILMS 

Crazy Bitches (Unrated) Horror comedy about seven sorority sisters whose weekend getaway with a gay pal (Andy Gala) to a remote cabin in the woods is ruined by the arrival of a bloodthirsty psychopath who proceeds to pick them off one-by-one. Co-starring Samantha Colburn, Cathy DeBuono, Liz McGeever, Victoria Profeta, Guinevere Turner, Nayo Wallace and Mary Jane Wells.

Da Sweet Blood of Jesus (Unrated) Spike Lee directed this horror flick ostensibly inspired by Ganja & Hess, the 1973 horror flick revolving around a doctor (Stephen Tyrone Williams) who becomes consumed by a thirst for blood after handling an ancient African artifact. Ensemble includes Zaraah Abrahams, Rami Malek, Joie Lee, Felicia “Snoop” Pearson and Elvis Nolasco.

Gett: The Trial of Viviane Amsalem (Unrated) Ronit Elkabetz portrays the title character in this Israeli drama as a miserably-married woman dependent upon a rabbi’s approval for a divorce from her reluctant spouse (Simon Abkarian). With Menashe Noy, Sasson Gabai and Rami Danon. (In Hebrew, Arabic and French with subtitles)

Girl House (Unrated) Slasher flick featuring a college coed (Ali Cobrin) who starts stripping online for an X-rated website to pay her tuition only to find herself being stalked by a deranged fan. Cast includes Adam DiMarco, Alyson Bath and Alice Hunter.

The Last Five Years (PG-13 for sexuality, brief profanity and a drug image) Screen adaptation of Jason Robert Brown’s Off-Broadway musical of the same name deconstructing the failed marriage of a promising novelist (Jeremy Jordan) and a struggling actress (Anna Kendrick). With Meg Hudson, Natalie Knepp, Cat Lynch and Ashley Spencer.

Old Fashioned (PG-13 for mature themes) Faith-based romance drama revolving around a reformed party animal (Rik Swartwelder) willing to remain celibate while dating his impatient new neighbor (Elizabeth Roberts) who might be Ms. Right. Cast includes LeJon Woods, Tyler Hollinger, Dorothy Silver and Nini Hadjis.  

What We Do in the Shadows (Unrated) Horror comedy, set in New Zealand, revolving around the trials and tribulations of four vampires (Taika Waititi, Jemaine Clement, Jonathan Brugh and Ben Fransham) sharing a flat in a city inhospitable to the undead. With Cori Gonzalez-Macuer, Jackie van Beek and Stuart Rutherford. (In English and German with subtitles)

The Worst Year of My Life (Unrated) Romantic dramedy about a down-on-his-luck, just-dumped, depressed dude (Trevor St. John David) whose road to recovery involves online dating and living in his car. Cast includes Brandi Posey, Nicholas Tucci and Amy Vorpahl.

Tuesday, February 3, 2015

Girlhood (FILM REVIEW)


Girlhood
Film Review by Kam Williams

Troubled Teen Joins All-Girl Gang in Cautionary Coming-of-Age Tale

            Oscar-nominated Boyhood is a tortoise-paced, time-lapse affair about what it’s like to grow up white and male in suburban America. At the other end of the spectrum, we now have the relatively-dizzying Girlhood, a cautionary coming-of-age tale exploring what it’s like to be black and female and trying to survive in a Parisian ghetto.
The story revolves around Marieme (Karidja Toure), a 16 year-old slacker going nowhere fast. She’s just learned that she still won’t be headed to high school, despite having already repeated the 8th grade twice.
Between failing academically and an abusive home situation, it comes as no surprise that Marieme might decide to fly the coop and seek a fresh start with the nickname Vic. What is unexpected, however, is that she isn’t inspired by a boy but by the idea of joining an all-girl, all-black gang run with an iron fist by a sassy sister named Lady (Assa Sylla). 
The other members of the estrogen-fueled, sepia posse are Adiatou (Lindsay Karamoh) and Fily (Marietou Toure), a couple of equally-rudderless rebels without a clue. The four fugitives from polite society proceed to fritter away their days robbing youngsters for their lunch money, flirting with boys, cat-fighting with a rival gang, and gyrating while lip-synching female empowerment anthems like Rihanna’s “Diamond in the Sky.”
   Not much of productive consequence ever happens in their neck of the ‘hood, which explains why Marieme soon tires of the unfulfilling routine. Unfortunately, given her limited skill set, the only alternative she finds is selling narcotics to wealthy white kids for Abou (Djibril Gueye), a creepy pimp/drug dealer with a hidden agenda.
As compelling as a train wreck, Girlhood is an eye-opening drama you just can’t take your eyes off of. Such a super-realistic, slice-of-life often feels more like a documentary than a drama as you watch losers with low self-esteem do, well, the sort of things losers with low self-esteem do.
The cinematic equivalent of slumming around the City of Lights’ seamy underbelly.  

Very Good (3 stars)
Unrated
In French with subtitles
Running time: 113 minutes
Distributor: Strand Releasing

To see a trailer for Girlhood, visit: https://www.youtube.com/watch?v=lJudaZEY-Uc       

Sunday, February 1, 2015

Tasha Smith (INTERVIEW)



Tasha Smith
The “Addicted” Interview
with Kam Williams

A Spirited Tête-à-Tête with Tasha 2.0

Tasha Smith is a multifaceted actress whose work brings style and intensity to the subjects she plays on the big and small screens. She currently stars in the television series “Tyler Perry’s For Better Or Worse” on the OWN Network, for which she earned an NAACP Image Award nomination as “Outstanding Actress in a Comedy Series.”

Tasha’s memorable portrayal of Angela in Why Did I Get Married? and Why Did I Get Married, Too? sparked the creation of the spin-off series which is focused around her relationship with her husband, Marcus, played by Michael Jai White. Additionally, she has joined the cast of Fox-TV’s new hip-hop drama series, “Empire.”

Tasha’s other film credits include Daddy’s Little Girls opposite Idris Elba and Gabrielle Union where she delivered a powerful performance which impressed audiences and critics alike. She subsequently went on to co-star in the #1 box office hit Jumping the Broom, starring Paula Patton, Laz Alonso and Angela Bassett.

She also co-starred in the romantic comedy Couples Retreat opposite Vince Vaughn, Jon Favreau, Jason Bateman and Faizon Love, adding to her already impressive box-office resume which includes ATL, The Good Mother, The Whole Ten Yards, and The Longshots. She is well-known for her extensive work on the small screen, too, most notably, her critically-acclaimed portrayal of the drug-addicted Ronnie Boyce on the Emmy Award-winning mini-series "The Corner."

On and off the big and small screen, Tasha has a naturally commanding presence. She takes time to share her inspirational life story through motivational speaking, and to mentor emerging actors through the Tasha Smith Actors Workshop (TSAW). And in her spare time, the Camden, New Jersey native loves to workout at the gym, cook gourmet meals, and entertain friends at her home.

Here, she talks about co-starring as Dr. Marcella Spencer opposite Sharon Leal in Addicted, the screen adaptation of the steamy best-seller by Zane.

Kam Williams: Hi Tasha, thanks for the interview. It’s been too long.
Tasha Smith: Hi Kam. I’m happy to talk with you.

KW: Same here! Maya Angelou once said, “People will forget what you said, people will forget what you did, but people will never forget how you made me feel.” And whenever I’ve interviewed you, you’ve always made me feel great.
TS: Oh, Kam, thank you! That is awesome.

KW: You’re publicist was a little concerned about what I would talk to you about today. So, I sent her an outline of what areas I hoped to cover. Did you read it?
TS: No, I’ve been working so hard, I didn’t have a chance to look at it. But I trust you, and I adore you. I’m sorry.

KW: No, need to apologize. I know that you’re busy enough as an actress, and then you spend so much time teaching acting workshops, too. [www.tsaw.com]
TS: Yeah, you know I’ve opened up my school in California in a beautiful facility on Ventura Boulevard. I’m always in heaven when I’m doing my classes.

KW: What interested you in Addicted? Had you read the book? How about Fifty Shades of Grey?
TS: I read the book, of course, because I had to in order to see the whole dynamics of Dr. Marcella’s relationship with Zoe [played by Sharon Leal], and I loved Marcella. I loved her voice… I loved her tone… I loved the fact that she was the voice of reason who served as the guide to help Zoe deal with her addiction so that she would not destroy the rest of her life and her family relationships, because that’s exactly what addiction does. Addiction will kill everything in you and around you. I was familiar with Addicted for a long time, even prior to the movie, way before it got the greenlight. And when it finally got the greenlight, I was very happy to be a part of it.   

KW: How did you prepare to play your character, Dr. Marcella Spencer?
TS: I tell you, I met with so many therapists… I sat in on sex addiction classes… I went through hypnotherapy because, at first, she was supposed to be a hypnotherapist. I feel like the people I met and the experiences I had in group sessions gave me a good anchor for Marcella. 

KW: When I went to see the film, the audience was 90% female? Why do you think that was the case?
TS: I think because it opened up fantasy in terms of women’s sexuality. We’re used to seeing fantasy explored from a male perspective, and the way men might see sex, have sex, want sex and even be addicted to sex. But I don’t think women pursuing that sexuality within themselves is something that’s talked about or experienced as often. I think women found it intriguing because they wanted to see what that look like and felt like and sounded like. I think it was a curiosity with women.

KW: The screen version of Fifty Shades of Grey is coming out soon. Do you see any parallels between that and Addicted?
TS: I do, as far as the type of story it is. I know it’s the same genre, but I’ve never read the book. So, I can’t really comment about it. But I am going to see the film, and I think that it’s cool. Zane has been that urban voice for black people as far as our sexuality and our sensuality, not that she only has an urban following. We may be used to seeing the Zoe’s of other races, but I think it was great to be able to tell the story of this beautiful black woman and her family.

KW: I remember meeting Zane at a party and being surprised that she seemed so straitlaced and perfectly normal, and not a nymphomaniac like one of her protagonists.
TS: Yes, she looks like she could work at the Post Office. She’s just as conservative, but with a mind that could blow your mind.

KW: What would you say is the movie’s message?
TS: That if you don’t deal with addiction, it could destroy your life. It also addresses the inspiration of restoration in a relationship. 

KW: I see that you have a picture called Polaris coming out this year. What type of character do you play there?
TS: I play Sophie, who’s that All-American best friend. It was more of a cameo role, but it was still a wonderful opportunity to work with an amazing, first-time director [Soudabeh Moradian], at least as far as features, who comes from the documentary film world. It was also great to have a chance to work with my best friend, Elisabeth Rohm.

KW: What other upcoming projects do you have, Tasha?
TS: I have two new TV shows, Power and Empire. On Empire, which just premiered in January, I play Carol, who’s Cookie Lyons’ [played by Taraji P. Henson] sister. It’s fun. It’s a great show.

KW: Tell me a little about Power.
TS: That doesn’t come on until the summer. It’s with Omari Hardwick, Naturi Naughton and Curtis “50 Cent” Jackson. You’re gonna love it!

KW: The Uduak Oduok question: Who is your favorite clothes designer?
TS: My favorite clothes designer? It’s a shame that I don’t have a favorite right now. I gotta tell you, Kam. I am just discovering my fashion side. I have never felt anchored when it comes to fashion. I’ve always had to depend on a stylist helping me to figure it out. But over, maybe, the last four or five months, I have literally been getting back to myself and to what I really love as far as fashion is concerned. So, I can’t really answer that question, although I do have a couple of favorite shoe designers I have a little bit of an addiction to: Giuseppe [Zanotti] and Christian Louboutin. For some reason, I’m in love with their shoes... [Pauses] Wait, I just thought of a designer that I’m actually feelin’ who’s really fun and exciting for me… Stella McCartney… I’m feelin’ her. I have some pieces of hers that make me go look for more of her pieces.

KW: When you look in the mirror, what do you see?
TS: [Breathes deeply… exhales… clears her throat] That’s a very good question. Kam, I gotta tell you, you always ask me wonderfully probing questions and, for some reason, I always want to be extremely honest with you.
  
KW: I’ve always appreciated that. 
TS: I’ll say this: the last three years of my life have been very painful and somewhat abusive, mentally.

KW: Gee, I’m so sorry to hear that.
TS: And I always found myself trying to cover the mental anguish and the torment and the abuse that I was dealing with. That made me always question my beauty, my intelligence, and a lot of other things about myself.

KW: That is so sad! I had no idea.
TS: I felt like I was literally losing myself as being the joyful, spiritual, passionate, exciting woman that I naturally had been. I remember working on a show, and feeling so insecure about whether I looked attractive enough to do a love scene. It was weird because I couldn’t understand why I wasn’t feeling beautiful, even though I knew I was. And my friends were like, “You know why!” I remember that I kept asking the person I was working with whether I looked okay. He was kind enough to take a photo of me on the monitor. When he took the photo, he asked the director to wait. Then he came to me and said, “This is how you look.” I don’t think even he knew how that moment impacted me. My reaction was, “Wow! I look like that?” You hear about actresses experiencing their insecurities, and how we always want to feel pretty enough, good enough, or this or that enough. But this was such a revelation for me, because I had been spending time in the mirror questioning my beauty. When he showed me that snapshot, I finally really appreciated myself again. There was this revelation in one second that really blessed me, big time. So, now when I look at myself in the mirror, I see this beautiful woman that’s getting back to her old self.   

KW: That’s terrific! Sherry Gillam would like to know what makes you smile on the inside?
TS: Right now, my excitement about my life and my future makes me happy, because I am a dreamer, and I always dream, no matter how many obstacles are in my way. My dreams, my desires, and my goals make me smile.

KW: Finally, what’s in your wallet?
TS: [How’s with laughter] What’s in my wallet? A note to myself.

KW: Thanks again, Tasha. I really appreciate your being so open and forthcoming with me, as usual.
TS: Thank you, Kam, and have a great day, okay?

To see a trailer for Addicted, visit:

To see a video about the Tasha Smith Actors’ Workshop, visit: http://tsaw.com/actors_workshop_video10.html

To order Addicted on DVD, visit: