Aunjanue Ellis
The
“Of Mind and Music” Interview
with
Kam Williams
Tried and True Aunjanue!
Aunjanue has also starred in numerous movies, including The Help, where she played Yule Mae Davis, the maid arrested for allegedly stealing a ring. In the James Brown biopic Get On Up, she portrayed Vicki Anderson, acknowledged by Brown in his autobiography as probably the best singer he ever witnessed.
Earlier in her career, she starred opposite Denzel Washington in The Taking of Pelham 123, and opposite Samuel L. Jackson in The Caveman’s Valentine. She shared a SAG Award nomination for her role as Mary Ann Fisher in Ray and received an NAACP Image Award nomination for her performance as a medical student in Men of Honor.
Aunjanue's additional film credits include Romeo and Juliet in Harlem, Ed’s Next Move, The Express, Freedomland, Lovely & Amazing, A Map of the World, Notorious and The Volunteer. She made her motion picture debut in Jim McKay’s Sundance Film Festival hit Girls Town, opposite Lili Taylor.
On television, she starred in “Abducted: The Carlina White Story” and garnered a second NAACP Image Award nomination for her portrayal of Candy Carson in the made for television film “Gifted Hands: The Ben Carson Story.” Aunjanue has appeared as a series regular on “The Mentalist,” “High Incident,” “E-Ring” and “Justice.”
Though born in San Francisco, she claims the small Mississippi town of McComb as her home. There, Aunjanue's grandmother raised her on a farm that has been in the family for generations. “My mother gifted me with my particular kind of radical imagination," she reflects, "and my grandmother gave me the tools to execute it.”
But it was not until she was a student at Tougaloo College that Aunjanue would discover the stage. That led her to transfer to Brown University, where she received her Bachelor of Arts degree in African-American Studies, while also training as an actor. She went onto receive a Master of Fine Arts degree from New York University’s Tisch School of the Arts.
Here, she talks about her latest outing as a New Orleans street singer suffering from Alzheimer's in Of Mind and Music
Kam
Williams: Hi
Aunjanue, thanks for another opportunity to speak with you.
Aunjanue
Ellis:
Thanks,
Kam.
KW:
What interested you in Of Mind and Music? Do you know anyone
suffering from Alzheimer's?
AE: It
was a New Orleans story, first and foremost, and my romance with that
place is deep and enduring. And yes, my Aunt Mae had Alzheimer's. My
mother has Parkinson's disease. So, neurodegenerative diseases have
defined our family life. It was free therapy for me to be able to
explore the living pain of it as an actor. KW: How did you prepare to play Queenie?
AE: One of the symptoms of Parkinson's is intermittent dementia. So my mother's experience informed a great deal of my choices. I studied her and took what I learned to work.
KW:
What
was the most challenging aspect of the role?
AE: I
had never played anyone like her before. What was most challenging
was playing the age which meant a long time in makeup, and being
consistent with her manner. I hope that people will watch the movie
and start a needed conversation about the woes and rewards of
caregiving for someone who has the disease. And also I hope it spurs
an urgency to cure it.
KW:
Congratulations
on the success of The Birth of a Nation, where you play Nat Turner's
mom, Nancy. Were you surprised when the movie won both the audience's
and the jury's Best Picture awards at the Sundance Film Festival last
month?
AE: Thank
you. I loved working with Nate on the film. He is such a generous
director, producer and acting partner. I am so proud to be a part of
it. The night of the screening was magic. And while I had no
expectations, I had an inkling that something remarkable would
happen.
KW:
AALBC.com
founder Troy Johnson asks: What was the last book you read?
AE: I
am reading several books at the same time now, but you can find most
of my DNA on "A Brief History of Seven Killings" by Marlon
James.
KW:
The music maven Heather Covington question: What was the last song
you listened to?
AE:
"Turn
Your Love" by Half Moon Run. Then, I listened to myself
eviscerate Al Green's version of "One Day at a Time."Thank
God for walls!
KW:
What is your favorite dish to cook?
AE:
My Cherry Cobbler. I can eat the whole thing by myself.
KW:
Ling-Ju Yen asks: What
is your earliest childhood memory?
AE:
My
heartbreak when my crush, Tommy Vick, shared his headband with
another girl. I was 3.
KW:
Who
loved you unconditionally during your formative years?
AE:
My grandmother loved me
crazily
KW:
Was
there a meaningful spiritual component to your childhood?
AE:
Spiritual component: Well, I was raised by the wife of a pastor
of 4 churches. So, I was in church in some capacity almost every day
from the time I was 3 until I went to college. There was no choice.
But I have no resentments. None. In fact, I am so grateful for it.
The experience of that rooted me in the notion of worship. And that
is what art is--worship. Giving of yourself completely to the
creation and acknowledgement of something bigger than you, higher
than you. Whatever that may be.
KW:
What
was your very first job?
AE: My
first job was working in concessions at the local movie theater. Best
job ever. Free movies. Free popcorn. Still one of the joys of my
life. Free movie and lots of free popcorn.
KW:
When
you look in the mirror, what do you see?
AE:
More and more, I see my Aunt Mae. That makes me happy. I liked
that woman. A lot!
KW:
What's
the craziest thing you've ever done?
AE:
One
of the craziest was a knock-down, drag-out fight I had on the Great
Wall of China with my boyfriend at the time. The tourists were so
confused.
KW:
If you
could have one wish instantly granted, what would that be for?
AE: Oh
gosh, me and wishes. The first is I would cure my mom's Parkinson's.
KW:
The
Sanaa Lathan question: What excites you?
AE: What
excites me is when I doubt myself and then prove me wrong.
KW:
What is
your guiltiest pleasure?
AE:
I have no guilty pleasures. I proudly own ALL of my bad taste!
KW:
Is there any question no one ever asks you, that you wish someone
would? And please answer the question.
AE:
May I give you a million or more dollars to film the project you
have written? [Laughs]
KW:
The Uduak Oduok question: Who is your favorite clothes designer?
AE: I
have several, but I'm loving Delpozo right now. My dream is to rock a
dress at Jazz Fest in New Orleans.
KW:
The Melissa Harris-Perry question:
How did
your first big heartbreak impact who you are as a person?
AE: When
the first real boyfriend I had broke up with me, I spent years
grieving and trying to get him back. Such a waste of time! I am still
paying to this day for professional choices I made because of that
folly. Heartbreak now fuels me. I use it. I will never again be bowed
by it. I won't deny hurt. I won't deny pain. But I will get up out of
the deathbed and go to the audition anyway.
KW:
Harriet Pakula-Teweles asks: With so many classic films being redone,
is there a remake you'd like to star in?
AE:
The Heiress.
KW:
Larry
Greenberg asks: Do you have a favorite movie monster?
AE:
I
love that question, because I love monsters! I always crush hard on
them. When the recent Godzilla came out--I clapped like a baby when
he came on screen and then I don't remember what happened after that.
Oh, and the Predator! Oh my! Those locks in his hair... His infrared
vision... Lemme stop. It's too much.
KW:
Judyth
Piazza asks: What key quality do you believe all successful people
share?
AE:
They never stop being children. They have a constant sense of
discovery, they don't understand the word "no," and they
know how to create new worlds and systems with little or nothing.
KW:
What advice do you have for anyone who wants to follow in your
footsteps?
AE:
I'm not good with advice. I would say, if you are someone who
shared my particular background--being a country girl with no one
around me pursuing what I wanted--I highly encourage naïveté. And
singular focus.
KW:
The
Tavis Smiley question: How do you want to be remembered?
AE: For
working to the bone to rid my home state of Mississippi of its racist
fetishes. And for my cobbler, of course. [Laughs]
KW:
Thanks
again for the time, Aunjanue, and best of luck with the film.
AE:
Thank
you, Kam.
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