Monday, December 22, 2014

Ava DuVernay (INTERVIEW)

Ava DuVernay
The “Selma” Interview
with Kam Williams

Retracing the Road to Justice!

Ava DuVernay is a writer, producer, director and distributor of independent film. Winner of the Best Director Award at the 2012 Sundance Film Festival, Ava was honored with the 2013 John Cassavetes Independent Spirit Award and the Tribeca Film Institute 2013 Affinity Award for her second feature film, Middle of Nowhere.

She made her directorial debut with the critically-acclaimed 2008 hip hop documentary, This is The Life. A couple years later, she wrote, produced and directed her first narrative feature, I Will Follow, starring Salli Richardson-Whitfield. 

Prior to directing, Ava founded DVA Media + Marketing in 1999, and worked as a film publicist for over a dozen years. Her award-winning firm provided strategy and execution for more than 120 film and television campaigns for such industry icons as Steven Spielberg, Clint Eastwood and Michael Mann.

The UCLA grad is the founder of AFFRM, the African-American Film Festival Releasing Movement. And she is a member of the Academy of Motion Picture Arts and Sciences, as well as the Academy of Television Arts & Sciences, as well as a board member of both Film Independent and the Sundance Institute.
Here, she talks about her new film, Selma, which has been nominated for four Golden Globes, including Best Director.

Kam Williams: Hey, Ava, long time-no speak.
Ava DuVernay: It sure has been awhile, Kam. How are you?

KW: I’m great. How about you? Congrats on the Golden Globe nominations, and with the Oscars just over the horizon!
AD: I don’t know about that, but it’s been a nice ride so far.

KW: I was surprised to see you in Life Itself, the documentary about Roger Ebert, and to learn that an encouraging encounter with him as an adolescent had been such a big influence on your life. 
AD: He was such a champion of underrepresented filmmakers. He was a very big deal to me. It shows the power of critics. People who write about film, like you, can really affect the confidence of a young filmmaker. He did that for me, so it was such a pleasure to have an opportunity to talk about Roger in the movie.

KW: Editor/Legist Patricia Turnier asks: Why was it important for you to bring this story about Selma to the big screen?  
AD: Because there’s never been a film with Dr. Martin Luther King, Jr. at the center released in theaters. Ever! One does not exist. You’ve only seen tele-films and stage plays about him. Yet, we have big screens biopics about all kinds of people. So, I think it’s only right that there be a full-length feature about Dr. King. I don’t think there could be enough of them, but there should be at least one. So, here it is! 

KW: Patricia also says: The contributions of many black women to the movement, including Coretta Scott King, haven’t been credited enough. Will the audience learn more about this aspect of history in your picture? In other words, did you bring your perspective as a black female to directing Selma?
AD: Yes, Patricia, it was vital to me to include woman characters, and Coretta Scott King [played by Carmen Ejogo] is a prominent one. There’s a full arc where she’s painted, and you get to see behind the veil of her quiet dignity. Another character is Amelia Boynton [played by Lorraine Toussaint], a freedom-fighter who’s still alive and 104 years-old. She’s the woman who invited Dr. King to Selma. Oprah Winfrey plays Annie Lee Cooper, a woman who tried to register to vote five times, but was rejected and humiliated every time, and had a very infamous tussle with the local sheriff in Selma that landed on President Johnson’s desk through the newspaper accounts. Richie Jean Jackson [played by Niecy Nash] and Diane Nash [played by Tessa Thompson] are also in the film. There are a lot of sisters there who contributed to the fabric of the Civil Rights Movement.

KW: Lastly, Patricia says: The interview you did in the past with Kam Williams was translated into Spanish on my trilingual webmag. Will Selma be available in movie theaters in French and/or Spanish? I have a friend, a beautiful sister who is deaf and mute, who would like to see Selma. Will it be shown in theaters with special glasses so the deaf can watch it with subtitles?
AD: Yes, the film will be subtitled in some French and Spanish-speaking countries around the world, but I don’t know whether it will be subtitled for the deaf.

KW: Environmental activist Grace Sinden says: Congratulations on the Golden Globes nomination for directing Selma. I cannot wait to see it. We know that it is difficult for women to move up in many fields but this issue has recently received much focus, especially in terms of Hollywood directors. What advice do you have for women trying to break the glass ceiling? Can you share your thoughts on this issue? Was it any more difficult for you personally?
AD: Ignore the glass ceiling and do your work. If you’re focusing on the glass ceiling, focusing on what you don’t have, focusing on the limitations, then you will be limited. My way was to work, make my short… make my documentary… make my small films… use my own money… raise money myself… and stay shooting and focused on each project.  

KW: Editor Lisa Loving says there have been thousands of people marching in cities all across the country since the Missouri police officer who killed Michael Brown was not charged in his death. In our town, Portland, we see a whole new generation of community leaders stepping forward, right now. As you made this film did you have any idea it would be released at a time in history when thousands and thousands of young black people would again be marching in the streets for civil rights?
AD: I had no idea. It’s very poignant and it moves me beyond words that this film that we’ve made, that this piece of art would be released in such a robust way during this cultural moment rife with energy for change, with people taking to the streets, the power of the people being heard, and their voices being amplified. It’s an honor to have something that speaks to that right now. It certainly wasn’t anything that we knew was going to happen. But I find it thrilling that people are standing up, and I’m hopeful that it will really move the needle this time around. And it’s a little eerie that some of the events in our film are so similar to some of the things you’re actually seeing on cable news today.     

KW: Lisa also says: I feel that many people – people of all kinds – really do not know what Dr. King did in leading street protests against racist laws even as the FBI, at the highest levels, was breaking privacy laws and even laws of basic human decency to stop him. Do you think learning that about the FBI might surprise people?
AD: If you don’t know your history, I think you’ll be surprised to learn it. But it’s very prominent in the public records that there had been this counterintelligence program called COINTELPRO, for short that during the Fifties and Sixties placed leaders of progressive movements in the United States under surveillance. It was created by FBI Director J. Edgar Hoover, and was signed off on by every president in office during those decades. It’s disturbing… it certainly served to dismantle a lot of the progressive movements that existed back then. If you don’t know about it, it’s in the film, and you can Google it and learn more about it.

KW: Sangeetha Subramanian says: There are so many lessons to take away from this film and story. Is there one lesson you would like to hear discussed more that may not be getting enough attention?
AD: No, I think the film is getting plenty of attention right now. I’m just excited about January 9th when the film will be opening everywhere, and people in the real heart of the country will be able to see it. That’s the day I’m really hopeful about. That’s the day I’ll be on Twitter wanting to listen to what people have to say about the picture, good or bad, as they come out of the theater.

KW: Cinema Professor Mia Mask asks: Will you come to Vassar? We'd like you to be a guest of the film department as a visiting artist. We’ve asked you in the past, but your shooting schedule prevented it. 
AD: Thanks for the invite, Mia. You’d have to put the request in to the office. But I’m pretty booked up right now.

KW: David Roth asks: Did you have any hesitation about casting British actors in the iconic roles of Coretta Scott King and Dr. Martin Luther King?
AD: Not at all, I just wanted to cast the best actor for the job and, without a doubt, David Oyelowo and Carmen Ejogo are transformative in these roles. And I knew that they would be. David was the first black man to play a King of England on the stage of the Royal Shakespeare Theater. His chops, his acting abilities are exceptional. He gave all of himself to the part, so I hope people will come check it out.

KW: Children’s book author Irene Smalls asks: How will you judge the success of Selma, and what movie would you like to make next, if you could do anything you wanted?
AD: I will judge the success, not on any awards or on the box-office, but on how people feel and what they say after seeing it. That’s what really matters to me. The film has something to say, and in a very specific way, about freedom and dignity in this country, and about some of the great leaders who worked hard and lost their lives in the pursuit of justice.

KW: Well, I loved the film, Ava, and all the best during awards season.
AD: Thank you, Kam. I’m so glad I got to talk to you, and I look forward to talking to you again.

To see a trailer for Selma, visit:

Sunday, December 21, 2014

Blacktrospective 2014 (FEATURE)

                     Blacktrospective 2014

                     by Kam Williams

Kam’s Annual Assessment of the Best in Black Cinema

Top Ten Big Budget Black Films

1.                  Selma
2.                  The Equalizer
3.                  Top Five
4.                  Belle
5.                  Get on Up
6.                  Beyond The Lights
7.                  About Last Night
8.                  Think Like a Man Too
9.                  Black or White
10.              Addicted

Best Independent Black Films

1.                   Dear White People  
2.                   Half of a Yellow Sun
3.                   The Retrieval
4.                   From the Rough
5.                   Sucka 4 Luv

Best Black Documentaries

1.            The Trials of Muhammad Ali
2.             America the Beautiful 3
3.            The New Black
4.            Vanishing Pearls
5.            25 to Life
6.            Keep on Keepin’ On
7.            The Barefoot Artist
8.            Tanzania: A Journey Within
9.            I Am Ali
10.        Through a Lens Darkly
Best Actor (Lead Role)

1.        Denzel Washington (The Equalizer)
2.        Chris Rock (Top Five)
3.        Astro (Earth to Echo)
4.        David Oyelowo (Selma)
5.        Chadwick Boseman (Get on Up)
6.        Michael Ealy (About Last Night) 
7.        Nate Parker (Beyond the Lights)
8.        Kevin Hart (About Last Night)
9.        Tishuan Scott (The Retrieval)
10.      Cuba Gooding, Jr. (Life of a King)

Best Actor (Supporting Role)

1.       Jamie Foxx (Annie)  
2.        J.B. Smoove (Top Five)
3.        Ice Cube (22 Jump Street)         
4.        Chiwetel Ejiofor (Half of a Yellow Sun)
5.        Tyler James Williams (Dear White People)
6.        Jeffrey Wright (The Hunger Games: Mockingjay – Part 1)     
7.        Common (Selma)
8.        Boris Kodjoe (Addicted)
9.        Terry Crews (Blended)
10.      Ashton Sanders (The Retrieval)

Best Actress (Lead Role)

1.        Gugu Mbatha-Raw (Belle)
2.        Thandie Newton (Half of a Yellow Sun)
3.        Quvenzhane Wallis (Annie)
4.        Regina Hall (About Last Night) 
5.        Gugu Mbatha-Raw (Beyond the Lights)
6.        Joy Bryant (About Last Night)   
7.        Xavia Omega (Sucka 4 Luv)
8.        Taraji P. Henson (From the Rough)
9.        Nia Long (The Single Moms Club)
10.      Sharon Leal (Addicted)

Best Actress (Supporting Role)

1.        Tessa Thompson (Dear White People)
2.         Rosario Dawson (Top Five)
3.        Carmen Ejogo (Selma)
4.        Leslie Jones (Top Five)
5.        Oprah Winfrey (Selma)
6.        Anika Noni Rose (Half of a Yellow Sun)
7.        Gabrielle Union (Top Five) 
8.        Amber Stevens (22 Jump Street)
9.        Paula Patton (About Last Night)
10.      Octavia Spencer (Black or White)

Best Director (Big Budget Film)
1.                  Ava DuVernay (Selma)
2.                  Antoine Fuqua (The Equalizer)
3.                  Amma Asante (Belle)
4.                  Chris Rock (Top Five)
5.                  Gina Prince-Bythewood (Beyond the Lights)
6.                  Tim Story (Think Like a Man Too)
7.                  Tyler Perry (The Single Moms Club)
8.                  Tim Story (Ride Along)
9.                  Nick Cannon (School Dance)
10.              Billie Woodruff (Addicted)

Best Director (Independent Film)

1.                Justin Simien (Dear White People)
2.                Biyi Bandele (Half of a Yellow Sun)
3.                Pierre Bagley (From the Rough)
4.                Patrick Pierre (Sucka 4 Luv)
5.                Mark Harris (Black Coffee)

Best Director (Documentary Film)

     1.        Darryl Roberts (America the Beautiful 3)
2.       Yoruba Richen (The New Black)
3.       Nailah Jefferson (Vanishing Pearls)
4.       Mike Brown (25 to Life)
5.       Thomas Allen Harris (Through a Lens Darkly)


Saturday, December 20, 2014


Film Review by Kam Williams

Present-Day Harlem Provides Setting for Update of Beloved Cartoon Classic

Little Orphan Annie was a syndicated comic strip created by Harold Gray (1894-1968) which debuted in the New York Daily News on August 5, 1924. The cartoon revolved around the misadventures of an adorable 11 year-old with curly red hair who’d exclaim “Leapin’ lizards!” whenever she got excited.

The original strip also featured Oliver “Daddy” Warbucks, the millionaire who rescued her from an orphanage; Punjab, his loyal manservant; and Sandy, her adopted stray puppy. The popular serial was first brought to the big screen in 1932, and was adapted to the stage in 1977 as a Broadway musical.

Directed by Will Gluck (Easy A), this fifth film version is very loosely based on that Tony-sweeping production. But the story unfolds in the present at a foster home in Harlem instead of during the Depression at an orphanage located in lower Manhattan. And a few names have been changed, but the roles and motivations basically remain the same.

At the point of departure, we find Annie (Quvenzhane Wallis) and her fellow wards of the state caught in the clutches of cruel Colleen Hannigan, (Cameron Diaz), an abusive alcoholic with a mean streak who takes delight in exploiting the little girls entrusted to her care. This predicament inspires the mistreated waifs to do what else but sing about how “It’s the Hard Knock Life” for them.

Meanwhile, Annie futilely sits in front of the restaurant where she was abandoned log ago, praying for the return of the parents who’d abandoned her long ago, so the sun’ll come out “Tomorrow.” However, a ray of hope arrives when she crosses paths with mobile phone magnate Will Stacks (Jamie Foxx) who soon invites the grimy street urchin to move into his posh penthouse with a panoramic view and state-of-the-art amenities.

But did the billionaire make the generous overture merely for a photo opportunity to improve his image as a mayoral candidate? Will the cute kid be callously kicked back to the curb once the campaign’s over? 
The outcome won’t be much of a mystery to the average adult, though it will probably prove compelling enough to keep tykes and maybe even tweens glued to the edges of their seats for the full two hours. As for the lead performance, Quvenzhane Wallis is quite endearing as the latest incarnation of Annie, right from the opening scene where she ostensibly takes the proverbial baton from a freckle-faced redhead (Taylor Richardson) resembling the other actresses who’d previously played the part.

Still, the film has a glaring Achilles heel, a mediocre soundtrack. Jamie Foxx has the best singing voice here, by far. The rest of the cast members give it their all, but simply fail to deliver any show-stopping renditions of either the familiar or new tunes.
A 21st Century variation on the age-old theme where an insufferable 1%-er finally gets in touch with his sensitive side with the help of an irresistible ragamuffin representing the downtrodden rest of humanity.
Good (2 stars)
Rated PG for mild epithets and rude humor
Running time: 118 minutes
Distributor: Columbia Pictures

To see a trailer for Annie, visit:  

Friday, December 19, 2014


Top Five
Film Review by Kam Williams

Chris Rock Rolls in Romantic Comedy/Film Industry Satire

            In Birdman, Michael Keaton played a fading star trying to revive a career that had been in decline since he’d become typecast after playing a superhero in a series of blockbusters on the big screen. That plotline wasn’t all that far off from the arc of Keaton’s real-life fate following an outing as Batman back in 1989.
The similarly-themed Top Five features Chris Rock as Andre Allen, a comedian who has become too closely associated with “Hammy the Bear,” the popular protagonist of a humor-driven film franchise. Consequently, he’s been having a hard time making the transition to dramatic roles.
At the point of departure, we find Andre in the midst of promoting his newest movie, Uprize, an historical drama about a slave insurrection on the island of Haiti. He’s allowed New York Times reporter Chelsea Brown (Rosario Dawson) to tag along for the day, since she’s been assigned by the paper to prepare a profile on him.
Sparks fly, the two flirt, and it’s pretty obvious right off the bat that the two are attracted to each other. Trouble is, he’s already engaged and about to marry Erica Long (Gabrielle Union), a shallow, self-centered reality show star.
It’s equally clear that Andre and his high maintenance fiancĂ©e are ill-matched, so anybody who’s ever seen a romantic comedy can figure out where this one’s headed. And while the plot does everything to prevent Andre from wising up until the very end, it simultaneously affords the acid-tongued funnyman ample opportunities to point out show business’ shortcomings.
Besides being peppered with plenty of inside jokes and pithy comments about Hollywood, Top Five is memorable for boasting the most star-studded cast of the year. The dramatis personae includes J.B. Smoove, Kevin Hart, Adam Sandler, Jerry Seinfeld, Cedric the Entertainer, Tracy Morgan, Whoopi Goldberg, Charlie Rose, DMX, Jay Pharoah, Taraji P. Henson, Romany Malco, Gabby Sidibe, Luis Guzman, Sherri Shepherd and Ben Vereen.
As you might imagine, many of the celebs are limited to blink and you missed it cameos, though the production does manage to milk a little magic out of each one’s brief moment in the limelight. Nevertheless, make no mistake, this is a Chris Rock vehicle, and the picture is at its best when the irreverent comic is at his cockiest.
A clever, laff-a-minute adventure worth the investment for the hilarity, even if it telegraphs where the love story might be headed.

Excellent (3.5 stars)
Rated R for sexuality, nudity, crude humor, pervasive profanity and drug use
Running time: 101 minutes
Distributor: Paramount Pictures

To see a trailer for Top Five, visit:    

Thursday, December 18, 2014

Top Ten DVD Releases for 12-23-14

This Week’s DVD Releases
by Kam Williams

Top Ten DVD List for December 23, 2014                      

The Good Lie


1,000 Times Good Night

Richard Pryor: Icon

Frontline: The Rise of Isis

Nova: Why Planes Vanish

Dominion: Season One

American Roadshow: Cold War Roadshow

Peg + Cat: Pirates Ahoy!

Continuum: Season Three