Friday, January 21, 2011

Takers DVD

DVD Review by Kam Williams

Headline: T.I. Crime Caper Comes to DVD

The “One Last Big Heist” is a theme of the crime caper genre which has proven to be quite popular over the years. Takers employs that tried and true formula in entertaining fashion, recycling vaguely familiar scenes from the likes of The Italian Job, Ocean’s 11, True Romance, District B-13 and, perhaps most obviously, Heat.
When such a cobbling of stock elements creates a uniquely compelling adventure, it’s generally referred to as an homage. But if the movie merely seems like a shameless rehash of other picture’s greatest moments, we tend to dismiss it as an unworthy rip-off. Takers teeters precariously on the dividing line between hit and miss, belatedly getting around to offering just enough edge of your seat excitement to make you stop wondering where you might have seen this or that bit before.
Set in L.A., the film features a talented ensemble headed by hip-hop star T.I. who is typecast as Ghost, a recently-paroled ex-con. As the film unfolds, we are treated to the sight of a smoothly-executed bank robbery which nets the gang (Chris Brown, Idris Elba, Paul Walker, Michael Ealy and Hayden Christensen) a cool $2 million.
However, before they even have a chance to divvy up the take, who should show up unexpectedly, but their former partner in crime, Ghost, looking something like a, eh, well, like someone who just rose from the dead. He’s inclined to overlook the fact that he was dumped for pal Jake (Ealy) by his impatient girlfriend (Zoe Saldana) while he was up the river, so long as the boys are willing to let him mastermind an armored car robbery in five days.
They agree, thereby breaking an unwritten rule calling for a year off between burglaries. Several slightly-developed subplots supply the rationale for this deviation from the norm, such as Gordon’s (Elba) desperately needing more cash to move his substance-abusing sister (Marianne Jean-Baptiste) from a rehab center to the Caribbean.
The pace of this highly-stylized romp picks up considerably once we’ve had a chance to become acquainted with each of the guys. What ensues revolves more around visually-captivating detonations, chase scene and fight sequences than around the sort of cerebral fare one ordinarily associates with a cat-and-mouse caper.
Mindless mayhem perfect for fans of pyrotechnics for pyrotechnics sake.

Good (2 stars)
Rated PG-13 for sexuality, profanity, graphic violence and partial nudity.
Running time: 107 Minutes
Distributor: Sony Pictures Home Entertainment
DVD Extras: Filmmaker and cast commentary, and a music video by T.I. entitled “Yeah, ya know.”

Gabi on the Roof in July

Film Review by Kam Williams

Headline: Sibling Tensions Escalate in Sensual, Meandering Mumblecore

20 year-old Gabi (Sophia Takal) has just finished the school year at Oberlin where she’s been majoring in theater. But she’s reluctant to spend the summer at home as usual since she’s upset about her parents’ recent divorce.
So, she heads to New York City to stay with her brother, Sam (Lawrence Michael Levine), reasonably expecting to find a sympathetic shoulder to lean on. However, at 30, he’s long since left the nest, and is not nearly as affected by the marital breakup.
Furthermore, as a struggling artist, he has survival issues to confront, like trying to get a gallery to show his work. Plus, he’s busy juggling a couple of cutie pie girlfriends in Madeline (Brooke Bloom) and Chelsea (Amy Seimetz). In fact, he’s so swamped he’s not even there to meet his sister upon her arrival.
Instead, when Gabi lets herself into the unlocked Brooklyn apartment, she is greeted by the sight of a guy who’s passed out in the bathtub. Yet, she hits it off immediately with the slackers hanging out there, including Sam’s rubbery eunuch of a roommate, Charles (Robert White), and Garrett (Louis Cancelmi), a homeless dude who’s been crashing on the couch for over a month.
Soon, the latter has Gabi naked, too, and is tickling her and spraying whipped cream all over her body. And when Sam comes home, instead of covering up modestly, she seductively invites her brother to lick it off.
But he declines the incestuous offer, and suddenly finds himself having to play the adult, berating the bawdy Bohemians to behave. This has no effect on his out of control sibling who proceeds to engage in rough sex with Garrett.
While Gabi can’t communicate with Sam, she can later confide in Dory (Kate Lyn Sheil), a female about her own age, that she’s just surrendered her virginity to Garrett. Nevertheless, it doesn’t take long for her to develop a bad reputation as a party animal, as other admirers arrive asking her brother, “How come you didn’t tell me how cool your sister was?”
Welcome to the hot bed of debauchery that is Gabi on the Roof in July, a meandering mumblecore that proves every bit as compelling as it is jaw-dropping, since you never know what somebody might do next. Written and directed by Lawrence Michael Levine who also co-stars as Sam, the film features a gifted improv ensemble especially the appealing and dynamic Sophia Takal who steals her every scene as the uninhibited title character.
Good girl goes bad, and then some!

Excellent (4 stars)
Unrated
Running time: 100 Minutes
Distributor: Little Teeth Pictures

Thursday, January 20, 2011

Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun

OPENING THIS WEEK
Kam's Kapsules:
Weekly Previews That Make Choosing a Film Fun
by Kam Williams
For movies opening January 28, 2011


BIG BUDGET FILMS

Biutiful (R for profanity, nudity, disturbing images, drug use and some sexuality) Bittersweet redemption drama, set in Barcelona, about the effort of a tormented, terminally-ill, career criminal (Javier Bardem) with a couple months to live to reconcile with his philandering, bipolar ex-wife (Maricel Alvarez) and to provide for his kids’ care in the wake of his demise. With Hanaa Bouchaib, Guillermo Estrella and Eduard Fernandez. (In English and Spanish with subtitles)

The Mechanic (R for profanity, nudity, sexuality and pervasive graphic violence) Jason Statham stars in the title role of this remake of the Charles Bronson classic thriller about an elite assassin who forges an ill-fated liaison with an apprentice (Ben Foster) bent on revenge. Cast includes Donald Sutherland, Jeff Chase and Mini Anden.

The Rite (PG-13 for profanity, sexual references, frightening images and disturbing themes) Religious-themed horror flick about a demoralized seminary student (Colin O’Donoghue) who finds his faith restored fighting demonic forces after he learns to perform exorcisms at the Vatican. With Anthony Hopkins, Rutger Hauer, Ciaran Hinds, Toby Jones and Alice Braga.


INDEPENDENT & FOREIGN FILMS

Blackmail Boys (Unrated) Homoerotic thriller, set in Chicago, about a marriage-minded, same-sex couple (Nathan Adloff and Taylor Reed) who hatch a plan to raise the funds for their wedding by blackmailing a closeted cleric (Joe Swanberg) famous for his anti-gay crusades. With Danny Rhodes, Spencer Parsons and Marc Singletary.

From Prada to Nada (PG-13 for sexuality and brief drug use) Update of Jane Austen’s “Sense and Sensibility” as a romantic comedy, set in L.A., revolving around a couple of spoiled-rotten Latina sisters (Camilla Belle and Alexa Vega) who are forced to live in the barrio with their estranged Aunt (Adriana Barraza) after their father’s (Alexis Ayala) sudden death leaves them penniless. With Wilmer Valderrama, Pablo Cruz, Harry Porter and Tina French.

Ip Man 2 (R for graphic violence) Donnie Yen returns as the legendary kung fu grandmaster in this historical drama chronicling the titular character’s escape in the Fifties with his family from China to Hong Kong with plans for opening a martial arts academy. Cast includes Lynn Hung, Simon Yam Sammo Hung and Siu-Wong Fan. (In Cantonese, Mandarin and English with subtitles)

Kaboom (Unrated) Sci-fi comedy about a set of sexually-adventurous college students whose days of debauchery come to an abrupt end in the wake of a life-altering apocalyptic development. Ensemble includes Thomas Dekker, Juno Temple, Kelly Lynch, Haley Bennett and James Duval.

Lemmy (Unrated) Rockumentary chronicling the career of the legendary Lemmy Kilmister, lead singer and bassist for the heavy metal group Motorhead since 1975. Film features appearances by such fellow musicians as Ozzy Osbourne, Slash, Alice Cooper, Dave Grohl and Dee Snider.

Poetry (Unrated) Deliberately-paced drama about an aging woman’s (Jeong-hie Yun) agonizing over her 16 year-old grandson’s (Da-wit Lee) participation in a gang rape of a classmate which led to the victim’s suicide. With Nae-sang Ahn, Hira Kim and Yong-taek Kim. (In Korean with subtitles)

When We Leave (Unrated) Feminist drama about a woman (Sibel Kekilli) who flees to Germany from Istanbul with her son in tow to escape an abusive marriage only to be met with hostility from most of her Muslim relatives for having abandoned her husband. (In German and Turkish with subtitles)

Every Day

Film Review by Kam Williams

Headline: Helen Hunt and Liev Schreiber Co-Star in Midlife Crisis Saga

Ned (Liev Schreiber) and Jeannie (Helen Hunt) are a middle-aged couple in the midst of a crisis. Not only has their marriage grown sexless, but he is surrounded by temptation at work as an executive for a risqué cable TV series. It doesn’t help matters any that a gorgeous, hedonistic colleague (Carla Gugino) who “really knows how to live” is constantly trying to seduce him in the office afterhours.
But given the 19 years he’s invested with Jeannie, Ned isn’t ready to throw in the towel quite yet. After all, they are still raising two teenaged sons (Ezra Miller and Skyler Fortgang), one of whom has just come out of the closet. It doesn’t help matters that they have reacted differently to Jonah’s openly embracing his homosexuality, with mom being much more supportive than dad.
Upping the ante on this scenario set to implode is the arrival of Jeannie’s incontinent, ailing and very depressed dad (Brian Dennehy) who has flown to New York City to live out his final days with his daughter and her family. Wheelchair-bound Ernie is on 17 different prescription medications, and is ready to put himself out of his misery as soon as he senses he’s become a burden.
Written and directed by Richard Levine (Nip/Tuck), Every Day is a dysfunctional family drama which unfortunately fails to address the assorted tensions in satisfactory fashion or even to tie up the loose ends via an inspirational resolution.
I sat there waiting for that uplifting transformative moment towards the close of the third act, and I’m still waiting. Not inclined to recommend such a relentlessly-morose, feelbad flick any day of the week.

Fair (1 star)
Rated R for profanity, sexuality and drug use.
Running time: 93 Minutes
Distributor: Image Entertainment

Wednesday, January 19, 2011

Ong Bak 3 (THAI)

Film Review by Kam Williams

Headline: Tony Jaa Is ”Bak” for Finale of Martial Arts Trilogy

This gruesome revenge flick is the grand finale in a series of high body-count adventures coming courtesy of writer/director Tony Jaa. Mr. Jaa also reprises the lead role of Tien in the Thai franchise which modestly bills itself as the best martial arts trilogy of the past decade. (Gee, were there any other martial arts trilogies in the past decade?)
Set in the year 1431, OB 3 picks up right at the cliffhanger where OB 2 left off. As the film unfolds, we find Tien in the clutches of the dastardly Lord Rajasena (Sarunyoo Wongkrachang) who proceeds to have his goons torture their captive to death. But the movie doesn’t end there. No, our hero is somehow miraculously revived by his sensei, Master Bua (Nirutti Sirijanya), who then proceeds to nurse his student back to health.
Meanwhile, Tien learns that his hometown has been overtaken by an otherworldly villain, Bhuti Sangkha (Dan Chupong), a diabolical dude with decapitation in his bag of tricks. All you need to know about the poor excuse for a plotline is that it predictably sets the stage for tons of combat leading inexorably to a bloody duel to the death by the sworn adversaries.
Unfortunately, the goings-on venture so far into the realm of the supernatural, that it loses touch with the credible. Thus, you feel more like you’re watching science fiction than an action-oriented chopsocky.
So lame it makes Ong Bak 2 look like Ong Bak 1.

Fair (1 star)
Rated PG R for graphic violence and bloody images.
In Thai with subtitles
Running time: 99 Minutes
Distributor: Magnolia Pictures

Tuesday, January 18, 2011

12 Angry Men (BOOK REVIEW)

12 Angry Men:
True Stories of Being a Black Man in America Today
Edited by Gregory S. Parks and Matthew W. Hughey
Introduction by Lani Guinier
The New Press
Hardcover, $24.95
224 pages
ISBN: 978-1-59558-538-7

Book Review by Kam Williams

“This book of stories by black men living in America can serve as a primer to help all Americans understand the dominant roles that history and culture, race and intergenerational poverty all play in defining how we enforce our laws… The twelve angry men remind us of the outsized role that we give to law enforcement in running our lives…
The men are the stopped-and-frisked, the unlawfully detained, the racially profiled… These men’s accounts of their interactions with the police are cinematic in their clarity and pathos.
Their anger is understandable, justifiable. It stems from an often arbitrary, sometimes violent moment of encounter with personified state power, with its attendant embarrassment, helplessness, and fear…
If we ‘read race’ through the eyes and the pain of these twelve angry men, we can begin to see… that the conversation on race has moved from the ‘colored’ water fountain and the back of the bus to the profiling moment and the prison cell.”

-Excerpted from the Introduction by Lani Guinier (pgs. xi-xli)

In “The Rage of a Privileged Class,” Ellis Cose carefully chronicled the
assortment of frustrations experienced by educated blacks upon entering the corporate world. In 12 Angry Men, a dozen brothers are allowed to give full vent to their feelings about another indignity routinely suffered by the majority of African-American males, namely, racial profiling.
Unless you’ve been subjected to such un-Constitutional treatment, you are unlikely to be very sympathetic. After all, it is reasonable to think that if someone’s not breaking the law, they presumably should have no problem cooperating with the cops for what ought to amount to a momentary inconvenience.
But I could write at length from personal experience about the trauma inflicted on my psyche by the time I was 25 by a decade of being routinely stopped and frisked by police about once a month or so, and always on the flimsiest of pretexts. Back then, the prison industrial complex was undergoing a mammoth growth spurt thanks to the so-called “War on Drugs,” which was really just a rationale for feeding the corporate beast with the bodies of millions of non-violent, black offenders.
And judging by the accounts related in 12 Angry Men: True Stories of Being a Black Man in America Today, the situation hasn’t improved much over the interim. Here, a 35 year-old family man recalls how he was recently strip-searched right in front of his neighbors by NYPD detectives who suspected him of possessing narcotics. When they didn’t find any contraband, they left him to pull up his own pants without as much as an apology.
Just as humiliating was the ordeal of the “head of the ACLU’s racial profiling division who was himself profiled at Boston’s Logan Airport coming home from a racial profiling conference.” Then there’s the case of U.S. Congressman Daniel K. Davis, who was ostensibly guilty of driving while black after doing his weekly radio show back in his Illinois district one evening.
When Congressman Davis had the temerity to ask why he had been pulled over, the incensed officer not only gave him a phantom ticket, but inexplicably took away his driver’s license for good measure. Despite his grey hair and advanced age, Davis wasn’t exactly surprised by the incident, since he says that, “Over the years, I have been stopped by the Chicago police so many times I couldn’t count them.”
The solution? Harvard Law School graduate Bryonn Bain, himself a victim of police brutality because of the color of his skin, sarcastically proposes the passage of a Black Man’s Bill of Rights, ten, tongue-in-cheek Amendments to the Constitution. But the rest of this eye-opening tome’s entries adopt a much more serious tone to drive home ever so effectively the salient point that state-sanctioned racial profiling amounts to a painful assault on individual dignity and a serious impediment to the collective American Dream of a colorblind society.

Russell Simmons: The “Super Rich” Interview

with Kam Williams

Headline: Hip-Hop Mogul Expounds on the Transition from Materialism to Meditation

Russell Wendell Simmons was born in Queens, New York on October 4, 1957, the middle of three sons to bless the marriage of Daniel and Evelyn Simmons, a public school administrator and NYC parks administrator, respectively. Russell and Rick Rubin co-founded Def Jam Records, the legendary hip-hop label, in 1984.
Russell parlayed his success in music into several fashion lines, most notably, Phat Farm and Baby Phat. Meanwhile, as Chairman and CEO of his umbrella organization, Rush Communications, he also ran an ad agency, produced movies and TV shows, and published a magazine.
Forbes Magazine recently named Simmons one of "Hollywood's Most Influential Celebrities." And USA Today dubbed him one of the "Top 25 Most Influential People of the Past 25 Years," calling him a "hip-hop pioneer" for his groundbreaking vision that has influenced music, fashion, jewelry, finance, television and film, as well as the face of modern philanthropy.
From creating his seminal Def Jam Recordings to writing his New York Times best-seller “Do You! 12 Laws to Access the Power in You to Achieve Happiness and Success,” Russell is recognized globally for his influence and entrepreneurial approach to both business and philanthropy. Since giving back is of primary importance to him in all aspects of life, he has consistently leveraged his influence in the recording industry, fashion, television, financial services, and jewelry sectors to advance the interests of a host of charitable causes.
A devoted yogi, Russell also leads the non-profit division of his empire, Rush Community Affairs, and its ongoing commitment to empowering at-risk youth through education, the arts, and social engagement. Furthermore, he serves as UN Goodwill Ambassador for The Permanent Memorial to Honor the Victims of Slavery and the Trans-Atlantic Slave Trade.
Here, he talks about his new book, “Super Rich: A Guide to Having It All,” a how-to tome which champions meditation over materialism as the path to true wealth.

Kam Williams: Hey Russell, thanks for the time. I don’t know if you remember me, but we met at that party you threw for Soledad O’Brien. I came over and told you I’d been trying to interview you for years. Thanks for finally hooking me up.
Russell Simmons: My man! Of course I remember you. I felt bad. How was that possible?

KW: A lot of publicists have never heard of me.
RS: Well, it’s great to talk to you. What’s going on, baby?

KW: I didn’t get to tell you that I grew up in the same neck of the woods, in St. Albans, which is right next to Hollis.
RS: Yeah, same thing.

KW: What gave you the idea to write the book?
RS: Well, the last time I wrote a book (Do You!), I got a chance to pull together all these teachings and frame them in such a way that I could share them with other people. But honestly, I can look back on it, and admit that my motivation was a little bit selfish, because I needed to do this for my own evolution. It was a sort of a cleansing process. I expected that I could get the stuff out of me, and frame it, so I could understand it. But I didn’t appreciate the book’s potential to touch the lives of others until Oprah praised it. She was my first interview after it came out, and made it go to the top of the best-seller list. After that, people would come up to me and say that the book changed their lives. What could be more gratifying? So, that inspired me to write this book, with a little more selfless intention. This book is about remembering to remember, and the mantra to be a good giver. Good givers are great getters, and I just wanted to share that with people in a way that they could really digest it.

KW: I told my readers I was going to be speaking with you and they sent in plenty of questions. The first is from Attorney Bernadette Beekman, who gives you a big shout out as a girl from Hollis! She says: many people are so busy working they do not have time to breathe deeply or be present on a daily basis. In fact, I was speaking to a friend who is a yoga teacher-in-training yesterday and she said quite often, when she is at her full-time job at a nonprofit, she realizes that a whole day has gone by without her having breathed deeply. Russell, how, from a practical perspective, can people with worries and everyday jobs still seek a higher path?
RS: The whole book is about being conscious, and is filled with practices to bring you to presence. The book is dedicated to that mantra, that state of consciousness. We wish we could live in a state of nirvana, or a state of Christ consciousness, or a state of yoga, or Samadhi. All of them are one and the same: to be awake, to be present. That idea of Heaven on Earth is what I mean by Super Rich, and the ease that comes with needing nothing. Yoga can be defined as a state of needing nothing, and that’s what we’re looking for. So, this book is about moving towards that enlightenment.

KW: I learned a long time ago that happiness doesn’t come from the accumulation of material things.
RS: You can only sit your ass in one seat at a time.



KW: FSU grad Laz Lyles asks: What experience prompted the transformation of your personal ideas about wealth and got you on a spiritual path?
RS: We all want to operate in order. Sometimes we have to go through struggle to realize that. Your birth in the physical form is to teach you to operate in order. I think that’s the experience. Struggle is your great teacher. I’m an older person. I was a drug dealer. I was a gang member and a lot of other things. My evolution has been gradual. When I first started practicing yoga, I remember feeling really free of anxiety momentarily. So, my journey began when I found the easing of anxiety through the physical practice of yoga. Then, the yogi scripture taught me things that I knew in my heart were true, because the study of the scripture is really the study of the self. Then I saw that what’s in the yogi scripture is also in the Bible, the Koran and the Torah, and that these practices do bring us to a more easy place. Yoga is defined as a state of needing nothing. And union with God happens, when the noise is gone.

KW: Children’s book author Irene Smalls asks: When you were growing up what did you want to do?
RS: I didn’t know what I wanted to be. Remember The Message by Grandmaster Flash? [Sings] “You see the drug dealers counting twenties and tens, and you want to grow up to be just like them.” I saw people hanging on the corner. I didn’t know any better. I was lucky enough to go to college and start to feel differently. There, I developed the courage to do something original that I was passionate about, which was music and hip-hop. I started throwing parties, and became an entrepreneur of sorts. It just kinda evolved. I didn’t have a drive to be anything in particular until I found a passion, which is what this book is about. Finding a dharma, a way to really give. But I wasn’t fortunate enough to have something I wanted to be all my life, until I started to achieve it.

KW: Harriet Pakula Teweles says: Jerry Lewis used to sing a song that said, "Money isn't everything ... unless you're very poor." How 'easy' is it to give this kind of spiritual advice when you're rolling in dough?
RS: Well, there’s a story in the book about a guy who lives in a shanty house. He knows he’s got to find some bread and water each day, yet his mind’s at ease. God always provides, and he lived to be 100. Then, by contrast, there’s the anxiety-prone billionaire who’s always worried about the stock market and ends up dying in his fifties. So, you have to ask yourself, “What do we want money for? What does it do for us?” If you say money makes us happy, then examine that. Is it the toys? Is it the simplicity, the ease that money can provide? That’s not the ease that we’re seeking. It has to be to calm the mind. I say this because, when you need nothing, you can operate from abundance. Jesus taught two sermons. One for the masses, which said, if you act in accordance with these laws, then God will take care of you. The second one said, “Operate from abundance if you can.” So, the anxiety-filled followers were able to pay their taxes by listening to Jesus. But His disciples only needed to put their all into service. I have so many illustrative stories I could relate, like Puffy’s, who on the way up wanted to make sure he was doing everybody’s job. He enjoyed the work, but not because he was going to get this or that. That’s the real rap.

KW: Larry Greenberg asks: Do you have any advice for an aspiring film maker living on ramen?
RS: Larry, stay on your hustle. You ain’t gonna starve no matter what happens. Living on ramen! My guess is he’s most likely overweight. We suffer from neediness, when in fact we already have everything. If he’s focused on being a filmmaker, and not anxiety-filled and worried about living on ramen, he will make headway. And in no case will he starve. What is he looking for?

KW: Filmmaker/Author/Professor Hisani Dubose asks: What is the most effective way to raise money for indie movie projects in 2011. What does someone like him look for before investing?
RS: Big buzz. Shoot a good little pilot to get it off the ground. Everything requires that you do the work. And if you do good enough work that people start to be inspired by it, then they join on. No one signs on just because you have an idea.
You have to keep building any business, to make it attractive. If you throw a record out the window and it don’t stick, you gotta keep pushing it. Then, one day, it’s on the radio, listeners start requesting it, and people come looking for you. You can’t chase people down with your idea; you have to turn it into equity first.

KW: Kristopher Seals asks: What are some ways a person can start up a business with little available capital? What are some of the biggest obstacles facing minorities looking to enter the business arena? RS: I can tell you that there’s something about black culture that’s infectious, that crosses all boundaries, that gives you an edge. If he’s open to integrate, then give him a job. No company that markets any product can operate without input from black people. There’s a void, a white space. Fill that. Don’t carry the burden. A lot of time black people only speak to each other instead of to the whole room. We gotta get out of that habit.

KW: Dante Lee, author of "Black Business Secrets," asks: What was your most fatal business decision? And what is the biggest business lesson you've learned?
RS: I learn from every bad decision, so none of them are my worst. When I lost the Beastie Boys, I learned that you have to have patience when you’re developing artists.

KW: Ola Jackson asks: "How does your spirituality and belief in Buddhism conflict with the opulent lifestyle of self-indulgence and materialism associated with rap music.
RS: I think rappers are truth-tellers. I don’t think mainstream American culture is any closer to the simplicity that I’m advocating. I’m not a Buddhist, by the way. Long before there was a Buddhist faith, there were the Yoga Sutras. Those teachings are more prescriptions for happiness, than religious dogma. As you know, I’m not a religious man, although I do work promoting dialogue among all religions as Chairman of the Foundation for Ethnic Understanding.

KW: Legist/Editor Patricia Turnier says: In the past, we saw more rap songs about socially-conscious themes, such as MC Lyte’s "Eyes Are the Soul," Tupac’s "Brenda's Got a Baby" and Queen Latifah’s "Ladies First." What needs to be done to bring back this type of hip-hop?
RS: Well, I think the climate changes in society. Themes come and go, and rappers are only reflections of that. Right now, we’re very fearful, because the economy is very bad… People are struggling… and that’s fertile ground for some of the negativity that you’re hearing on some of the records.

KW: Professor Mia Mask asks: Isn't there a contradiction between the messages in your book and the messages in rap music?
RS: Why does she think I’m an ambassador for rap? Jesus hung out with the wine bibbers, but his message wasn’t advocating getting drunk. I have one foot in pop culture and one foot in the real world, which is spiritual. I know what’s real, and I know that pop culture can be frivolous. But I think American culture, in general, is frivolous. And I certainly don’t think that rap culture is any more frivolous than mainstream American culture. I don’t think hip-hop is as unconscious either. Rappers may say things that shock you, but I think they are poets who hold a higher moral ground than the rest of American society. That’s my opinion. Just because Kanye West said “George Bush doesn’t like black people,” doesn’t mean it’s true, but it does mean that a lot of people shared that thought.

KW: Is there any question no one ever asks you, that you wish someone would?
RS: No, I just go to work everyday, and I try to give and be a servant, although I might forget at times. But I know my mission. Through meditation and prayer, I find myself present, awake and giving for some part of the day. The most I can hope for is to become a better servant.

KW: When you look in the mirror, what do you see?
RS: That’s a good question. I’m not quite sure. Different things at different times.

KW: The Tasha Smith question: Are you ever afraid?
RS: Yes, I guess I’m afraid sometimes. But I generally rid myself of it. I don’t carry a lot of fear around with me.

KW: The Columbus Short question: Are you happy?
RS: Yeah, I can say I’m mostly happy. Compared to what? Am I eternally blissful? No. But do I find moments when I’m ecstatic about being alive? Yes! And I have those moments more and more often the more I meditate, practice yoga, and live by these principles.

KW: The Teri Emerson question: When was the last time you had a good laugh?
RS: A few minutes ago being interviewed by Sean Hannity. He says such things. You have to learn to laugh all the time. It’s a practice of life. It’s a practice of happiness. In yoga, you smile and breathe in every pose.

KW: What is your guiltiest pleasure?
RS: I’m on a liquid diet, but I’m going to have some popcorn at the movies.

KW: The bookworm Troy Johnson question: What was the last book you read?
RS: “An Offering of Leaves” by Lady Ruth, who is a yoga teacher.
I also read Soledad O’Brien’s book,

and Decoded.



KW: The music maven Heather Covington question: What are you listening to on your iPod?
RS: Krishna Das’ Greatest Hits.


And I’ve been listening to a lot of Public Enemy.

KW: What is your favorite dish to cook?
RS: I like to put spinach on top of olive oil, and just let it wilt for a second. And then put vegan chicken nuggets on top of it. I’m not a big chef.

KW: The Uduak Oduok question: Who is your favorite clothes designer?
RS: It still is Tommy Hilfiger, even though he’s not hot right now. He still inspires me the most.

KW: If you could have one wish instantly granted, what would that be for?
RS: World peace in spirit.

KW: The Ling-Ju Yen question: What is your earliest childhood memory?
RS: I don’t know. I don’t have one.

KW: The Flex Alexander question: How do you get through the tough times?
RS: I don’t miss my prayers and I don’t miss my yoga. Those things are important to me.

KW: What advice do you have for anyone who wants to follow in your footsteps?
RS: Keep your head down and put one foot in front of the other. That’s how I got where I got.

KW: The Cornel West question: What price are you willing to pay for a cause that’s bigger than your own self interests?
RS: I ‘m not sure. I should say my life, but I don’t know. I can’t say my life right now.

KW: The Tavis Smiley question: How do you want to be remembered?
RS: As a philanthropist, as a giver.

KW: Well thanks for the interview, Russell. I really appreciate it.
RS: It’s been a real pleasure speaking with you. You have my number now, Kam, don’t hesitate to call if you need anything.