Thursday, October 22, 2009

The Taking of Pelham 123 (DVD)

 

 

DVD Review by Kam Williams

 

Headline: Denzel and Travolta’s Remake of Classic Thriller Released on DVD

 

                     John Godey’s best-selling novel, The Taking of Pelham 123, revolves around a quartet of armed crooks who hijack a New York City subway train and threaten to start killing passengers one-by-one unless their ransom demand is met in an hour. In the original, when Police Lieutenant Zachary Garber cracked the case, the gang’s ringleader, Bernard “Blue” Ryder, promptly committed suicide. The 1998, made-for-TV version had a different ending, and its hero had a different name and rank.

                     Now, in 2009, the protagonist has his original surname again, but he’s no longer a cop at all. Instead, Walter Garber (Denzel Washington) is a disgraced subway dispatcher with a checkered past who could use a serious shot at redemption. His mission is to match wits with Ryder (John Travolta), a diabolical misanthrope who wants $10 million and hates Italians.

                     As for the respective support teams, Ryder’s partners in crime include Messrs. Green (Luis Guzman), Brown (Robert Vataj) and Grey (Vicytor Gojcaj). In the other corner, the Good Guys are led by the outgoing Mayor (James Gandolfini), Police Commissioner (Frank Wood) and the official police negotiator (John Turturro). Where the villain in the book was crafty and calculating, Travolta has reinterpreted the role as an unpredictable maniac likely to go off at any moment.  That scary intensity matches the tone being set by director Tony Scott (Déjà Vu) who seems far more inclined to cattle-prod his audience via a pounding soundtrack and dizzying cinematic tricks rather than to weave a credible cat-and-mouse caper.

                     Overall, this makes for a frenetic experience more akin to watching a music video or playing a computer game than to attempting to unravel a cerebral psychological thriller. That being said, Washington and Travolta are both still at the top of their games, and prove to be worthy adversaries.

                     A high-octane, attention-deficit adventure as riveting as it is ridiculous upon closer inspection.         

                    

Very Good (3 stars)

Rated R for violence, ethnic slurs and pervasive profanity. 

Running time: 106 minutes

Studio: Sony Pictures Home Entertainment

DVD Extras: Commentary by the director, scriptwriter and producer, “the Making of” and several additional featurettes.

Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun

OPENING THIS WEEK

Kam's Kapsules:              

Weekly Previews That Make Choosing a Film Fun           

by Kam Williams

For movies opening October 30, 2009

                           

BIG BUDGET FILMS

 

Michael Jackson’s This Is It (PG for suggestive choreography and scary images) Posthumously-produced bio-pic chronicles the Prince of Pop’s final days as cobbled from interviews with close friends and colleagues and from footage shot while he rehearsed for his sold-out series of London comeback concerts. 

 

 

INDEPENDENT & FOREIGN FILMS

 

The Boondock Saints II: All Saints Day (R for profanity, nudity and graphic violence) Troy Duffy wrote and directed this revenge-themed sequel which has the reclusive McManus brothers (Sean Patrick Flanery and Norman Reedus) abandoning the seclusion of a quiet life in Ireland to return to Boston in search of retribution for the murder of their much-beloved parish priest (Martin O’Carrigan) by the mob. 

 

Gentlemen Broncos (PG-13 for crude humor) Quirky comedy about a home-schooled loner (Michael Angarano) with an eccentric mother (Jennifer Coolidge) who discovers that his sci-fi fantasy has not only been ripped off by a famous novelist (Jemaine Clement) he met at a convention but that it’s also being adapted into a feature film.

 

The House of the Devil (R for gory violence) Horror flick, set in the Eighties, about a financially-struggling college student (Jocelin Donahue) who takes a job as a nanny working for a childless couple (Tom Noonan and Mary Woronov) in a creepy Victorian mansion out in the country only to realize that her employers plan to sacrifice her in a satanic ritual.   

 

How to Seduce Difficult Women (Unrated) NYC battle-of-the-sexes comedy about a Frenchman (Louis-Do de Lencquesaing) teaching a course in womanizing to a class of romantically-challenged males. With Jackie Hoffman, Rachel Roberts, Stephanie Szostak and Ann Hu.

 

Looking for Palladin (Unrated) Self-discovery comedy about a Hollywood agent (David Moscow) in Guatemala to lure an aging star (Ben Gazzara) out of retirement who instead finds himself attracted to the region’s slower-paced lifestyle. Cast includes Talia Shire, Vincent Pastore and Angelica Aragon.   

 

Skin (PG-13 for violence, sexuality and mature themes) Fact-based bio-pic about the childhood challenges faced by a black baby (Sophie Okonedo) born to a white South African couple (Sam Neill and Alice Krige) during the days of Apartheid.

 

Turning Green (Unrated) Cross-cultural comedy, set in the Seventies, about an American orphan (Donal Gallery), adopted by his three Irish aunts (Brid Ni Chionaola, Deirdre Monaghan and Billie Traynor) as a boy, who starts selling pornography as a teenager to raise enough money to move back to U.S. With Timothy Hutton, Colm Meaney and Frank Kelly.

Dance Flick DVD



DVD Review by Kam Williams

Headline: Wayans Brothers Shocking Spoof Out on DVD

Times sure have changed when a film featuring a character wearing tights which emphasize the outline of her oversized private parts can be rated PG-13. But that’s what we have with Dance Flick which, just to make sure you get the dirty double entendre, further hits you over the head by having Ms. Cameltoe (Amy Sedaris) utter lines like “I bet you’ve heard I have a big [C-word].” And “I’ve inserted tampons bigger than you.” The unsubtle Cameltoe teaches at mythical Musical High School where her overexposure works hand-in-crotch with Thomas Uncles (Damon Wayons, Jr.), a prized pupil who announces his plans to become a “vaginacologist.”
Such bad taste is par for the course in this Wayans Brothers spoof. The picture does follow a rudimentary plotline, although it’s real reason for being is to satirize familiar scenes mostly from famous dance movies. The story revolves around Megan (Shoshana Bush), a white girl from the suburbs who moves to the slums to live with her slacker father (Chris Elliott) following her mother’s fatal car accident.
After transferring to Musical High, the Juilliard-bound ballerina is befriended by a classmate, Charity (Essence Atkins), who leaves the infant in her locker during the school day. Somehow, the single-mom does have plenty of time to show the newcomer how to survive in the ‘hood, and to introduce Megan to her big brother, Thomas.
We know that Megan finds him handsome, when she admits, “I like his big fat butt.” However, the dialogue again goes way over the top when Charity’s inappropriately incestuous response is, “Well, you should see his [bleep]!” Needless to say, lust, if not love, blossoms between Megan and Thomas as the subsequent series of skits inexorably build up to a couple of big finales: the senior dance showcase and the senior prom.
En route, however, bottom-feeding Dance Flick repeatedly crosses a line
whether it’s by calling a basketball team comprised of black females the “Nappy-Headed Hos,” by depicting a black toddler catching a sexually-transmitted disease because he didn’t wear a condom, or by showing the same baby packing a pistol. Ditto for the skit where Megan dons blackface to enter the Violence Club, a place which is popular because “all the ballers get shot there.”
In case you haven’t noticed, the movie basically relies on a running joke linking African-Americans with a variety of depraved behaviors. To get away with such an outrageous theme, the material had better be so relentlessly funny that nobody stops to think about what they’re laughing at, which, sadly, is rarely the case with Dance Flick.
Coarse, adult-oriented fare guaranteed to induce more groans than guffahs.

Fair (1 star)
Rated PG-13 for profanity, ethnic slurs, sexuality and crude humor.
Running time: 83 minutes
Studio: Paramount Home Entertainment

Wednesday, October 21, 2009

Brother West (BOOK REVIEW)

Brother West: Living and Loving Out Loud

A Memoir

by Cornel West

with David Ritz

Smiley Books

Hardcover, $25.95

288 pages, illustrated

ISBN: 978-1-4019-2189-7

 

 

                                  

Book Review by Kam Williams

 

 “My foundation consisted of three powerful elements: family; the Socratic spirituality of seeking the truth; and the Christian spirituality of bearing witness to love and justice... I also got the benefit of living in a black community filled with love and care. Today they call it a ‘hood. But back then, it was a sure-enough neighborhood, with ties of empathy and deep bonds of sympathy… Even at this early age, the question kicked in: is it possible to love oppressed people and not be a fanatic for fairness?”

-Excerpted from Chapter 3 (pages 22-23)

 

Everybody knows Cornel West, the public intellectual, the popular

Princeton University Professor and best-selling author who has remained dedicated to the plight of the poor and underprivileged over the course of his illustrious career. Yet few know anything about his private life, or about what has inspired him to remain on such a righteous path and in touch with his roots over the years.

 Now at 56, Dr. West has decided to share his life story in a moving memoir co-authored by David Ritz. I’ll be the first to admit that I’m suspicious of any autobiography with a ghostwriter, because I’ve been bored to tears by many an inauthentic mess, such as the infuriating insult to the intelligence by Johnny Cochran, which read like a 300-page long sales pitch for the late attorney’s law firm and didn’t even sound like it was written by a black person, let alone a legal crusader who had championed the cause of the underprivileged.

 Fortunately, David Ritz has an impressive resume’, having previously collaborated with such African-American icons as Tavis Smiley, Aretha Franklin, Smokey Robinson, B.B. King, Ray Charles, Sinbad, Etta James, and most recently, convicted killer-turned actress Felicia Snoop Pearson on a riveting, relentlessly-graphic, warts-and-all bio which this critic reviewed. In the case of Cornel West, Ritz has crafted a remarkably intimate opus which somehow manages to preserve the colorful cadence of his subject’s distinctly-melodic vocal phrasings, so the words virtually leap of the pages as if in Technicolor.

 More importantly, the tales recounted here, reveal mostly experiences apt to resonate with the average African-American, Dr. West’s ivory-towered, academic credentials notwithstanding. For example, this is how he recounts the day he was arrested after being profile-stopped by a cop while passing through upstate New York.

 

“Get out of the car, boy.” Policeman looked over my driver’s license, looked me in the face, and then nodded his head. “Yup,” he said. “You’re the guy.”

“What guy?”

“N****r we been looking for.”

“For doing what?”

“Selling cocaine.”

“I don’t sell cocaine.”

“What do you do?”

“Teach philosophy and religion. I’m a professor.”

“And I’m the Flying Nun… We got you down as a major dealer.”

“Impossible.”

“That’s what they all say.”

 

 Then, the officer proceeded to handcuff his “perp” and to drive him down to the police station for booking. The same thing has happened to me and to hundreds of thousands, if not millions of other innocent black males. So, to hear of Dr. West’s nightmare is not so much shocking, but rather an opportunity to feel gratitude for the indictment of a national disgrace by a brother with access to the mass media. It’s frank vignettes like that arrest incident which help explain exactly what shaped Cornel West’s world view, and why he refuses to rest so long as there still remains any suffering among the least of his brethren.

                The candid reflections of an uncompromising, compassionate Christian with a functioning conscience and an open heart.       

 

Tuesday, October 20, 2009

Night and Day (KOREAN)

(Bam Gua Nat)

Film Review by Kam Williams

 

Headline: Korean Ex-Pat Finds Lust, Then Love, on the Run in Paris

 

                When Sung-nam Kim (Yeong-ho Kim) learns that the local police want to arrest him for possession of Marijuana, he decides to flee Seoul for asylum in France. There, he takes refuge among an enclave of Koreans living in the bohemian section of Paris known as Montmartre. However, despite befriending other expatriates from his homeland, the transition proves to be anything but smooth.

 This is because Sung-nam is settled and middle-aged, and has left behind both a devoted wife, Sung-in (Su-jeong Hwang), and a flourishing career as an artist. Now, instead of dividing his time between his spouse and his studio, he finds himself lonely and with nothing much to do except chain smoke and leer at females.

They say “When in Rome do as the Romans do,” so Sung-nam figures when in France, why not do like the French? And he begins to behave like the typical protagonist in a Parisian romantic romp, as Night and Day is a movie marked by such staples of the genre as talk, coupling, smoking, uncoupling, more talk, re-coupling, more smoking, uncoupling, etcetera.

In this case, Sung-nam acts like a bachelor, and starts chasing anything in a skirt. First, there’s Min-sun (Yu-jin Kim), an ex-girlfriend he bumps into on the street. They haven’t seen each other in ten years, but she quickly reminds Sung-nam of the half-dozen abortions she had because of him. Since then, she’s married a mentally-abusive European, so all it takes is a few drinks to get her eager for an adulterous affair.

They rent a hotel room where Sung-nam suddenly has misgivings about cheating on his spouse, and he summons up the courage to resist the tempting seductress in a terry cloth towel by reading the Bible. In fact, this flick is filled with interludes during which he’s seen on the phone and crying on the proverbial shoulder with Sung-in, who is patient and supportive only because she’s being lied to and has no idea of all the shenanigans her hubby is actually up to.

Sung-nam subsequently indulgences himself in a string of dalliances with women less than half his age, and the liaisons aren’t problematic until he and an impressionable, young art student fall head-over-heels for each other. After they mate without protection, the vulnerable Yu-jeong (Eun-hye Park) whispers sweet nothings in his ear like, “I think of no one but you” and “If I can’t have you, I’ll go nuts.” 

He promises to get a divorce, but the plot nonetheless thickens when both his mistress and his wife miss their periods. Turns out Sung-in got pregnant just before he skipped town. The tension mounts when he opts to return to Korea with Yu-jeong in tow, and it’s pretty obvious something’s gotta give.

Written and directed by Sang-soo Hang, Night and Day, offers an intriguing look at a hedonist in the midst of a midlife crisis, a creep whose denial slowly catches up to him. Which woman will Sung-nam pick in the end, the loyal, unsuspecting spouse or the equally-naïve nymphet? A choice tough to predict, when the options are as different as night and day.

 

Excellent (4 stars)

Unrated

In Korean, French and English with subtitles.

Running time: 144 minutes

Studio: Anthology Film Archives

Monday, October 19, 2009

Ong Bak 2

 

 

Film Review by Kam Williams

 

Headline: Tony Jaa Is “Bak” for Martial Arts Epic 

 

Ong Bak 2 is being billed as a prequel, which is technically true since the events in the movie do transpire before those in the original. However, the first installment was set in present-day Thailand and revolved around a boxer while the new film takes place in the 15th Century and features a 10 year-old prince as its protagonist.

                This costume drama is actually more reminiscent of Crouching Tiger, Hidden Dragon than Ong Bak 1, for it is also an historical martial arts epic given to surrealistic flights of fantasy. But because of its substantially-smaller budget, OB-2 doesn’t quite measure up to Crouching Tiger in terms of cinematic breadth or majesty.

That being said, director Tony Jaa deserves credit for fashioning the stunt scenes in his revenge flick in the mold of a Bruce Lee classic. And he does double duty, here, reprising the role of Tien, only about 700 years earlier. At the point of departure he’s just a child, and his parents, Lord and Lady Sihadecho, are the provincial rulers during the reign of King Rama’s fading, feudal dynasty.

Tien’s entire family is massacred during a civil uprising, and the little orphan ends up sold to slave traders by the assassins. Not surprisingly, the boy not only grows up with vengeance in his heart, but begins training in a variety of martial arts disciplines. Fortunately, he meets a Mr. Miyagi-type to serve as his sensei until he reaches manhood.

What eventually ensues is a non-stop, ballet of orchestrated slaughter, with Tien eliminating innumerable enemies using a sword, a knife and a spear, along with his bare hands. He should thank his lucky stars that his adversaries are polite enough to attack one at a time, even the creep he sizzles alive by kicking into an enormous wok full of bubbling oil.

                Revenge as a dish best served tempura style.

 

Very Good (3 stars)

Rated R for graphic violence. 

In Thai with subtitles.

Running time: 93 minutes

Studio: Magnet Releasing

Sunday, October 18, 2009

Boris Kodjoe: The “Surrogates” Interview

with Kam Williams

Headline: Boris on Board

      Boris Kodjoe, along with his better half, Nicole Ari Parker, comprises one of the more striking and accomplished couples in showbiz. Prior to acting, Boris enjoyed a flourishing career as a supermodel, and was featured in national ad campaigns for everything from Ralph Lauren to Perry Ellis to Yves Saint Laurent to The Gap.
      The Austria-born actor met his future wife on the set when they were both hired to co-star on the Showtime series ‘Soul Food.’ They subsequently married and settled in Atlanta where they are raising their two kids, Sophie and Nicolas.
Here, he talks about life and his latest movie, Surrogates, a sci-fi crime thriller co-starring Bruce Willis.

Kam Williams: Hi Boris. How’s the family?
Boris Kodjoe: Very well, thanks. All three are doing great! Nicole’s been a busy bee lately. She’s getting ready to star in a new ABC-TV drama called “The Deep End.” She plays the head of a big law firm. So, she’s doing great, and so are the kids. They’re taking a nap right now.
KW: How is your daughter’s foundation, Sophie’s Voice, doing?
BK: Great! We recently had a big event in New York. Everybody showed up: Russell Simmons, Gayle King, Gabrielle Union, Serena Williams, Charles Barkley, James Blake. It was amazing! We raised some money, but our primary objective, really, was to introduce the world to Sophie’s Voice and to inform them of our long-term objectives of eradicating this birth defect and raising awareness of the importance of Folic acid to pregnant women, since Spina Bifida is very preventable. So, we accomplished that, and now it’s off to planning the organization’s next big event. 
KW: Folic acid is a B-vitamin, right?
BK: Exactly! It’s easily obtainable in foods, like leafy, dark greens. 70% of the cases of Spina Bifida could be prevented by taking Folic acid. But the number of cases have gone through the roof lately, because of a lack of nutritional responsibility.
KW: Let’s talk a little about the movie. What interested you in doing Surrogates?
BK: It was a whole new caliber of film that I hadn’t been a part of before. Over $100 million budget…a lot of CGI [computer-generated imagery]… the scale was just huge. Plus, getting to play a character that I hadn’t done before. And, of course, being able to play around with Bruce Willis. That was an added incentive, since he’s a real movie star. So, the whole package seemed enticing to me.
KW: How would you describe the film?
BK: It’s an action-thriller with an interesting scenario where we’re living in a world where we have technology that allows us to live vicariously through our own robots that roam the streets. Consequently, there’s no crime, only joy and happiness.
KW: Until a murder ruins the peace of that utopia.
BK: True. That’s when Bruce’s character starts investigating, and I yank his chain a little bit because I’m his boss. I’m the head of the FBI, and he’s one of my agents.
KW: Would you say Surrogates is a futuristic sci-fi?
BK: No, it’s very contemporary. We’re living in a time when we’re very close to that reality. Nowadays, robots are doing a lot more than merely replacing us in factories. The kind of software we’ve developed so far is pretty much capable of doing everything a human does. The only thing we haven’t figured out yet is how to recreate a soul. It’s a very controversial subject, because we live in a time of technological advancement which could be very dangerous, in my opinion.
KW: Would you say Surrogates is more CGI-driven or stunt-driven? 
BK: It’s a marriage of the two, which I think is the best way to go. As an audience, you don’t identify with machines. When actors are replaced by CGI, oftentimes we don’t see fear, excitement and other human emotions in the faces. As a result, the audience can’t relate, and doesn’t care anymore. That’s what happens with so many movies that display these antagonists that aren’t really human. I prefer real villains.
KW: Children’s book author Irene smalls was wondering, what’s involved when you make the transition from acting for television to acting for the big screen?
BK: The only thing that changes is how much time is given. Usually, in TV, you’re moving along really quickly, because there’s so much to do and not a lot of time, especially with one-hour dramas. They require a production to shoot between 8 and 10 pages of script a day, and that’s a crazy schedule. So, what that means is that as an actor, you basically shoot the master in maybe 2 takes. Then you go into coverage where you have 2 takes, and then you’re moving on. By contrast, on a feature film, especially one like Surrogates, you’d literally shoot at a pace of about a half-page per day. That gives you a lot of time as an actor to find different beats, and to discover alternative approaches. If take 3 wasn’t good, maybe take number 12 brings something out that you didn’t even notice before. For me, the preparation is the same, the time factor is the biggest difference. My goal is always to be ready and 150% prepared, and already in the frame of mind of my character when I arrive on the set.  
KW: Irene also asks, are you concerned about the image you projected of black males in the roles you portray?
BK: Well, I’m very conscious of choosing roles based on the overall message of the film. Sometimes, my character might not experience an epiphany or represent perfect moral principles, but the overall script is the most important aspect in terms of my decision. So, I always look at the project as a whole to get a sense of its message, because if it’s not on the page, it’s not going to be on the screen. Secondly, I want to be challenged by my character, and I also make sure that the director’s vision is in line with mine. After that, all I can do is be 150% prepared, let go and jump in there feet first, trusting that it’s going to be a great project, because I’m not in charge of the editing process, adding the music, or all the other things that the director and the producers handle. Once I decide to be on board, all I can do is put my best foot forward in alignment with what the project is trying to achieve.   
KW: What would you say is Surrogates’ message?
BK: It’s a cautionary tale warning about the potential dangers of technology. The movie shows us the possibilities of what can happen when machines get corrupted or into the wrong hands. With a lot of power, comes a lot of responsibility. I liked the film’s message, because I believe in taking technological advancements with a grain of salt. Just look at how today we’re losing ourselves in a maze of impersonal, electronic activity, from TV to the web to radio to mobile gadgets. Whereas years ago we’d sit down with friends and just look them in the eyes. Now, we don’t even acknowledge other people in our presence anymore. We’re too busy texting and getting messages. I think that this whole being available 24 hours a day has damaged the quality of interpersonal relationships.  
KW: The bookworm Troy Johnson question: What was the last book you read?
BK: I’m just finishing an amazing book that Nicole and I both read. It’s called “The Shack” and has been the subject of some great conversations lately. I’ve passed it on to all my friends because I’m fascinated not so much by religion but by spirituality. To me, spirituality is the notion that there is a God without the limitations of a specific religious structure or dogma. I’m very spiritual in that sense.
http://www.amazon.com/gp/product/0964729237?ie=UTF8&tag=thslfofire-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0964729237
KW: The Teri Emerson question: When was the last time you had a good laugh?
BK: When you have two little kids, it’s really all day, everyday, because they come up with the most ridiculous stuff. When they’re too quiet, that’s usually a sign that something’s going on. Recently, I went into their room to wake them from their nap and Sophie had stripped Nicholas of his clothes. He was standing in his bed completely naked and covered from head to toe with baby oil. And so was the bed, the table, the hardwood floor, and Sophie’s arms and hands. When I walked in, I said, “What’s going on in here?” And she turned to me with this big smile and said, “Daddy, I made the whole room and Nicholas shiny.” 
KW: Wow! That’s beautiful. Is there any question no one ever asks you, that you wish someone would?
BK: What do you consider your biggest accomplishment?
KW: Okay, what do you believe is your biggest accomplishment?
BK: My family. Having a family and being a great father and husband. It’s where I get my strength and power, and where I find my truest joy and happiness. Everything else sort of falls into place when that nucleus is there and intact. A lot of people forget that that’s the most important thing in the world.
KW: The Flex Alexander question: How do you get through the tough times?
BK: Hmm… That’s a good one… Yeah… We both, my wife and I, we believe in God and we believe that He has a plan, and that all we have to do is worship. And by worship, I mean trusting that He will provide. And oftentimes it is a challenge, especially when you’re going through those tough times, and you don’t understand the purpose. That’s why faith is so important. Tough times don’t last forever, and there’s light at the end of the tunnel. It’s really about asking what do you want me to do versus why am I going through this. That’s something we’ve definitely experienced over the past four years, and is really the source of our strength. Obviously, we believe in each other, and have each other’s back. It is important that we support each other, and give each other the opportunity to be weak or vulnerable, and to take over for awhile, when necessary.      
KW: What has been the biggest obstacle you have had to overcome?
BK: Besides challenging myself to have that faith I just spoke about, I’d say insecurities about the language barrier. Learning to speak English was a big hurdle, considering what I do.
KW: What is your favorite dish to cook?
BK: Schnitzel and fries for my kids. They love it. Usually it’s prepared with veal, but I make it with chicken.
KW: The music maven Heather Covington question: What music are you listening to? 
BK: I listen to everything, but right now I’m into the new Whitney Houston album, and Maxwell. And I like Wale, too.
KW: When you look in the mirror, what do you see?
BK: I see a father and a husband, someone who loves life, and someone who’s been blessed. I also see a young boy from Germany who has come a long way.
KW: Thanks for the time, Boris. Please give my best to Nicole, and let her know I’d like to speak to her about her new TV show whenever she’s ready.
BK: Thank you, Kam. That’d be great.

To make a donation to Boris and Nicole’s charity, Sophie’s Voice, and to learn more about Spina Bifida, visit: http://www.sophiesvoicefoundation.org/