Sunday, June 21, 2015

America: The Black Point of View (BOOK REVIEW)

America
The Black Point of View
by Tony Rose
Amber Books
Paperback, $21.95
572 pages, Illustrated
ISBN: 978-1-937269-50-0

Book Review by Kam Williams

I come from a place that is so invisible that you can hardly see me. Yet, I am despised, hated and feared more than anyone or anything... I live in the underbelly of America and I am poor and have nothing. I am a Black man... and I am invisible, until someone kills me...
This book is essentially a children's story. A story of millions of children locked away in the segregated, red-lined ghettos and housing projects of America. I found out early on that this was not going to be an easy book to write.
I wanted to write an autobiography about... the horrific murderers, pimps, gangsters, rapists, child abusers and thieves that I grew up with... [but] I soon realized that I could not write about me as an African-American... without writing about White America.
I also wanted to write about what it was like for a child... in the real ghetto, the projects... where, contrary to how poor Black people are always depicted, there was no God, no church on Sundays, and no singing in the choir.”
-- Excerpted from the Introduction (page 1)

Tony Rose is the CEO of Amber Communications Group, the largest African-American publisher of self-help books and music biographies. He is also the author of several books and an NAACP Image Award-winner as publisher of “Obama Talks Back:: Global Lessons.” 
 
So, it probably comes as quite a surprise that a man of such considerable accomplishment would hail from a humble background. In fact, Tony's upbringing in Boston back in the Fifties and Sixties was way worse than merely modest, given how he and his sister were raised in a rough Roxbury ghetto they were lucky to survive.

His absentee-dad was rarely around after being caught molesting his daughter, not that the heroin addicted-pimp/Mafia hit man would have made much of a role model. Consequently, Tony's mom was totally dependent on that bi-weekly Welfare check from the government. And up until she lost her mind in 1965, the emotionally-abusive woman was fond of routinely reminding her kids that they were “black and ugly” and that nobody wanted them. Charming.

Nevertheless, Tony was wise enough not to lay all of the blame for his nightmarish childhood on his parents, since so many of his friends had to deal with similar dysfunction. After all, he describes the Whittier St. projects where he grew up as “a red fortress filled with screaming children, cold brutal gangs and women.” 
 
Therefore, he decided to open his memoirs with a 100+ page blistering attack on the 70% of White America that remains ostensibly indifferent to the country's shameful legacy of slavery, segregation and institutional racism . For, their destructive by-products exact a continuing toll as evidenced in the African-American masses' ongoing suffering in squalor due to a seemingly-irreversible cultural collapse. 
 
“America: The Black Point of View” proves to be a very timely tome, as it even addresses the epidemic of shootings of unarmed blacks like Travon Martin, Jordan Davis and now the 9 Charleston churchgoers by cowardly whites. The author points out that “the weak white coward is not interested in going up against the real black gangster, they know the difference; but, they use the real black gangster as their excuse” for killing the innocent and the defenseless. 
 
Following that damning digression, Tony proceeds to relate his own heartbreaking life story, warts and all, in a vivid fashion that just jumps off the page. The jaw-dropping opus covers only his formative through teen years, a period he spent doing everything from killing roaches to subsisting on celery soup to standing up to neighborhood bullies. 

Overall, an alternately poignant and powerful autobiography that is as much a riveting overcoming-the-odds memoir as it is a searing indictment of the United States as a racist society.


To order a copy of America: The Black Point of View, visit:
 

Saturday, June 20, 2015

Felt (FILM REVIEW)


Felt
Film Review by Kam Williams

Headline: Sex Abuse Survivor Copes with Trauma in Surreal, Semi-Autobiographical Adventure


Amy (Amy Everson) has been left so haunted by demons after years of unspecified sexual abuse that today she dreams of crushing a rapist to death with her thighs. She also fantasizes about gouging out his eyes and sticking a pin in a penis.

Good luck to anyone who gets involved with the traumatized survivor, since she's obviously still dealing with the fallout of whatever happened to her. Some of Amy's suitors are oblivious of the warning signs, such as the cad who cavalierly suggested that the date rape drug, Rohypnol, doesn't even exist. 
 
Such callous behavior plays right into Amy's belief that most men are exploitative jerks who think they have the right to grope her just because she's female. She laments that they don't understand that there are other forms of violence besides punching or stabbing or shooting with a gun. 
 
Rather than retreat into her shell, Amy copes by creating elaborate costumes which make a feminist statement about the patriarchal state of the culture. For instance, she'll strap on a fake penis and cover her face with a mask before taking a walk in the woods; or she might don a giant chicken mascot costume in order to follow a dude around.

Yet, despite her apparent disgust with the opposite sex, Amy hasn't given up on finding Mr. Right. She hangs out at a pool hall where she peppers possible partners with probing questions like: “Do you prefer docile chicks?” 
 
Inspired by its star Amy Everson's real-life experiences, Felt is a surreal, semi-autobiographical adventure with a patently political agenda. Directed by Jason Banker (Toad Road), this unsettling experimental indie is simultaneously a psychological thriller which never affords the audience an opportunity to get comfortable in their seats. 
 
A cattle prod of a picture which incessantly provokes and pushes the cinematic envelope while taking no prisoners in a very freaky battle-of-the-sexes. 
 

Very Good (3 stars)
Unrated
Running time: 80 minutes
Distributor: Amplify Releasing

To see a trailer for Felt, visit: https://www.youtube.com/watch?v=rr59LitGL1k

Top Ten DVD Releases for 6-23-15

This Week’s DVD Releases
by Kam Williams


Top Ten DVD List for June 23, 2015

Joan Rivers: That Show with Joan Rivers

The Fisher King [Criterion Collection]

Miss Hill: Making Dance Matter

Roman de Gare

Stop the Pounding Heart

Me without You

Children of Giant


An American Girl: Grace Stirs Up Success

Rx: The Quiet Revolution

Hope Bridge


Honorable Mention

Wild Kratts: Super Sprinters

Workaholics: Season Five

Curious George 3: Back to the Jungle

Cross

Lost for Words

Folsom Forever

Tentacle 8

Old Fashioned

The Lazarus Effect

Horsehead

See You in Valhalla

Thursday, June 18, 2015

Kam's Movie Kapsules for 6-26-15

OPENING THIS WEEK
Kam's Kapsules:           
Weekly Previews That Make Choosing a Film Fun                 
by Kam Williams
For movies opening June 26, 2015
 
 
BIG BUDGET FILMS     
 
Big Game (PG-13 for profanity, violence and intense action sequences) Political thriller about a hardy, 13 year-old hunter (Onni Tommila) who comes to the assistance of the President of the United States (Samuel L. Jackson) when Air Force One is shot down over Finland by terrorists intent on taking him hostage. With Jim Broadbent, Ray Stevenson and Felicity Huffman. (In English and Finnish with subtitles)

Max (PG for action, peril, violence, mild epithets and mature themes) Man's Best Friend saga about the brother (Josh Wiggins) of a late, Afghan War vet (Robbie Amell) who adopts the dog that served alongside him on the frontlines. Featuring Thomas Haden Church, Jay Hernandez and Lauren Graham.


Ted 2 (R for sexuality, crude humor, pervasive profanity and drug use) Writer/director/producer Seth MacFarlane reprises the title role in this sequel which finds the anthropomorphic Teddy bear marrying his girlfriend (Jessica Barth) with plans for starting a family. Ensemble cast includes Mark Wahlberg, Morgan Freeman, Liam Neeson, Amanda Seyfried and Patrick Warburton.


INDEPENDENT & FOREIGN FILMS

Batkid Begins (PG for mature themes) Make-a-wish documentary recounting how the citizens of San Francisco collaborated to make 5 year-old, cancer patient Miles Scott's dream of becoming Batman a reality.
A Borrowed Identity (Unrated) Middle East drama revolving around a Palestinian teenager (Tawfeek Barhom) attending a prestigious Israeli boarding school in Jerusalem where he lands in hot water for falling in love with a Jewish classmate (Danielle Kitsis). With Razi Gabareen, Ali Suliman and Yael Abecassis. (In Arabic, Hebrew, English and German with subtitles)


Escobar: Paradise Lost (Unrated) Romance thriller, set in Colombia in the summer of 1991, about a Canadian surfer dude (Josh Hutchinson) who is pressured to serve as a hit man after falling for the niece (Claudia Traisac) of drug cartel kingpin Pablo Escobar (Benicio del Toro). Support cast includes Anne Giradot, Carlos Bardem and Brady Corbet.


Felt (Unrated) Semi-autobiographical psychological thriller revolving around a victim of sexual assault's (Amy Everson) attempt to cope with her trauma by disappearing into a number of alter egos. With Alanna Reynolds, Kentucker Audley and Ryan Creighton.


Fresh Dressed (Unrated) Hip-hop documentary revisiting the rise in popularity of urban fashion as a consequence of the simultaneous mainstreaming of rap music in American culture. Featuring appearances by Pharrell Williams, Daymond John and Damon Dash.


A Little Chaos (R for sexuality and brief nudity) Romance drama, set in France during the reign of Louis XIV, where a couple of gifted landscape artists (Kate Winslet and Matthias Schoenaerts) fall in love while sculpting the royal garden at the Palace of Versailles. Directed by Alan Rickman who plays the king, and co-stars Stanley Tucci, Jennifer Ehle and Helen McCrory.


The Little Death (Unrated) Kinky sex comedy, set in Sydney, exploring the fetishes of five suburban couples. Ensemble cast includes writer/director Josh Lawson, Kate Box, Tasneem Roc, Lisa McCune and Damon Herriman.


A Murder in the Park (PG-13 for violent reenactments, disturbing images, drug use and brief profanity) Miscarriage of justice courtroom expose' suggesting that the Innocence Project had inadvertently set free on appeal a death row inmate who was actually guilty all along.


Runoff (R for drug use) Rural tale of survival about a woman (Joanne Kelly) willing desperate to keep a failing, family farm afloat after her husband (Neal Huff) falls ill and they're threatened with foreclosure by heartless bill collectors. With Rashel Bestard, Tom Bower and Drew Cash.


What Happened, Miss Simone? (Unrated) Prestige biopic chronicling the life and times of the legendary Nina Simone. Produced by the late jazz singer and civil rights activist's daughter, Lisa .


Wednesday, June 17, 2015

Inside Out (FILM REVIEW)


Inside Out
Film Review by Kam Williams


Uprooted 11-year old Struggles to Control Her Emotions in Introspective Pixar Adventure


Riley (Kaitlyn Dias) was understandably unhappy when she learned from her mother (Diane Lane) and father (Kyle MacLachlan) that the family was relocating from Minnesota to San Francisco. After all, she'd be leaving behind her home, her hockey team and all her BFFs. 
 
So, it's no surprise that the uprooted 11 year-old might be very lonely after moving to the Bay Area. And, unfortunately, that solitary condition leads to an inordinate amount of introspection as she attempts to sort out her emotions, literally and figuratively. 
 
For, her feelings aren't merely metaphysical experiences but five actual little figurines living inside her brain. This anthropomorphic quintet, composed of Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black) and Disgust (Mindy Kaling), are constantly contending for control of rattled Riley's moods as she navigates her way around a new house, city and school.

That struggle is the subject of Inside Out, the best animated offering from the talented team at Pixar since the equally-affective balloon adventure Up (2009). Don't allow the the awkward-sounding premise revolving around a melancholy kid who's a bit of a head case turn you off, as the material is handled delicately enough to be appropriate for a child of any age. 
 
A touching tale illustrating how a dramatic life change might, temporarily at least, exact a terrible toll on a frail human psyche.



Excellent (4 stars)
Rated PG for action and mature themes
Running time: 94 minutes
Distributor: Pixar Animation / Walt Disney Studios

To see a trailer for Inside Out, visit:  https://www.youtube.com/watch?v=7ZLOYXKmIkw

Welcome to Me (DVD REVIEW)

Welcome to Me
DVD Review by Kam Williams

Tongue-in-Cheek Dramedy Tailor-Made for SNL Alum Kristen Wiig

Let’s say you’re a die-hard Oprah fan who has always wanted nothing more than to have your own television series just like your idol’s. What would you do if you hit it big in the lottery and suddenly had the money to turn that dream into a reality?
That’s precisely the quandary confronting Alice Klieg (Kristen Wiig) when she has the good fortune to win $86 million in the California Stacks Sweepstakes. Trouble is she’s also a manic-depressive suffering from bipolar disorder who deludes herself into believing she no longer needs drugs now that she’s rich.
So, she informs her shrink (Tim Robbins) that she’s going off her meds before offering him a bribe to give her a clean bill of health. Next, she approaches the general manager (James Marsden) of a TV station specializing in infomercials about buying air time for the talk show about herself she hopes to host.
Concerned only about his struggling network’s bottom line, Rich gives his okay as soon as Alice comes up with the $15 million needed to underwrite the project. His brother/business partner (Wes Bentley) is less enthusiastic about taking advantage of the reckless mental patient until she unleashes her powers of seduction in his direction.
Alice appropriately names the program “Welcome to Me,” since she’s the topic of every episode. The themes range wildly, featuring titles like “Jordana Spangler – a Liar,” “Matching Colors to Emotions,” “Lucky Foods,” “I Can Still Smell You,” and “Regulating Your Moods with a High-Protein Diet.” All they have in common is that they invariably focus on some aspect of the narcissistic emcee’s life.
The emotional exhibitionist proves compelling enough to improve ratings and is allowed to self-destruct in front of couch potatoes who just can’t get enough Alice whether she’s nattering on about her orgasms or Irritable Bowel Syndrome. But with a burn-rate of $150,000 per episode, it’s obvious that she’s in for a devastating crash-landing, eventually.
Directed by Shira Piven (Jeremy’s sister), Welcome to Me is a droll character-driven dramedy tailor-made for the tongue-in-cheek comedy style of Kristen Wiig. Alternately vulnerable and bizarre, but always endearing, the Saturday Night Live alum enjoys her best outing since Bridesmaids, here, as an anguished soul allowed, against her better judgment, to purchase a terribly-embarrassing, 15 minutes of fame.
Kudos to Kristen for baring herself, literally and figuratively, in deliverance of a poignant performance which could very easily have degenerated into the sort of slapstick she did on SNL.

Excellent (4 stars)
Rated R for sexuality, profanity, graphic nudity and brief drug use
Running time: 87 minutes
Distributor: Alchemy
DVD Extras: Behind-the-scenes featurette; and theatrical trailers.


To see a trailer for Welcome to Me, visit: https://www.youtube.com/embed/z251mQl-OLI

To order a copy of Welcome to Me on DVD, visit:

Tuesday, June 16, 2015

Dope (FILM REVIEW)

Dope Film Review by Kam Williams

College-Bound Kid Jeopardizes His Future by Associating with Unsavory Characters in Compelling Coming-of-Age Comedy


17 year-old Malcolm (Shameik Moore) was raised by a single-mom (Kimberly Elise) in a rather rough section of L.A. where he's turned out to be more of a milquetoast than a menace to society. He's actually so nerdy he's formed a funk band called Oreo with a couple of fellow geeks, Diggy (Kiersey Clemons) and Jib (Tony Revolori). The tight-knit BFFs carefully negotiate their way through the perilous gauntlet lining their path to school, doing their best to hide the fact that they do “white sh*t” like getting good grades in hopes of going to a good college and making it out of the ghetto.
 
Malcolm has his heart set on Harvard, which just might happen, given his high SAT scores. In terms of his application, he still has to finish his personal essay and then do a decent job in his upcoming interview with esteemed alumnus Austin Jacoby (Roger Guenveur Smith), the check-cashing magnate. 
 
However, what might prove more of a challenge is simply keeping his nose clean the rest of senior year. After all, he encounters danger on a daily basis, whether it's bullies trying steal his sneakers or neighborhood gangstas pressuring him to join the Bloods. 
 
Malcolm's unraveling starts when, against his better judgment, he accepts an invite from a girl he has a crush on (Zoe Kravitz) to a drug dealer's (Rakim Mayers) birthday party at an underground nightclub. His first mistake is even entering the seedy, subterranean rave. His second is asking Nakia to dance, because she's also the object of the macho birthday boy's affection.

Then, when a gunfight suddenly breaks out, Malcolm grabs his backpack and runs for his life, unaware that his rival in romance has hidden a stash of contraband there. So, the next thing you know, Malcolm's on the run from a number of unsavory characters who covet the carefully-packed powdery substance. 
 
Thus unfolds Dope, a cleverly-scripted, coming-of-age comedy reminiscent of the equally-sophisticated Dear White People. Narrated by Forest Whitaker, this laff-a-minute, fish-out-of-water adventure mines most of its humor at the expense of an emboldened 98-pound weakling who's used to having sand kicked in his face. 
 
The picture was directed by Rick Famuyiwa (Brown Sugar) who keeps you entertained by turning more than a few conventions on their heads. The film also features a very pleasant soundtrack which includes a couple of crowd-pleasing tunes by 11-time, Grammy-winner Pharrell Williams. 
 
A rollicking roller coaster ride around the 'hood that's basically a hilarious cross between Kid and Play's House Party (1990) and Harold & Kumar Go to White Castle (2004). 

 

Excellent (4 stars)
Rated R for profanity, nudity, sexuality, ethnic slurs, drug use and violence, all involving teens
Running time: 115 minutes
Distributor: Open Road Films

To see a trailer for Dope, visit: https://www.youtube.com/watch?v=strEm9amZuo