Kam's Movie Kapsules for 1-1-16
BIG BUDGET FILMS
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The Revenant
Film
Review
by Kam Williams
Harrowing
Tale of Survival Recounts Legendary Explorer's Grueling Ordeal on
American Frontier
Hugh
Glass (1780-1833) was a legendary frontiersman who explored the
American West in the early 19th Century. He's been previously
portrayed on the big screen by Richard Harris in Man in the
Wilderness (1971) and by Dewitt Lee in Apache Blood (1975).
Glass'
life story has also been the subject of several books, most recently,
The Revenant, a harrowing tale of survival published by Michael Punke
in 2002. That best-selling page-turner has now been adapted by
Alejandro Gonzalez Inarritu, who won a trio of Academy Awards for
writing, directing and producing Birdman, 2015's Best Picture of the
Year.
The
film stars Leonardo DiCaprio who just might finally land the Oscar
that has eluded his grasp five times before. For, this is a star
vehicle featuring the veteran thespian in virtually every scene. And
he never disappoints, delivering again and again in a compelling
performance which keeps you on the edge of your seat as you pull for
his character from beginning to end.
At
the point of departure, we are introduced to Hugh and his orphaned,
Pawnee son, Hawk (Forrest Goodluck), as they escort a hunting party
of fur trappers across the Rockies. Along the way, the expedition is
tested at every turn, whether by "Injun" ambush, animal attack, frigid
weather or the challenging terrain.
Unfortunately,
one member of the crew, John Fitzgerald (Tom Hardy), is a cowardly
racist with no reservations about cavalierly murdering Hawk and
leaving the boy's badly wounded father behind to die in the forest.
Instead of perishing, Hugh exhibits an incomparable will to survive,
if only to pursue his son's killer to the end of the Earth, or at
least back to the fort.
What
ensues is a visually-captivating spectacular chronicling our intrepid
hero's determination to exact revenge in honor of his dearly-departed
offspring. Despite the host of hurdles in his path, Hugh remains
resolute as he stalks Fitzgerald across a vast expanse of the Wyoming
wilderness in a deliberately-paced game of cat-and-mouse. Credit co-star
Tom Hardy for serving up the sort of sniveling villain in the
backstabbing Fitzgerald.that an audience just loves to see get his
due. That makes it easy to endure the 2+ hour build-up to the fierce
finale.
A
relentlessly-gruesome, gritty and grim adventure reminiscent of how
the West was won.
Excellent (4
stars)
Rated
R for profanity,
graphic violence, gory images, ethnic slurs, brief nudity and a rape
In English, French and Native
American dialects with subtitles
Running time: 156 minutes
Distributor: 20th
Century Fox
To see a trailer for The Revenant,
visit: https://www.youtube.com/watch?v=QRfj1VCg16Y
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Pan
DVD
Review
by Kam Williams
Peter Pan
Prequel Speculates about Forever Young Boy's Roots
Everyone's
familiar with Peter Pan, the much-beloved children's classic
revolving around the magical adventures of a little boy who can fly
and won't grow up. In fact, the fanciful character is so deeply woven
into the cultural fabric that he has a psychological disorder, the
Peter Pan syndrome, named after him, a pathology applied to people
seemingly stuck in a state of suspended adolescence.
Created by
Sir James Matthew Barrie, Peter Pan was first produced as a play in
1904 and adapted into an illustrated novel seven years thereafter.
The enchanting fairy tale made its screen debut as a silent movie in
1924, with assorted remakes, sequels, spin-offs and animated versions
being released over the ensuing generations.
Directed
by Joe Wright (Anna Karenina), Pan, the latest incarnation, is a
prequel very loosely based on the J.M. Barrie plotline. This special
f/x spectacular is the brainchild of actor-turned-scriptwriter Jason
Fuchs, who ostensibly felt free to speculate wildly about Peter Pan's
roots. The film stars Levi Miller as Peter, and features an
impressive supporting cast including Hugh Jackman, Rooney Mara,
Garrett Hedlund and Amanda Seyfried.
At the
picture's point of departure, we witness a newborn baby being very
reluctantly deposited by his mother (Seyfried) on the doorstep of the
Lambeth Home for Boys, an orphanage run by an order of nuns.
Fast-forward a dozen years and we find Peter and his fellow
foundlings sharing the misfortune of being under the thumb of a
sadistic mother superior (Kathy Burke).
Furthermore,
it's the height of the Battle of Britain, and the Luftwaffe's daily
fire bombings of London during the Blitz have left the lads terribly
traumatized. Obviously, Fuchs' anachronistic screenplay takes a few
liberties, such as in setting the story during World War II, well
after the source material was already written.
Nevertheless,
the tale makes an incredible leap from reality into fantasy the night
a flying frigate swoops out of the sky and starts plucking the kids
right out of their beds and up into the heavens. Curiously, the
ship's captain is not Hook (Hedlund), but Blackbeard (Jackman), the
notorious British pirate who roamed the high seas in the early 18th
Century.
Unfortunately,
Blackbeard is no savior but a kidnapper intent on enslaving the
youngsters in Neverland, a lair located in another dimension.
However, here, Hook happens to be a benign figure who befriends
Peter, along with Indian princess Tiger Lily (Mara) and the ethereal
fairy Tinker Bell.
At this
juncture, the movie morphs into an overstimulating, kitchen sink
extravaganza serving up everything from dazzling, CGI chase scenes to
catchy song-and dance tunes (ala "Smells Like Teen Spirit")
to swashbuckling derring-do. A riveting roller coaster ride
well-designed to enthrall tykes for two hours straight.
Very Good (3
stars)
Rated PG for PG for
mature themes, mild epithets, action and violence
Running time: 111 minutes
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