Wednesday, June 8, 2011

Kam's Kapsules: For movies opening June 17, 2011

OPENING THIS WEEK
Kam's Kapsules:
Weekly Previews That Make Choosing a Film Fun
by Kam Williams
For movies opening June 17, 2011


BIG BUDGET FILMS

Green Lantern (PG-13 for intense sci-fi violence) Ryan Reynolds stars as the title character in this action adventure based on the DC Comics series about a test pilot-turned-superhero and intergalactic leader of a brotherhood of warriors committed to world peace. Supporting cast includes Blake Lively, Peter Sarsgaard and Mark Strong.

Mr. Popper’s Penguins (PG for rude humor and mild epithets) Jim Carrey stars in the screen adaptation of the beloved children’s novel of the same name about a clueless businessman who gets a big lesson about what really matters when his life is turned upside-down by the six penguins he inherits. With Carla Gugino, Angela Lansbury and Philip Baker Hall.


INDEPENDENT & FOREIGN FILMS

The Art of Getting By (Unrated) Coming-of-age drama, set in Manhattan, about a depressed, prep school slacker (Freddie Highmore) whose pessimistic outlook on life finally brightens after he’s befriended by an equally-jaded classmate (Emma Roberts). Ensemble includes Blair Underwood, Sasha Spielberg (daughter of Steven Spielberg and Kate Capshaw), Rita Wilson (wife of Tom Hanks), Sam Robards (son of Jason Robards and Lauren Bacall), Alicia Silverstone, Michael Angarano and Marcus Carl Franklin.

Battle for Brooklyn (Unrated) Eminent domain documentary about the seven-year legal fight led by resident David Goldstein against real estate developers determined to flatten his Prospect Heights neighborhood in order to build a stadium for the NBA’s New Jersey Nets.

Beginning of the Great Revival (Unrated) Communist Party propaganda drama, unfolding in China over the course of most of the 20th Century, recounting the rise of the People’s Revolution and the subsequent reign of Chairman Mao (Ye Liu). Starring John Woo, Andy Lau, Daniel Wu and Wei Tang. (In Mandarin with subtitles)

Buck (Unrated) Cowboy bio-pic about the legendary Buck Brannaman, a horse whisperer famous across Big Sky Country for an unorthodox approach to breaking bucking broncos.

The Colors of the Prism, The Mechanics of Time (Unrated) Avant Garde Movement retrospective exploring the cultural contributions of such visionary American composers and choreographers as Philip Glass, Meredith Monk, Terry Riley, La Monte Young, Steve Reich, Pauline Oliveros and Gavin Bryars.

Jig (Unrated) Happy feet documentary highlighting the grueling training regimen of several entrants in preparation to compete in the 40th Annual Irish Dance World Championships staged in Glasgow, Scotland.

Kidnapped (Unrated) Grisly revenge thriller, set in Madrid, about a well-to-do family from an exclusive gated community which turns the tables on the trio of masked intruders (Guillermo Barrientos, Dritan Biba and Martijn Kuiper) who had taken them hostage in their own home. Cast includes Fernando Cayo, Cesar Diaz and Manuela Velles. (In Spanish with subtitles)

Page One: Inside the New York Times (R for profanity and sexual references) Fourth Estate documentary chronicling a year inside the pressroom of the proverbial paper of record.

Tuesday, June 7, 2011

The Central Park Five: A Chronicle of a City Wilding (BOOK REVIEW)

by Sarah Burns
Knopf
Hardcover, $25.95
264 pages, Illustrated
ISBN: 978-0-307-26614-9

Book Review by Kam Williams

“In 1990, Anton McCray, Kevin Richardson, Korey Wise, Yusef Salaam and Raymond Santana, Jr. [were] convicted and sent to prison for a combination of rape, sexual assault and attempted murder of a female jogger named Trisha Meili in Central Park... That the victim had been a 28 year-old, successful, white investment banker and that the [accused] were black and Latino teenagers from Harlem was not lost on the public...
The media coverage of the crime exposed a racism rife in American society, and the language used to describe the supposed perpetrators was filled with imagery of savage wild animals, the same racist imagery that had been used to justify lynchings earlier in the century…
The false narrative disseminated by the police and the media was swallowed whole by the public… Even though some like to say we live in a ‘postracial’ society, the racism that fueled the rush to judgment persists, and… we have not evolved enough from the days when even the suggestion that a black man had raped a white woman could lead to a lynching.”

-- Excerpted from the Preface (pgs. ix-xi)

On April 19, 1989, Patricia Ellen Meili entered Central Park around 9 PM, a regular running time for her due to the long hours she worked on Wall Street. Unfortunately, on this occasion, she would be sadistically beaten, brutally raped and left for dead, with 80% of the blood draining from her body by the time she was rushed to the hospital by ambulance after the police were alerted by a couple of passersby.
Because Trisha came from a privileged background marked by ballet and horseback riding topped off by an Ivy League pedigree, the NYPD was under considerable pressure to apprehend the perpetrators of the heinous crime. And it was not long before they had somehow extracted confessions from five teenagers from Harlem, none of whom had ever been arrested or even in serious trouble before.
Contrary to state law, the names of the juveniles were released to the press prior to their being indicted or arraigned. Furthermore, the police leaked incriminating admissions supposedly made by the accused of their own free will about having stabbed and ejaculated on the victim.
The tabloid press, ever inclined to exploit the hot button issues of color and class, soon began sensationalizing the case’s lurid details, dubbing the white victim “The Central Park Jogger” while coining the term “Wilding” to describe the alleged behavior of her African-American and Latino attackers. Ordinarily apolitical icons also got into the act, like Donald Trump who took out full-page ads in every New York City daily newspaper calling for the death penalty, saying that the perpetrators “should be forced to suffer” and “should be executed for their crimes.”
It was no surprise, then, that in the face of the vigilante-like demand for vengeance, all five kids were convicted despite the fact that none of their DNA was found on Trisha and she didn’t have any knife wounds. They were only exonerated after having completely served sentences ranging from 6 to 13 years when a serial rapist named Matias Reyes, a DNA match to Exhibit A, confessed to the crime in 2002.
Written by Sarah Burns, The Central Park Five revisits the controversial case to determine just how a combination of a media circus, a flawed legal system and a racist society inclined to see black adolescents as animals had enabled such a gross miscarriage of justice to transpire. The author, who also disputes the popular notion that this country is now post-racial because of the election of President Barack Obama, is already collaborating with her father, award-winning filmmaker Ken Burns, on a documentary based on this eye-opening opus which belatedly sets the record straight.
A riveting retrospective on a tragic rush to judgment which ruined five, innocent young lives.

Monday, June 6, 2011

Keith Beauchamp: “The Injustice Files” Interview

with Kam Williams

Headline: Brother Beauchamp on Still Investigating Unsolved Lynchings

Award-winning filmmaker, Keith Beauchamp found his calling while making his first documentary about Emmett Louis Till, the 14-year-old black boy who was abducted and tortured to death in August of 1955 for allegedly whistling at a white woman. The suspects subsequently arrested for the lynching were all acquitted by an all white jury.
That heart-wrenching story of a young boy, beaten, shot, and thrown in a river, ignited the early civil rights movement. Decades later, the case was re-opened by the FBI because Keith Beauchamp uncovered new information in the course of his research for The Untold Story of Emmett Louis Till.
Bolstered by his ability to connect with potential witnesses who otherwise might not come forward in communities where such Civil Rights crimes have occurred, Beauchamp has become a passionate advocate for survivors seeking justice for victims and has assisted the FBI by developing new leads for some of the still unsolved cases from this shameful troubled chapter in American history.
For his new TV series, The Injustice Files, Beauchamp combs through records; interviews family members, witnesses and investigators; and pieces together the known facts of each case. Beauchamp also attempts to interview potential suspects and individuals who may know who was responsible for these murders, sometimes confronting them in their driveways after attempts to contact them for interviews prove unsuccessful.
Here, director/producer/host Beauchamp talks about The Injustice Files which airs on the Investigation Discovery Network. (Check local listings for airtimes, or visit: http://investigation.discovery.com/tv/injustice-files/episode-guide.html)

Kam Williams: Hi Keith, thanks for the time.
Keith Beauchamp: Thank you Mr. Williams, for giving me another opportunity to share my work with you and the public.

KW: What gave you the idea for The Injustice Files?
KB: The Injustice Files is an extension of my previous work profiling Civil Rights murders from the 1950s and 1960s. It’s my third TV production produced in collaboration with the FBI’s Civil Rights Cold Case Initiative that began in 2007.

KW: Tell me a little about the series?
KB: The series is a 3-part docu- series produced by CBS News’ heavyweight, Susan Zirinsky and Eye Too Productions and premiered on Investigation Discovery. It follows the investigative efforts of myself and the FBI's Civil Rights Unit Chief, Cynthia Deitle. There are three unsolved civil rights murders from the 1960s, of Wharlest Jackson, Oneal Moore and William Lewis Moore, that we hope to get solved.

KW: How hard was it to get the series off the ground, given the popular notion of America being post-racial?
KB: It’s challenging to get a project of this nature green-lighted for TV. When I walk into a network, I always have to prove why this project is so important for this day and time. When you speak about Injustices and the Civil Rights Movement, many feel that it’s a thing of the past and it’s a black issue, but in reality it’s an American issue. These are murders that need to be solved to help bring justice and closure for the victims’ families and we have all benefited from the American Civil Rights Movement. Racism still exists in this country and to forget our past we are doomed to repeat it.

KW: Do you ever feel concerned about your own safety while reopening these cases?
KB: Dr. King once stated, “If a man hasn't discovered something that he will die for, he isn't fit to live.” This is a quote that I use everyday of my life investigating these murders, so my own safety has never been a concern. Although, I’m completely aware of the dangers that exist, I fear no man but God.

KW: Are you getting support from the federal and local authorities when you are able to identify a perpetrator who is still alive?
KB: Yes, that’s what makes this new project so exceptional. It was done with the full participation of the FBI and these cases are active investigations. It’s the first project of its kind where you have a filmmaker and the FBI working side by side for a common goal, which is to get justice and closure for the families and the communities stricken with this pain.

KW: How do you want viewers to react to episodes of Injustice Files?
KB: I want people to understand that these murders need immediate attention. This is not just about learning our history; we need to solve these murders. As each day passes, perpetrators and witnesses to these murders die off. So, it’s a race against time to get justice for those who paved the way for us to exist in this ‘free society’ and for their families.

KW: Is there any question no one ever asks you, that you wish someone would?
KB: Yes. Have I ever received financial and moral support from prominent African-Americans?

KW: The Columbus Short question: Are you happy?
KB: Wow, that’s a hard question. Considering the type of work I’m doing, it does have its downside. Dealing with death daily can really play on your mind and you find yourself often in dark places. I’m happy when I’m in the field working and producing my work. I still haven’t found a way to balance my personal and business life because I eat and breathe this work day in and day out. There are so many families who need help. I often joke that I will need some serious therapy when I’m done.

KW: The Teri Emerson question: When was the last time you had a good laugh?
KB: It’s really hard to say. I try to entertain myself by watching TV from time to time and my last laugh I would have to say watching old reruns of Sanford and Son. I’m a huge fan of old African-American sitcoms.

KW: What is your guiltiest pleasure?
KB: Riding in my SUV with the sunroof and windows open with music blasting.

KW: The bookworm Troy Johnson question: What was the last book you read?
KB: Unfortunately, I haven’t had time to read any books for pleasure but the last book I’ve read was Investigative Discourse Analysis by Don Rabon.
It teaches interviewing and interrogation techniques which come in very handy with the work that I do.

KW: The music maven Heather Covington question: What are you listening to on your iPod?
KB: People say I have an old soul. I love to listen to Sam Cooke and Curtis Mayfield for inspiration, and to Kanye West and Southern Hip-Hop to get my blood pumping before I go out to investigate murders. I guess it’s my way of keeping in touch with both the past and the present.

KW: What is your favorite dish to cook?
KB: Well, I’m from Louisiana, so I will have to say I’m known for cooking great Gumbo.

KW: The Uduak Oduok question: Who is your favorite clothes designer?
KB: At this point in my life, I wear many labels that help me look my best, but my favorite would have to be Gucci.

KW: When you look in the mirror, what do you see?
KB: When I look in the mirror, I see a man with a lot of potential to change minds and inspire, but not enough time. I’m still searching for higher knowledge of man and I’m not ashamed to admit I have room to do better.

KW: If you could have one wish instantly granted, what would that be for?

KB: That I might become successful enough doing this work to be able to fully take care of my parents who have sacrificed so much for me and my career.

KW: The Ling-Ju Yen question: What is your earliest childhood memory?
KB: My earliest childhood memory, which I speak about often, is when I first saw the photograph of Emmett Till at age 10 in Jet Magazine. I can honestly tell you, if it wasn’t for the murder of Emmett Till and seeing that photograph, I would not be a filmmaker today.

KW: The Nancy Lovell Question: Why do you love doing what you do?
KB: I love doing this work, because I’ve seen in my lifetime the fruits of my labor. My biggest accomplishments was the production of my first film, “The Untold Story of Emmett Louis Till” which took me nine years to produce, and getting his half-century old murder case reopened in 2004. It’s rewarding to know that I have the power to alter history and to undo some of the wrongs of our past by using the powerful medium of filmmaking. It is truly a blessing to receive emails and letters of encouragement almost daily regarding my work letting me know that I’m impacting lives and inspiring others.

KW: The Zane Question: Do you have any regrets?
KB: My only regret is not being able to focus on my own personal life. Since I’ve been doing this work – I’ve been in and out of relationships and haven’t been able to spend enough quality time with family. I’m the blame for that. I’m married to my work but I know that in time, the Creator will open a door for me to finally focus on myself.

KW: The Dulé Hill question. Do you think that the success you’ve achieved in your career is because of you, because of a higher power, or because of a mixture of both?
KB: I would have to say that my success is a mixture of both but the majority is driven by my faith and a higher power. I realized that early on when I discovered that the work that I do is my calling in life. I’m guided by the spirit of our ancestors and I never fight that spiritual connection.

KW: What has been the biggest obstacle you have had to overcome?
KB: The biggest obstacle that I had to overcome is doubting myself and hesitating to follow my gut instinct. There’s so much negative energy at times when you are trying to do good that it’s hard to become motivated to move forward.

KW: The Flex Alexander question: How do you get through the tough times?
KB: It’s still a learning process for me. Being that I am a self-made indie filmmaker that didn’t have any training, I continue to look for ways to reinvent myself to make a living. Civil Rights Activists will tell you that doing this type of work does not come with a steady pay check and that’s my reality. But I have learned that prayer, meditation and frequently speaking to my mother helps me to stay focused and on the right path.

KW: The Rudy Lewis question: Who’s at the top of your hero list?
KB: My parent’s would have to be first, because they instilled in me the value of speaking for those who can no longer speak for themselves, for the young and the old and those who have been affected by injustice. Secondly, without a shadow of a doubt would be the mother of Emmett Till, the late Mamie Till- Mobley who I worked with for 8-years until she passed away in 2003. She was the most influential person I every met and she continues to have a major influence on my life. The remarkable courage and dedication she had from the moment of Emmett’s murder until the day she passed away will forever be a part of my psyche.

KW: The Dr. Cornel West question: What price are you willing to pay for a cause that is bigger than your own self interest?
KB: I’m paying that price now, I was 23-years old when I started working on my first film that focused on the murder of Emmett Till and I’m 39-years old now still producing the same type of work. At times I feel that I’m running with the last of the dinosaurs, but I must push on because this mission is a much bigger cause than my own. Besides, the spirit in me won’t allow me to stop.

KW: What advice do you have for anyone who wants to follow in your footsteps?
KB: I will have to say follow your passion and learn perseverance. Fighting social injustice is a full time job which has many ups and downs. To be successful in your quest you must be persistent and believe in yourself no matter what people tell you. I’m a true testament of what one person can do to spark change and I know I won’t be the last.

KW: The Tavis Smiley question: How do you want to be remembered? What do you want your legacy to be, and where are you in relation to that at this point in your life?
KB: I want people to remember me as someone who was dedicated to the cause and who was able to become a ‘freedom conductor,’ sparking change in his own way - a true example of the power that one holds, but understanding that there is still much to be done.

KW: Thanks again for another great interview, Keith, and best of luck with Injustice Files.
KB: Thank you, Mr. Williams for your time and the opportunity.

X-Men: First Class

Film Review by Kam Williams

Headline: Classic “Origins” Prequel Reveals Roots of Mutants’ Superpowers

The release of a prequel is normally a sign that a franchise is running out of steam. But that isn’t the case with X-Men: First Class, a very worthy extension of the Marvel Comics franchise. This classic “origins” episode is devoted to the derivation of Charles Xavier (James McAvoy) and Erik Lehnsherr’s (Michael Fassbender) superpowers and to these archenemies’ emergence as Professor X and Magneto, respectively.
The film opens during World War II inside a concentration camp where we find Erik, a suspected mutant, being pressured at gunpoint by a Nazi scientist (Kevin Bacon) to demonstrate his ability to move a coin with no hands. When he fails to comply, the sadistic Dr. Shaw callously shoots the boy’s mother to death right on the spot.
Enraged, Erik is suddenly able to summon his superhuman magnetizing skills to kill a couple of guards but the perpetrator manages to escape. Understandably, the trauma of witnessing the murder leaves the kid obsessed with exacting vengeance on the perpetrator.
At the same time of Erik’s internment, Charles is growing up in New York City with a silver spoon in his mouth. There, the orphaned, 10 year-old heir to a family fortune has been learning how to harness his own special gift, namely, mental telepathy.
Fast-forward a couple of decades and Erik is still trying to track down Dr. Shaw on a trail which is taking him from Switzerland to Argentina to Miami. Meanwhile, Charles is just returning to the States after earning a Ph.D. at Oxford where he majored in Mutantology.
Their paths intersect soon after the CIA seeks Dr. Xavier’s advice about assembling a top secret team of genetic anomalies to neutralize the efforts of an evil counterpart bent on world domination, who is none other than the diabolical Dr. Shaw. This initially makes pacifist Professor X and revenge-minded Magneto easy allies, until the former’s peaceful nature comes in conflict with the latter’s personal agenda.
Unfolding against the backdrop of the Cuban Missile Crisis, X-Men: First Class takes considerable cinematic license with the truth, though very cleverly weaving myriad Marvel characters into factual events in a most entertaining fashion. The upshot is a fanciful, revisionist history suggesting that mutants might have played a pivotal role in the resolution of an infamous Cold War incident.
In this regard, the film is reminiscent of Inglourious Basterds, a Quentin Tarantino tour de force which had Hitler assassinated by an interracial couple in a movie theater instead of committing suicide in his underground bunker. What’s next? How about a flick where the D-Day assault on the beach at Normandy is led by the Teenage Mutant Ninja Turtles. I probably shouldn’t be giving Hollywood these ideas for free.


Excellent (4 stars)
Rated PG-13 for violence, sexuality and brief profanity.
In English, French and German with subtitles.
Running time: 132 Minutes
Distributor: 20th Century Fox

Sunday, June 5, 2011

Top Ten DVD List for June 7th

This Week’s DVD Releases
by Kam Williams

Headline: Top Ten DVD List for June 7th

The Company Men


Vanishing of the Bees


The Housemaid


Carancho
http://www.amazon.com/exec/obidos/ASIN/B004PKNYK4/ref=nosim/thslfofire-20


Talking Baseball with Ed Randall: New York Yankees


True Grit


The Wild Hunt


Bratz: Best Friends Forever


McMillan & Wife – Season Two


The Secret Life of the American Teenager: Volume Six



Honorable Mention

Pros and Ex-Cons


Pretty Little Liars – The Complete First Season


Who Took the Bomp? – Le Tigre on Tour


A Matador’s Mistress


Care Bears: Flower Power

Friday, June 3, 2011

Just Go With It DVD

DVD Review by Kam Williams

Headline: DVD Features Sandler and Aniston in Shallow Sitcom

“The Big Lie” is a shopworn formula which has been recycled by countless television sitcoms since serving as the premise for almost every episode of I Love Lucy. The age-old theme provides the fulcrum for Just Go With It, a romantic comedy starring Adam Sandler, Jennifer Aniston and last year’s Sports Illustrated swimsuit issue cover girl, Brooklyn Decker.
The tale unfolds in Beverly Hills where celebrated, plastic surgeon, Dr. Daniel Maccabee (Sandler), is quite intent on remaining single. And to make sure none of his relationships ever gets serious, the confirmed bachelor falsely informs every woman he dates that he’s married once he’s slept with her.
That exploitative tactic serves its purpose until the day he falls head-over-heels for Palmer (Decker), a curvaceous, 23 year-old blonde he picks up at a pool party. She spots his wedding ring after they make love, but instead of continuing the canard as usual, Danny says he’s in the midst of a divorce.
Palmer then asks to be introduced to his wife, so he has his office assistant, Katherine (Aniston), pretend to be his soon-to-be ex. But lunch together only escalates matters, since Palmer subsequently insists on meeting their kids, too, which leads to a more elaborate ruse involving Katherine’s children (Griffin Gluck and Bailee Madison).
Eventually, the cockamamie plot has Palmer plus the masquerading menagerie vacationing on Hawaii where Danny goes to greater and greater lengths to keep all his assorted lies straight. If Just Go With It’s storyline sounds vaguely familiar, that’s because the script is a mirthless overhaul of Cactus Flower, the hilarious farce for which Goldie Hawn won her only Oscar back in 1970.
Unfortunately, the two films bear only a superficial resemblance to each other given that the latter’s witty repartee has been supplanted here by the vulgar brand of humor demanded by diehard Sandler fans. En route to the pat redemptive resolution, better brace yourself for a flurry of bodily function gags ranging from an adolescent pooping into a sleeping man’s hand to a German guy giving a gagging sheep the Heimlich maneuver.
Just run from it!

Fair (1 star)
Rated PG-13 for profanity, sexuality, partial nudity, drug references and pervasive crude humor.
Running time: 116 Minutes
Distributor: Sony Pictures Home Entertainment
DVD Extras: Blooper reel; deleted scenes; commentary with co-stars Adam Sandler and Nick Swardson and the producers; another commentary with director Dennis Dugan; and 3 featurettes: The Perfect Couple: Jen and Adam; Dolph-Not the One from Rocky IV; and Shooting Hawaii.

True Grit DVD

DVD Review by Kam Williams

Headline: 10-Oscar Nominee Arrives on DVD

Nominated for 10 Academy Awards, True Grit stars Jeff Bridges in the iconic role of U.S. Marshal Rooster Cogburn, a fearless, former Rebel who lost his right eye to a bullet during the Civil War. This mythical tale of retribution and redemption unfolds in Fort Smith, Arkansas in the 1870s, where we find the film’s young narrator, Mattie Ross (Hailee Steinfeld), eager to hire the meanest bounty hunter around to apprehend the man (Josh Brolin) who murdered her father in cold blood.
Upon learning of Rooster’s reputation for ruthlessness, the spunky, 14 year-old immediately seeks to retain his services, matter-of-factly introducing herself with the titular line, “They tell me you’re a man with true grit.” She goes on to explain to the grizzled gunslinger that she has good reason to believe the fugitive has joined a gang led by Lucky Ned Pepper (Barry Pepper) and fled on horseback into Choctaw territory.
Eventually, Rooster, who’s been battling booze, grudgingly agrees to track down Chaney with revenge-minded Mattie in tow. Before setting out, quite by coincidence, they cross paths with LaBoeuf (Matt Damon), a Texas Ranger already on Chaney’s trail for another slaying.
The trio’s ensuing sojourn intermittently allows for lighthearted interludes of levity as a little comic relief, such as a tension-breaking spanking of Mattie’s bottom. Still, the plot does sober significantly, as it makes its inexorable march to a fateful showdown with Chaney.
Jeff Bridges must be commended for his fresh interpretation of the roguish Rooster Cogburn as an endearing contradiction of machismo and vulnerability. Kudos are also in order for cinematographer Roger Deakins, whose sweeping, big sky panoramas are nothing short of spectacular.
Still, it’s hard to fathom why this Coen Brothers remake failed to tweak the original classic Western in any memorable fashion. True déjà vu.

Very Good (3 stars)
Rated PG-13 for intense violence and disturbing images.
Running time: 110 Minutes
Studio: Paramount Home Entertainment
Blu-ray/DVD Combo Pack Extras: A digital copy of the film; Mattie’s True Grit; From Bustles to Buckskin – Dressing for the 1880s; Colts, Winchesters & Remingtons: The Guns of a Post-Civil War Western; Recreating Fort Smith; The Cast; Charles Portis – The Greatest Writer You Never Heard of; The Cinematographer of True Grit; and a theatrical trailer.