Kam's Movie Kapsules for 7-17-15
Kam's Kapsules:
Weekly Previews That Make Choosing a Film Fun
by Kam Williams
For movies opening July 17, 2015
BIG BUDGET FILMS
INDEPENDENT & FOREIGN FILMS
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Self/Less
Film
Review
by Kam Williams
Shades of Face/Off in Brain Transplant Sci-Fi Thriller
In the 1997
thriller Face/Off, an FBI agent underwent a face transplant in order
to crack a terrorist plot. It's hard not to think of that film while
watching Self/Less which revolves around another radical surgical
procedure, namely, the implantation of a cancer patient's brain
inside the cranium of a healthy individual.
The picture
stars Sir Ben Kingsley as Damian Hale, a terminally-ill, business
tycoon who doesn't want to die. His prayers are answered when a mad
scientist (Matthew Goode) surfaces who is willing, for a cool
quarter-billion dollars, to transfer his mind into the head of a test
tube human surrogate hatched in lab.
The only
catch is that Damian can't tell anyone about the experimental
operation, which means he'll have to abandon any hopes of reconciling
with his long-estranged daughter, Claire (Michelle Dockery).
Nevertheless, he signs on the dotted line, enters the futuristic
operating room and eventually arouses from anesthesia having shed his
sickly shell for a late model upgrade with “that new body smell.”
While
convalescing, Damian 2.0 reads his own obituary in the paper but
dutifully steers clear of contacting any friends or relatives to
avoid the risk of raising suspicion. Instead, he merely marvels at
his miraculous recovery.
Before
discharging his grateful patient, Dr. Albright gives him a new
identity and a week's supply of anti-rejection pills. Returning to
the real world, suddenly handsome Damian becomes practically giddy
between his unexpected prowess on the basketball court and his
impressive physique's ability to turn heads.
What the
reincarnated, real estate magnate doesn't know, however, is that the
brain transplant wasn't really an installation job into a recently
harvested donor. The plot thickens upon the discovery that his alter
ego Edward Kittner (Ryan Reynolds) not only actually once existed but
left behind a wife (Natalie Martinez) and 6 year-old daughter
(Jaynee-Lynne Kinchen).
Directed by
Tarsem Singh (The Cell), Self/Less is sufficiently compelling to
recommend highly, even though it suffers severely from a lack of
originality. Besides the aforementioned shades of Face/Off, this
derivative adventure borrows a number of ideas from Seconds, the
similarly-themed, 1966 sci-fi classic.
An
improbable, if thought-provoking mind-bender built on a house of
cards that holds up only to the extent you're willing to go along
with its preposterous premise.
Very Good (3
stars)
Rated
PG-13 for profanity, sexuality and violence
Running time: 117 minutes
Distributor: Focus Features
To see a trailer for Self/Less,
visit: https://www.youtube.com/watch?v=Mc4sz6neHDs
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Strangerland
Film
Review
by Kam Williams
Kids Disappear in Dust Storm in Atmospheric Aussie Thriller
Pharmacist
Matthew Parker (Joseph Fiennes) has just moved his family from
Australia's capital city of Canberra to a tiny town in the
Australian Outback where he has accepted a position at the only drug
store for miles around. The impetus behind the relocation had less to
do with the job than with his daughter Lily's (Maddison
Brown) need for a new environment.
For, the
troubled 15 year-old had developed a crush on a high school teacher
(Martin Dingle Wall), who proceeded to take advantage of the
situation by sleeping with his student. Her dad became so incensed
when the two continued to rendezvous after the statutory rape was
revealed that he beat up the perpetrator which, in turn, led to
Lily's running away from home to be with her abuser.
Thus, the
idea of a fresh start far away proved very appealing to Matthew and
his wife Catherine (Nicole Kidman),
even if their young son Tommy (Nicholas Hamilton) was unhappy about
being stuck in the desert far from all his friends. Despite her
constant complaining, the adjustment was not as hard on Lily, given
how successfully she was able to flirt with the hottest local hunk,
Steve (Sean Keenan), a rebel with a cool tattoo.
The
plot thickens the morning after a dust storm engulfs the godforsaken
oasis, when Matthew and Catherine awaken to discover the kids
inexplicably gone. Once it's determined that neither went to school,
they quickly report Lily and Tommy missing to the police.
The
case is assigned to Detective David Rae (Hugo Weaving), a skeptical
gumshoe very adept at criminal investigation. He soon identifies a
number of persons of interest in the mysterious disappearance: Lily's
ex-teacher, Mr. McPherson; her
surly suitor, Steve; the Parkers' aborigine handyman, Burtie (Meyne
Wyatt); and a host of others.
Thus
unfolds Strangerland, a deliberately-paced, visually-captivating
thriller directed by Kim Farrant (Naked on the Inside). The film
features a quartet of excellent performances, including Nicole
Kidman's as a mother who, understandably, grows increasingly
anguished over her offspring's whereabouts. Joseph Fiennes is equally
compelling as her concerned, if emotionally-unavailable, spouse. Also
of note are veteran character actor Hugo Weaving (The Matrix) and
newcomer Maddison Brown, who makes a most impressive screen debut as
Lily.
An
atmospheric whodunit guaranteed to keep you intrigued and guessing
right to the very end.
Excellent
(3.5 stars)
Rated R
for profanity, sexuality and brief nudity
Running time: 95 minutes
Distributor: Alchemy
To see a trailer for Strangerland,
visit: https://www.youtube.com/watch?v=S-t70PICksU
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Alex of Venice
DVD Review by Kam Williams
Abandoned Attorney
Becomes Domesticated in Dysfunctional Family Drama
Alex (Mary Elizabeth Winstead) has
been such a workaholic attorney that she’s been blissfully unaware
of her husband George’s (Chris Messina) discontent with the
marriage. Between shuttling their 10 year-old son (Skyler Gartner) to
school and making sure his father-in-law (Don Johnson) takes his
meds, the stay-at-home dad has grown tired of his role as Mr. Mom.
After all, his original plan was to
pursue a career as an artist while caring for the family. But his
domestic duties have kept him too busy to do any painting.
So, Alex is caught totally by
surprise the day he announces that he wants out and summarily vacates
the premises. Suddenly, she finds herself overwhelmed after having to
juggle her job and her hubby’s responsibilities.
She’s used to putting in long
hours at the office, including on Sunday. But it soon becomes clear
that she has to reorder her priorities, despite her sister’s (Katie
Nehra) moving in to help pick up some of the slack.
Alex begins to appreciate that
there’s more to life than the rat race, and she decides it’s time
she step off the treadmill to spend more quality time with her son.
Furthermore, George was the only man she’d ever slept with. Now
free to date, she impulsively gets involved with a hunky black
defendant (Derek Luke) she spots across a crowded courtroom, even
though she’s the representing his opponent in a hotly-contested
civil case.
Thus unfolds Alex of Venice, a
super-realistic slice-of-life adventure featuring Mary Elizabeth
Winstead in the title role. The movie also marks the noteworthy
directorial debut of co-star Chris Messina, winner of a SAG Award for
Argo in the Outstanding Cast category.
This quixotic character study
proves to be less poignant than meandering, as it paints a plausible
picture of a just-dumped divorcee doing her best to pick up the
pieces of her shattered dreams.
Excellent (3.5 stars)
Rated R for profanity, sexual
references and drug use
Running time: 86 minutes
Distributor: Screen Media Films
To see a trailer for Alex of
Venice, visit: https://www.youtube.com/watch?v=rtLX_Y5_VG4
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