Thursday, July 31, 2008

All about Us DVD



DVD Review by Kam Williams

Headline: Boris Kodjoe and Ryan Michelle Bathe Co-Star in Semi-Autobiographical Family Flick

Edward (Boris Kodjoe) and Stacey Brown (Ryan Michelle Bathe) are a young African-American couple trying to make it as filmmakers in Los Angeles. However, they haven’t met with much success, primarily because they’ve been pitching the studios with their script for a wholesome family flick.
The feedback they’ve received thusfar from potential investors is that “black people don’t care about good content.” Since they haven’t been inclined to compromise their values by dumbing-down the plotline, the Browns find themselves struggling financially.
This is fine until a baby comes along, when suddenly their infant son (Luke Swanson) becomes their priority. After agreeing that the Hollywood rat race is no place to raise a child, they decide to move to Clarksdale, Mississippi with hopes of not only producing their picture independently but of asking local celebrity Morgan Freeman to appear in the picture.
So unfolds All about Us, a semi-autobiographical love story chronicling the similar options once weighed in real life by the husband/wife team of producer Michael Swanson and scriptwriter/director Christine Swanson. Their tenderhearted morality play, set in the Delta Region, offers an array of valuable insights along the way about what really matters most in life while simultaneously delighting you for the duration.
The supporting cast includes LaTanya Richardson (wife of Samuel L. Jackson), Ruby Dee (widow of Ossie Davis) and, yes, Morgan Freeman in a quickie-cameo. The Oscar-winning actor proved to be a good sport, even graciously allowing the crew to shoot inside his restaurant and blues club.
Seems like the Swansons got the last laugh, given that in the end they were able to tell exactly the sort of high-quality tale the execs said no one would be interested in.

Excellent (4 stars)
Rated PG for mature themes.
Running time: 90 minutes
Studio: CodeBlack Entertainment
DVD Extras: Commentary by the husband-wife team of writer/director Christine Swanson and producer Michael Swanson, theatrical trailer, cast interviews and a “The Making of” featurette.

disFIGURED DVD

DVD Review by Kam Williams

Headline: DVD Drama Explores Both Obesity and Anorexia

Lydia (Deidra Edwards) is a queen-sized sales clerk who lives and works in Venice Beach, a trendy section of L.A. where it’s fashionable for women to be thin. Unable to measure up to that unreasonable, hourglass ideal despite dieting, she joins a fat acceptance support group dedicated to fighting prejudice against the obese. In meetings, the members share their fears and frustrations about everything from dating to being teased to weight-loss surgery, while encouraging each other to love themselves just the way they are.
Darcy (Staci Lawrence), on the other hand, is an emaciated anorexic with a body dysmorphic disorder who thinks of herself as too fat. So, when she shows up saying she wants to join the group, people don’t know what to make of her. After they take a vote and decide to reject her application, only Lydia offers a shoulder to cry on.
Although physically polar opposites, chubby and skinny still manage to bond because they are both lonely and have many issues in common revolving around hunger, fear, fashion and femininity. And their unlikely friendship is the focus of disFIGURED, a female empowerment flick filled with painfully-dramatic moments offset by periodic comic asides.
This slice of life adventure paints a picture so realistic you often wince while wondering whether the talented cast was acting or just encouraged to be themselves in a series of improvised scenarios. Regardless, director Glenn Gers deserves raves for his refreshingly-honest exploration of such a sensitive subject.
A novel buddy vehicle contrasting the unique perspectives of two segments of society ordinarily either marginalized in movies or treated almost as if they didn’t exist at all.

Excellent (4 stars)
Unrated
Running time: 96 minutes
Studio: Cinema Libre Studio
DVD Extras: Director’s commentary track, trailers, extended interviews and deleted scenes.

To see a trailer of disFIGURED, visit: http://www.youtube.com/watch?v=V4MVXkCKbyA

Young & Restless in China DVD

DVD Review by Kam Williams

Headline: Documentary Explores Effect of Capitalism on China’s emerging Generation

How have Chinese just coming of age adjusted to their country’s embrace of capitalism? That question is the focus of this revealing expose’ which offers an intimate peek inside the lives of nine young adults followed for four years by director Sue Williams.
The subjects of this informative documentary all seem to be a bit overwhelmed by the nation’s frenetic rush to modernize and newfound addiction to status and materialism. Ironically, it appears that considerable quality of life compromises are being made in this quest for the almighty dollar.
For example, Ben Wu wonders why he gave up a six-figure salary and left his wife and kids behind in America in order to return home to open an internet café. But 21st Century China is a land of opportunity, especially for any well-connected males with a good education.
However, if you’re a woman, life might not exactly be a bed of lotus blossoms. Female interviewees relate nightmares, like having to drop out of school to work in a rice paddy to help pay for a brother’s education.
A public interest lawyer talks about being dumped by her boyfriend for being too devoted to a class action case she brought on behalf of the over a million citizens summarily dispossessed by eminent domain to make room for the site of the 2008 Olympics. Then there’s the reluctant bride who can’t summon the strength to break off her arranged marriage and simply choose her own mate.
The coolest dude/biggest loser is Wang, an aspiring hip-hop artist who sent what little savings he had to his name a cute girl who sent him some photos of herself over the internet. Poor sucker had no idea he was probably exchanging sweet nothings with some heartless hustler in Nigeria.
What a world! What a world!

Excellent (4 stars)
Unrated
Running time: 106 minutes
Studio: Zeitgeist Films
DVD Extras: New anamorphic transfer of the theatrical version of the film, created from Hi-Def materials and enhanced for widescreen TVs, original promotional reel featuring footage not included in the final film, and a statement from writer/director/producer Sue Williams.

To see a trailer for Young & Restless in China, visit: http://www.youtube.com/watch?v=-jBODyhK-Gw

Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun

OPENING THIS WEEK
Kam's Kapsules:
Weekly Previews That Make Choosing a Film Fun
by Kam Williams
For movies opening August 8, 2008


BIG BUDGET FILMS

Pineapple Express (R for violence, drug use, sexual references and pervasive profanity) Over-the-top teensploit about a lazy stoner (Seth Rogen) who purchases a new strain of weed from his drug dealer (James Franco) only to find himself on the run from sadistic mobsters after he witnesses a murder by a crooked cop (Rosie Perez). Ensemble cast includes Dr. Ken Jeong, Nora Dunn, Bill Hader and Amber Heard.

The Sisterhood of the Traveling Pants 2 (PG-13 for sensuality and mature material) America Ferrera, Amber Tamblyn, Alexis Bledel and Blake Lively return for sequel set during the summer following their freshman year of college, which finds the tight-knit friends living in four different cities yet still committed to being there for each other emotionally, despite the distance. Supporting cast includes Blythe Danner, Michael Rady and Jesse Williams.


INDEPENDENT & FOREIGN FILMS

Beautiful Losers (Unrated) Art imitates hard knock life in this documentary about a generation of anti-establishment young rebels who hung out at a NYC storefront gallery in lower Manhattan in the early Nineties, experimenting with skateboards, hip-hop, graffiti and street fashion, unaware that their innovations would ultimately profoundly influence mainstream popular culture.

Bottle Shock (PG-13 for sexuality, profanity and drug use) Fact-based docudrama recounts the real-life exploits of a couple of California vineyard owners (Bill Pullman and Chris Pine) from Napa Valley whose Chardonnay shocked the world’s connoisseurs in 1976 by beating the best that France had to offer in an international wine-tasting competition. With Alan Rickman, Freddy Rodriguez and Eliza Dushku.

Elegy (R for nudity, sexuality and profanity) Romance drama starring Ben Kingsley and Penelope Cruz, based on The Dying Animal, the Philip Roth novella about a freewheeling college professor who initiates a no-strings affair with a cute Cuban student only to find himself uncharacteristically turning into a possessive, jealous stalker. With Patricia Clarkson, Dennis Hopper and Deborah “Blondie” Harry.

Hell Ride (R for graphic violence, nudity, sexuality, profanity and drug use) High body-count revenge flick about a bloody turf war between a couple of lawless rival biker gangs with unfinished business. Cast includes Dennis Hopper, Larry Bishop, Michael Madsen and Vinnie Jones.

Passing Poston (Unrated) The fallout of discrimination is examined in this documentary revolving around the reflections of four Japanese-Americans left traumatized for life after being shipped to an internment camp for the duration of World War II.

Patti Smith: Dream of Life (Unrated) Intimate bio-pic narrated by Patti Smith herself chronicles the career of the Seventies cult punk rocker, while exploring her paradoxical personality and other sides of the eclectic singer/musician/poet/artist. Featuring testimonials by Sam Shepard, Flea and Philip Glass.

Red (R for violence and profanity) revenge thriller about a recluse (Brian Cox) who turns vigilante and takes the law into his own hands after three twisted teenagers shoot his dog for no reason. Cast includes Amanda Plummer, Tom Sizemore and Robert Englund.

What We Do Is Secret (Unrated) “It’s better to burn out than to fade away” Rockudrama revisits the rise and fall of The Germs, a short-lived L.A. punk band whose lead singer, Darby Crash (Shane West), deliberately OD’d on heroin at the age of 22 in search of his 15 minutes of fame. My my… Hey hey… With Bijou Phillips, Rick Gonzalez and and Azura Skye.

Tuesday, July 29, 2008

Creating the Intrapreneur: The Search for Leadership Excellence

by Victoria C. DePaul
Synergy Books
Paperback, $15.95
270 pages, illustrated
ISBN: 978-1-934454-18-3



Book Review by Kam Williams

“In this age of road rage, and now desk rage, if you are employed, your safety is at risk. As stress levels escalate, employees are increasingly fueled by anger, resentment, pessimism, frustration, anxiety, distrust, and other negative emotions. As a manager employed by a major telecommunications company, I am no stranger to workplace violence. Some years ago, a disgruntled employee with a history of instability called the office to report his intention to kill a manager...
That same year, our office was subject to bomb threats, employee breakdowns, out of control absenteeism, extensive turnover rates, and an overall climate of chaos… If you want new and different results, you need new and different ideas…
To be profitable, and therefore competitive, the business of the future must adopt a strategy based on corporate entrepreneurship -- intrapreneurship. The successful organization of the third millennium will embrace and encourage intrapreneurship.”
-- Excerpted from the Introduction (pages 1 & 10)

Have you noticed that the rate of spree killings has escalated to the point that the society has become desensitized? Another case of multiple killings due to school, church or workplace rage occurs at least once a week, but the incidents are now so commonplace that they only warrant local TV coverage. And if such a story does happen to make a blip on the national radar, it’s merely mentioned in passing as the latest statistic, not as anything worth covering in depth.
Given that employees, students and parishioners going postal are a dime a dozen and have become as American as apple pie, anyone with a highly-visibility position, especially a boss, might want to rethink his or her management philosophy. This is what inspired Victoria DePaul to write Creating the Intrapreneur: The Search for Leadership Excellence, a book designed to help you not just think outside the box but to bust loose from the box entirely.
Ms. DePaul, who has a 24 years-worth of experience working in corporate America to draw on, has an array of forward-thinking, spiritually-oriented ideas to offer about how best to handle office politics in these troubling times at the dawn of the 21st Century.
Putting people first, she starts with notion that “the basic motivation is the person’s desire to be happy,” and she therefore tosses the age-old “my way or the highway” approach to employees out the window. But will this “kindler, gentler” you lessen your odds of being shot by a deranged maniac hunting for humans? Who knows, but I suppose it’ll at least give your office a more pleasant overall atmosphere till you find out.

To purchase a copy of Creating the Intrapreneur, email: booksales@synergybooks.net

Stealing America Vote by Vote

Film Review by Kam Williams

Headline: Post-Democracy Documentary Questions the Sanctity of the Ballot Box in U.S. Elections

Up until about ten years ago or so, public opinion pollsters were capable of accurately forecasting the results of political elections in America. But with the country’s increasing reliance on unverifiable electronic balloting and the employment of shady shenanigans, the outcomes of the contests have become more and more unpredictable.
According to the exit polls, George Bush actually should have lost each of the last two presidential elections. For instance, in 2004, they had him trailing in 10 of 12 critical swing states, yet by evening’s end he had somehow miraculously prevailed in 7 of them.
So, is the voting process tainted or sacrosanct? That is the question addressed from every conceivable angle by Stealing America Vote by Vote, a chilling expose’ which paints a disgraceful picture of the nation as a land where power-hungry manipulators will do whatever it takes to ensure that their candidates prevail.
Directed by Dorothy Fadiman and narrated by Peter Coyote, the film doesn’t just focus on problems with computerized voting, but with a host of other tactics employed to subvert the desire of the electorate. Thus, we hear the anecdotal testimony of black folks and college students forced to wait on line in Ohio for as long as 12 hours in order to cast their ballots, while the average wait for whites in suburbia was about 18 minutes.
It is ironic that African-Americans ostensibly comprise the segment of society most frequently victimized by various vote suppression schemes, given their long, hard-fought civil rights struggle for enfranchisement. However the movie sheds light on a popular Republican trick employed in the last election involved sending registered letters to the homes of over a hundred thousand black soldiers serving overseas in order to have their names removed from the voting lists when they were unable to sign the return receipt.
The film also furnishes evidence that equipment malfunctions have occurred in 42 states, with problems ranging from vote switching to frozen electronic screens to touch screens going blank to machine shortages to computer breakdowns to inaccurate tallies. This leaves one wondering, if the technology is so unreliable, why not revert to the old system?
The answer might lie in testimony offered by a Princeton professor who deftly demonstrates how easy it is to hack into a Diebold Voting Machine in less than a minute, if you come equipped with a pre-programmed memory card designed to install malicious software. Big Brother might very well prefer not leaving a paper trail.
Remember, the Supreme Court is still leaning to the right, which might mean the only chance Obama has of a fair shot at the White House is if United Nations monitors the polling places in the Battleground States.
America revisited as a post-democratic Banana Republic.

Excellent (4 stars)
Unrated
Running time: 90 minutes
Studio: Direct Cinema Limited

To see a trailer of Stealing America Vote by Vote, visit: http://www.stealingamericathemovie.org/

Sixty Six

Film Review by Kam Williams

Headline: Coming-of-Age Comedy Chronicles British Bar Mitzvah Boy’s Nightmare

In the Summer of 1966, Great Britain became swept up in soccer fever, as the country attempted to win the World Cup. After all, the competition was being hosted by England, so the national team was able to play all of its games at famed Wembley Stadium in front of 98,000 rabid fans.
The competition began in early July with the championship match set for the 30th of the month. While the rest of his friends were patriotically rooting for England to survive all the early rounds, 12 year-old Bernie Reubens (Gregg Sulkin) had his own selfish reason for wanting it to lose.
You see, Bernie was born on July 30th and his parents (Helena Bonham Carter and Eddie Marsan) were planning to throw the perfect bar mitzvah celebration for him that day. But if England were simultaneously playing in the World Cup finale, he sensed that his rite of passage would easily be overshadowed.
Based on the real-life experience of the film’s director Paul Weiland, Sixty Six is a lighthearted, coming-of-age comedy which revisits the events of that fateful day. Unfortunately, for him, England did win the World Cup, which meant that many of his guests and relatives ended up paying more attention to the historic sports event that day than to him.
Apparently he was left sufficiently traumatized by the experience to make a movie about it now, some forty years later. This predictable costume drama might have a certain nostalgic appeal for soccer fans and folks familiar with Judaic culture and religious traditions. Otherwise, it’s just a pleasant one-trick diversion offering a few laughs but little of depth to sink one’s teeth into.
The Bar Mitzvah Boy gets the boot.

Good (2.stars)
Rated R for profanity and some sexual references.
Running time: 93 minutes
Studio: First Independent Pictures

To see a trailer of Sixty Six, visit: http://youtube.com/watch?v=fmrYPNLW0-E

America the Beautiful

Film Review by Kam Williams

Headline: Scathing Documentary Explores America’s Unhealthy Obsession with Beauty

Did you know that Americans spend more money on cosmetics annually, $45 billion, than all of the developing countries combined do on healthcare? What’s up with that? Are we really that ugly and in need of makeovers, or is something sinister afoot? According to Darryl Roberts, women have been duped by Madison Avenue into setting unrealistic expectations for themselves.
Darryl is the director of America the Beautiful, a scathing indictment of the beauty industry which systematically dissects the issue from both inside and out.
This shocking expose’ not only offers insights from the perspective of impressionable teenage girls, some of whom freely admit to hating their own appearance, but also from the point-of-view of actresses, academics, talent scouts, photographers, fashion designers, TV personalities and runway models, all of whom, it seems, have long since capitulated to the narrowly-defined appreciation of only one idealized body type.
The picture is designed to drive home the point that the airbrushed and digitally-altered standard of beauty popularized by advertisers and the mainstream media are unattainable, because not even the models in the magazine ads and TV commercials look like that. Nonetheless, the manipulation instills a sense of dissatisfaction which in turn leads to a craving for ever more makeup, diet aids and plastic surgery in the elusive quest to measure up.
Like a black version of Michael Moore, Mr. Roberts appears on camera, annoying everyone he meets by posing some variation of the probing question of the day, namely, “Does America have an unhealthy obsession with beauty?”
Most of the responses he elicits from celebrities, unfortunately, are vapid remarks which reflect a superficial shallowness or simply shrugs which might best be interpreted as, “This is the way things are. Get used to it.”
But what would you expect from the likes of a Paris Hilton or a Jessica Simpson? Ditto CosmoGirl! Editor-in-Chief Susan Schulz and the E! Channel’s Ted Casablance, each of whom has a vested interest in maintaining the status quo. Other interviewees include Aisha Tyler, Martin Short, Mena Suvari, Julianne Moore and Tisha Campbell.
However, the contributions of all of the above are easily overshadowed by those of Gerren Taylor, a statuesque former supermodel who skyrocketed to fame a half-dozen years ago at the tender age of 12. Although the 5’11” tall, African-American teenager has continued to blossom into quite an attractive young woman, she no longer is hired to strut her stuff up catwalks in New York, L.A. and all over the world, but now sends her days in a classroom as a high school senior.
She and her mother, Michele, allowed Darryl to follow them around during their last desperate effort to revive Gerren’s career. Today, she’s virtually-unemployable, because a size 4 is apparently too curvy for the leading designers. America the Beautiful is at its absolute best when sensitively illustrating the emotional toll the rejection has taken on Gerren’s fragile psyche.
If a still gorgeous supermodel can so easily lose her confidence, just imagine what the effect the pressure to attain perfection must be like on the self-esteem on girls with ordinary looks.

Excellent (4 stars)
Rated R for profanity and some sexual references.
Running time: 105 minutes
Studio: First Independent Pictures

Monday, July 28, 2008

Robert Gossett: The Closer Interview

with Kam Williams

Headline: Gossett Goes for the Gusto

Born in The Bronx on March 3, 1954, Robert Gossett landed his first professional gig soon after graduating from high school in One Flew over the Cuckoo's Nest at the Mercer Arts Center in Greenwich Village. From there, he went on to perform in Lloyd Richard's Broadway production of Fences, Hal Scott's A Raisin in the Sun and Donald McKayle's The Last Minstrel Show. His other notable theater performances include Manhattan Made Me, Sons and Fathers of Sons, A Soldier's Play and Colored People's Time, all of which were performed with the famed Negro Ensemble Company of New York.
Gossett's accolades include an NAACP Theater Award for The Best Performance by a Male and the Dramalogue Best Actor Award for his stellar work in Indigo Blues, directed by his wife, Michele. In film, he has starred with Jeff Bridges in Arlington Road and with John Travolta in White Man's Burden.
And on television, he has appeared over the years on such series as The Cosby Show, Amen, Cheers, L.A. Law, Bones, Charmed, and ER, and opposite his first cousin, Oscar-winner Lou Gossett, Jr., in a made-for-TV movie, Ray Alexander. But today, Robert is best known as Commander Taylor on The Closer, TNT’s hit crime drama starring Kyra Sedgwick.
Here, he shares his thoughts on his career and on about the show which recently started its fourth season.

John Travolta in White Man's Burden
KW: Hey, Robert, thanks for the time.
RG: Thank you for taking the time.
KW: Congratulations on The Closer’s being renewed for its fourth season and on the show’s receiving such high ratings and so many accolades. Has the success of the series come as a surprise?
RG: At the risk of sounding arrogant, let me say “No,” only because I read the scripts, I know the show and the people involved. You see Kyra Sedgwick. She’s a consummate actress at the top of her craft. The success validates it, but it’s not a surprise, because when you take the caliber of writers we have and put Kyra at the top of a talented cast, you’re going to have something to reckon with.
KW: Is your personality in real-life at all like that of your character, Commander Taylor?
RG: I don’t think so, but my wife might say, “Yes.” [Chuckles] I don’t know. Don’t we all have those parts in us that can be petulant, petty and jealous? At times we all can be churlish, rude and obnoxious, too. I think Taylor is like that because his powerbase was threatened, usurped actually, when Brenda [Sedgwick’s Character] came on board from outside the police department, and got the job that he had really campaigned for. When power is challenged, it reacts. Power and the absence of power are going to be the overarching themes this season.
KW: Where in The Bronx did you grow up?
RG: The South Bronx.
KW: What high school did you attend?
RG: The High School of Performing Arts.
KW: So you knew you wanted to be an actor at an early age.
RG: No, I went there as a music major. But I was certainly exposed to acting there. At that time, not many people in the South Bronx thought of acting as a viable career choice. I started acting when I got a summer job at the Everyman Theater Company with the Neighborhood Youth Corps.
KW: I have a cousin, Maurice Sneed, who became an actor who got his start in a similar type program with the Har-You Act, which stood for Harlem Youth.
RG: I remember Har-You. I worked in the office there on 125th Street. Small world. Isn’t that something?
KW: And you got acting work soon after high school?
RG: From Everyman Theater Company, I got a role in the off-Broadway hit One Flew over the Cuckoo's Nest down in The Village. I worked that for a year. Then I went to the American Academy of Dramatic Arts for two years. After I graduated with honors, I joined the Milwaukee Repertory Company, and then went back to New York where I spent five years with the Negro Ensemble Company. Theater is really my base.
KW: Is your wife, Michele, still working in theater?
RG: Yes, she teaches at the American Academy of Dramatic Arts in Los Angeles.
KW: Bookworm Troy Johnson is curious to know, what was the last book you read?
RG: The very last book I read was The Prophet by Khalil Gibran.
KW: The Columbus Short question: Are you happy?
RG: Yes!
KW: The Tasha Smith question: Are you ever afraid?
RG: Yeah. [Laughs]
KW: How do you want to be remembered?
RG: I want to be remembered as a loving, understanding father.
KW: How many children do you have?
RG: I have three kids altogether. One from my first marriage, a daughter who’s an adult. And two kids with Michele, ages 10 and 12.
KW: Great ages.
RG: And they’re great kids. I would hope not to mess them up. That’s why I said “loving, understanding father.” I hope I have the patience to allow them to have their thoughts and to be who they are, and not try to pressure them to be like me. I’d be happy with that.
KW: “Realtor to the Stars” Jimmy Bayan question: Where in L.A. do you live?
RG: I live in The Valley, the Sherman Oaks area.
KW: How’s your cousin, Lou, doing?
RG: I just spoke to him, in fact. I was doing a TV interview here in the hotel and the phone rang and I was interrupted by Lou. He’s shooting a movie in Pittsburgh. He was calling to invite me to a Barack Obama event in California.
KW: Are you going to attend?
RG: Oh yeah! You know I want to see the man.
KW: How are you and Lou related?
RG: We’re first cousins. Our fathers are brothers.
KW: Did Lou influence you in terms of your interest in acting?
RG: Lou definitely influenced me, as I’m sure he has influenced many other actors. He’s one of our pioneers, as far as I’m concerned, alongside Sidney Poitier and that ilk.
KW: And he’s one of just a handful of African-Americans ever to win an Oscar [for An Officer and a Gentleman].
RG: Exactly! That in and of itself establishes him as an icon, but of course I’ve still been able to call him anytime, so he’s been a tremendous resource in terms of decision-making.
KW: What advice do you have for anyone who wants to follow in your footsteps?
RG: I tell people, “If you want to do what I do, go find a community theater, and volunteer. Go find an acting class and enroll.” If you really love acting, you’ll want to act. That’s what I did. You don’t look for any payday, because the likelihood of a payday is slim to none. I’m 54 years-old, and I’m just now working at a high-profile job. The same acting I do now, I did for free. [Laughs] If you love what you do, then it’s not work. So, I’ve never really worked. I can honestly say I’ve never worked a day in my life. That is cool.
KW: Is there a question nobody ever asks you, that you wish somebody would?
RG: What effect am I having on this world?
KW: Okay, what effect are you having on this world?
RG: [Pauses]
KW: Now you have to answer it.
RG: You are bad. I’ll get you for this. Oh my God. Let me see… I conserve energy. I just got a Prius. For three years I’ve been mentoring a kid, a child whose name is Kenneth. We’ve embraced him with love in our family. What effect am I having on this world? I’m not sure yet. I have my worries, doubts and fears, but the way I’m trying to effect the world is with positive, right action.
KW: That sounds good. Well, thanks again for the interview, Robert, and best of luck with the fourth season.
RG: Thanks for your support. I’ll see you out there.

To see a trailer for The Closer, visit: http://youtube.com/watch?v=qNR5wfGRMvs

The Cool School DVD

DVD Review by Kam Williams

Headline: DVD Revisits California Beat Era Artists

Back in the Fifties, in the days before TV had hopelessly homogenized America into a place where you could find the same merchandise in the same chain stores in every mall all across the country, the East and West Coast had distinctly different cultures, even different counter-cultures. For instance, while New York was the home of beatniks and a frenetic style of jazz known as hard bop, Los Angeles gave birth to a much mellower alternative called Cool.
And though the leading Manhattan galleries on 57th Street were then showing the work of such emerging icons as Jasper Johns, Frank Stella, Andy Warhol and Roy Liechtenstein, the West Coast scene was celebrating their own local artists like Ed Ruscha, Robert Irwin, Wallace Berman and Craig Kauffman. What many may not know is that the Ferus Gallery, started in 1956 by med school dropout Walter Hopps and self-taught, aspiring artist Ed Kienholz, played a pivotal role in launching the careers of “The Cool School” of abstract expressionists among collectors in the L.A. area.
The intriguing story of the rise of the Ferus Gallery is recounted in this documentary comprised of interviews conducted with still surviving principals along with reams of riveting archival footage. Designed more for the devotee of the arts than your average moviegoer, the film is still apt to enthrall even the uninitiated who wouldn’t know a Jackson Pollock from a Willem de Kooning.
For it focuses as much on quirky personalities and the hedonistic lifestyle, as it does on the paintings and sculptures themselves. Thus, we learn that Walter Hopps became hooked on speed and ended up in a mental hospital, while his wife Shirley left him for Irving Blum, the smooth operator who took over control of the business.
Despite all their success, seems like a lot of this salacious set went mad. We hear one embittered, elderly artist admit that he and his colleagues had “started out idealistic but ended up whores. And Irving was the pimp.” There’s videotape of another’s funeral during which he is buried behind the wheel of his favorite vintage automobile.
Such decadent indulgences aside, The Cool School can be readily appreciated for its valuable lesson that one need not be dependent on the New York Establishment or any Ivory Tower critics for validation.

Very Good (3 stars)
Unrated
Running time: 85 minutes
Studio: Arthouse Films
Distributor: Arts Alliance America
DVD Extras: Three featurettes: “The World of Ed Kienholz,” “Ferus Artist Reunion” and “Walter Hopps on Walter Hopps.”

Philippe Petit: The Man on Wire Interview

with Kam Williams

Headline: Tete-a-Tete with the Flying Frenchman Who Once Walked between the Twin Towers

Born in France on August 13, 1949, Philippe Petit fell in love with magic and juggling at an early age. Not much of a student, he was expelled from five different schools and ended up teaching himself everything. Consequently, he became adept at horseback riding, fencing, pantomime, carpentry, rock-climbing, drawing, and even bullfighting.
Supporting himself by performing on the sidewalks of Paris, he developed a wild, witty and silent street persona, character traits which continue to beguile all who encounter him to this day. And because his travels took him around the world, Philippe also learned numerous languages, including Spanish, German, Russian and English. Plus, he developed a deep appreciation of architecture and engineering.
Over the years, his interests extended into the realms of theater, music, writing, poetry, drawing and filmmaking, although he will forever be remembered as the intrepid high-wire artist who at 24 years of age pulled off the death-defying feat of the millennium when he went on a walk between the Twin Towers at 1368 feet in the air, and without the benefit of a harness or formal training.
Here, Philippe talks about Man on Wire, a breathtaking documentary revisiting the events of the morning of August 7, 1974, the historic day that he stepped off the roof of the World Trade Center, and proceeded to entertain New York City in the sky for the next 40 minutes.

KW: Hi Philippe, I feel honored to be speaking with you. Thanks for the time.
PP: You’re welcome.
KW: What ever possessed you to attempt to walk between the Twin Towers?
PP: I was 18, and had taught myself the year before to walk on the high wire. So, I was looking for an incredibly beautiful place to impose, without permission, my theatrical aerial performance. Then, when I discovered in a newspaper that the Towers would be built one day, and saw a picture of a model, I immediately thought that’s the best place to perform on a wire. And that’s how the dream started.
KW: Were you at all formally-trained in tightrope-walking?
PP: No, no, I learned on my own, because I was not born in the circus or from that world. I taught myself at around 16 or 17 which was a very late age.
KW: Were any of your friends telling you not to do it?
PP: No, to the contrary, my real friends were encouraging me, which is what close friends should do.
KW: But you would be taking your life in your hands!
PP: No, I was not taking my life in my hands. I was very careful with the rigging of the wire and careful to use all my knowledge of wire-walking, which, in retrospect, was limited at the time. But I would never have risked my life.
KW: I find that surprising. So, you never felt that you were risking your life by walking illegally between the roofs of the Twin Towers?
PP: No, I never risked my life, and I think it’s disgusting to risk your life. Life is something very precious and very beautiful, so I have no respect for people who risk their lives.
KW: Obviously you don’t have a fear of heights, or walking a thousand feet in the air without a net or a harness. Is there anything you do have a fear of, like spiders?
PP: Exactly, spiders! You said it!
KW: Lucky guess. Did you plan ahead of time to try to profit from your walk between the Towers?
PP: No, I didn’t plan to ahead of time, and I actually didn’t try to afterwards either. I said no to all the endorsements and TV commercials proposed to me, and to all the movies and book deals offered to me, although I could have become very rich and famous two hours after my walk. But I said no to every offer.
KW: Why was that? Were you a hippie or a bohemian?
PP: No, I was just an artist who knew what he wanted to do. I never wanted to use my art to sell beer or a pair of sports shoes. So, it was very easy for me to say no. And plus, my goals in life are not to see a bunch of money grow bigger. I never had any money in my life, so it was very simple to say no to lots of dollars.
KW: Then what would you say you did value in life?
PP: My goals in life at the time were the same as they are today. I am fighting for my visions in many fields. This means not only on the high wire, but as a moviemaker, as a writer, as a lecturer, as a street juggler… I continue to try to do what I think is meaningful and beautiful to do. It is very difficult for an artist to create. But I’m trying to do that, and that’s what goals are. To continue to express myself and hope that it will inspire people.
KW: I heard that you’re building your own home up in Woodstock, New York.
PP: No, I am building a barn. It is already up, but it’s not finished. I have a few windows and a few details to complete. I built it over many years using the tools and the methods of the 18th Century.
KW: Have you seen that TV show on PBS where they build things using old tools?
PP: I wouldn’t know. I don’t have a television.
KW: Wow! You don’t watch TV?
PP: No.
KW: How do you think you’re different because of that?
PP: Well, I am not trying to be different, but I have so many passions that I do not wish to spend five hours a day watching a little screen that has nothing interesting to offer me. I look at life instead. I read, I perform, I progress in my art, I travel and look, and that is much better than looking at a little screen where everything is distorted and silly and inhuman. [Laughs] I don’t know… I don’t watch TV. I never did. It’s not a part of my life, but that comes naturally, not as a conscious choice. At the same time, I love to travel.
KW: I heard that you slipped the watch off a police officer and pocketed it as he arrested you, and that you felt the most dangerous moment came not during but after your Twin Towers walk when a cop knocked you down a flight of stairs with your hands bound behind your back.
PP: That’s true.
KW: How did you feel seeing the Twin Towers collapse on 9-11?
PP: I felt eviscerated…
KW: Today, would you describe yourself as happy?
PP: Well, it’s a mix. I devour life with an impetuous joy, and I’m trying to be happy. But I am sometimes very unhappy, because many things don’t go the way I want, and I am very critical of my own work. It would be great to go through life always happy, but it’s probably better to have a shifting. That’s more life-like. So, I am not perpetually happy, but I am a joyful energy of living, and that is with me all the time.
KW: Bookworm Troy Johnson wants to know, what was the last book you read?
PP: The last book was Paperboy by Petroski. It’s about his childhood, when he was distributing newspapers on a bicycle. It wasn’t my favorite book, but you asked, what was the most recent book I read.
KW: Who is Petroski?
PP: Henry Petroski is an engineer who writes about very simple things. For instance, he wrote an entire book about the pencil.
KW: Is there any question no reporter ever asks you that you wished someone would ask?
PP: Yes, basically the questions that I am asked reveal the point of view of the interviewer, like when you asked me what it was like to risk my life. But I would like to be asked why I do what I do, or what advice I would give to someone who wanted to learn how to walk on a high-wire. That would enable me to go into my own world.
KW: Okay, what advice I would give to someone who wanted to learn how to walk on a high-wire or do something that I might find dangerous?
PP: Oh, so you couldn’t come up with your own question. I think you have to know yourself, instead of imposing standards you want to conquer upon yourself. It’s like somebody building a barn with hand-tools. You can not just grab the tools and start working. You have to understand the tools, and learn how to sharpen them and how to hold them correctly. All that is almost a humble way of starting to understand the media that you have settled on. So, if you wanted to be a wire-walker, I would start by learning about ropes, cables and rigging on your own. You don’t have to wait to find teachers.
KW: I would guess that to walk between the Twin Towers, you’d have to be a very spiritual person. Are you very spiritual?
PP: Off the top of my head I would say, “Yes, of course, I’m a spiritual person.” I believe in the human spirit and that it takes a kind of complex chemistry to do something beautiful and with passion. But I don’t know what your definition of spiritual is.
KW: Do you appreciate the fact that in walking between the Twin Towers you did something unique that no one else on Earth will ever duplicate?
PP: Yes, I am able to do that. And in watching the movie about it I am able to go back to that time and to relive the adventure and how I felt at that time.
KW: When I watched Man on Wire, it made me cry.
PP: Oh, that’s beautiful! That’s a compliment!
KW: I didn’t expect it to be so moving, between your death-defying feat, and the fact that the Towers are now gone.
PP: Yes, many people have that reaction, and say that it inspired them. That’s a very nice compliment.
KW: How do you want to be remembered?
PP: I don’t have any desire to be remembered. I don’t care at all. I just hope that my books will be read and my films will be seen, that my art will inspire people, and that people will remember that I used the high wire in a very different way than it had been used for thousands of years in the circus. But I don’t have any desire to be remembered one way or the other. I’m not working towards immortality.
KW: What are you working on now?
PP: I have a feature film in the making… I continue to perform on the high wire and as a street juggler… I continue to give lectures about creativity around the world… I continue to do magic… I continue to build with wood… I continue to travel… It’s non-stop.
KW: So, you’re still a street performer?
PP: Well, it was my first love, and as you see in the film it was part of the adventure. That’s how I supported myself at the time. And I continued to street juggle. I’ve never stopped. I draw a circle of chalk on the sidewalk somewhere in the city, and I start performing. I’m completely silent. I have this comic character that doesn’t speak. I chuckle and play with the people, and in the end I pass my hat, and then I disappear on my unicycle before the police can catch me.
KW: Amazing!
PP: One of my dreams is to make a documentary of my performing on the street in Russia, China, India and other countries around the world.
KW: You were born in France, but you’ve lived in the U.S. for many years now. Do you feel American, French, or both?
PP: I really don’t feel French at all, and I really don’t feel American. No, I feel like I belong to no flag. I really feel that I am a citizen of the world.
KW: That makes me think of an eco-friendly T-shirt I saw recently which read: Planet Earth: Love It or Leave It!
PP: That’s great!
KW: Well, thanks again for the interview and for having captured the world’s imagination and for having somehow humanized the World Trade Center with your historic spacewalk.
PP: Thank you, bye.

Sunday, July 27, 2008

Black in America (CNN SPECIAL)

Review by Kam Williams

Headline: Over-Hyped CNN Special Fails to Measure-Up to the Buzz

The CNN special report “Black in America” was such a disappointment that it’s not really worthy of a detailed review. The only reason I’m even bothering to do a post mortem on the program is because it had been so hyped by the network that it enticed millions of viewers to tune in on successive nights.
Hosted by Soledad O’Brien, the series was aired in two parts, the first entitled “The Black Woman and Family,” the second, “The Black Man.” However, each half was less a cohesive study of its two subjects than a string of very loosely-connected segments each introduced by lame raps by a dude in cap who always sounded like he was going into a commercial rather than just coming out of one.
Serving up everything but the kitchen sink, it opened with the reunion of an African-American family named Rand which we learned trace its roots to a white man who in the 19th Century had seven kids with his white wife and another six with his black mistress. This story built up to a first-time meeting of the black and white sides of the Rands. What a so called “white patriarch” had to do with “The Black Woman” was beyond me.
After that weird start, the slapdash investigation turned to the question of education. Here, we’re informed that half of all black kids don’t graduate from high school (What else is new?) before being introduced to Harvard Economics Professor Roland Fryer. He talks about a pilot program in four cities: NY, Atlanta, Baltimore and Dallas, where kids are being paid to get good grades.
But then the family he focuses on has much bigger financial problems to deal with, being headed by a single dad who can’t afford the rent. In fact, a disproportionate number of interviewees seem to be facing eviction, almost as if it’s a recurring theme of black life.
My biggest overall problem had to do with the program’s periodic factual inaccuracies, like when Soledad referred to the 1992 riot which erupted in L.A. after the Rodney King decision as the most deadly riot in the U.S. in 100 years. What’s up with that? She conveniently ignored several other more bloody incidents such as the Tulsa Race Riot of 1921 when over 300 blacks were slaughtered by white militiamen.
The infuriating mistakes that I was aware of left me wondering how accurate CNN was when citing statistics I was unfamiliar with, especially since all the anecdotal evidence about rap music, AIDS, skin color, mixed-marriages and elsewhat sounded awfully subjective.

To see a trailer for Black in America, visit: http://www.cnn.com/video/#/video/living/2008/06/17/bia.james.baldwin.school.cnn

Never Back Down DVD

DVD Review by Kam Williams



Headline: Shades of Karate Kid in Mixed Martial Arts Drama Coming to DVD



After her husband dies in a car accident while driving under the influence, Margot Tyler (Leslie Hope) decides to relocate from Iowa to Orlando, Florida for a fresh start with her two teenage sons. Plus, there’s the added incentive of enrolling her younger one, Charlie (Wyatt Smith), in a tennis camp catering to promising prodigies.

Unfortunately, the grieving widow failed to factor in the toll the move might take on her elder boy, Jake (Sean Faris), a sensitive soul who has been beset by unaddressed anger management issues ever since the tragedy. It isn’t long before his sensitivity reaches the ears of Ryan McCarthy (Cam Gigandet), the ringleader of a sadistic gang of ne’er-do-wells at his new school who like to fight for fighting’s sake.

So Ryan has his girlfriend, Baja (Amber Heard), feign a romantic interest in Jake and invite him to a party, never letting on that he’s coming over just to take a bloody beat down. Soon after he arrives, Ryan callously plays the “Your dead dad was a drunk” card, and Jake predictably pops his cork, unaware that his opponent has a black belt in brawling.

A rescue squad arrives in the person of 98-pound weakling Max Cooperman (Evan Peters). He who peels Jake off the floor and directs him to the Combat Club, a mixed martial arts dojo run out of a rundown warehouse by Jean Roqua (Djimon Hounsou), a spiritually-oriented sensei from Senegal. Like a latter-day Mr. Miyagi, he allows the lad to enroll with the understanding, “No fighting outside of the gym, no matter what.” Yeah, right.

While Never Back Down has few surprises for anyone familiar with The Karate Kid, it does add a few 21st Century elements to the mix (like the use of YouTube) which at least serve to make the familiar formula feel refreshed.



Excellent (3.5 stars) Rated PG-13 for mature themes, intense violence, profanity, teen partying and premarital sexuality.

Running time: 113 minutes

Studio: Summit Entertainment

2-Disc DVD Extras: 11 deleted and extended scenes, commentary by the director, the scriptwriter, and co-star Sean Faris, plus 5 featurettes.



To see a trailer of Never Back Down, visit: http://www.youtube.com/watch?v=vGdJAhRj54Q

Step Brothers

Film Review by Kam Williams

Headline: Ferrell and Reilly Co-Star as Slackers in Disgusting Dysfunctional Family Comedy

This sorry shocksploitation flick elicited exactly one unforced laugh from the audience at the screening I attended, and that was from a scene already spoiled by the commercial. It’s the one where John C. Reilly jumps on the top of a bunk bed causing it to collapse onto Will Ferrell on the lower mattress. So, if you’ve watched the trailer, then you’ve already witnessed the comedic high point of Step Brothers, a sitcom which breaks the genre’s fundamental law by failing in its ever endeavor to be funny.
Not that it isn’t gross from beginning to end. Sleazy does it in this one-trick pony about a couple of middle-aged adolescents who refuse to grow up. At the point of departure of this sophomoric adventure we find 39 year-old Brennan “Nighthawk” Huff (Ferrell) unemployed and still living at home with his divorced mom, Nancy (Mary Steenburgen). And the same can be said about 40 year-old slacker Dale “Dragon” Doback (John C. Reilly), a parasite who is sponging off his widowed dad, Robert (Ricard Jenkins).
Brennan is a couch potato content to fritter away his days eating junk food in front of the TV while Dale divides his time between managing a fantasy baseball league online and playing the drums in a room he refers to as his “beat laboratory.” The only reason these lazy slobs ever cross paths is because their parents lock eyes and fall in love across a crowded auditorium at a medical conference.
After a whirlwind romance, Nancy and Robert decide to marry and move in together. This means that their spoiled sons must not only live under the same roof but also share the same bedroom. The new step brothers’ instant dislike for each other initiates an escalating turf war marked by infantile antics like Brennan rubbing his private parts on Dale’s sacred drum set, and the latter getting even by threatening to sleep with his mother.
The pranksters prove to be particularly fond of fart jokes and sexual preference slurs, in case you find either of those brands of humor particularly appealing. When not appealing to the lowest common denominator, Step Brothers devotes most of its energy to a steady stream of product endorsements, including Mountain Dew, Heinz Ketchup, Oreo Cookies, Izod Clothing, Doritos Corn Chips, Pepsi, Callaway Golf Clubs, Kitchen Aid Appliances , Bekins Van Lines, Wells Fargo Bank, Range Rover, Outback Steak House, Enterprise Rent-a-Car, Hallmark Cards, Hustler Magazine, Zildjian Cymbals, Ampeg Amplifiers, Star Wars, CBS’ Cold Case, Metallica and Corona Light Beer, to name a few.
In between all the shameless ads, the plot revolves around the newlyweds getting fed up with the sibling rivalry and giving their sons a month to find a job and another place to stay. Too bad this re-teaming of Ferrell and Reilly failed to generate any magic, as did their prior outing in Talladega Nights.
And with exhibitionist Ferrell finding excuses to expose himself in numerous movies, he’s leaving himself in danger of going down in cinematic history as the man who nude too much.

Poor (0 stars)
Rated R for crude humor, sexuality and pervasive profanity.
Running time: 98 minutes
Studio: Columbia Pictures

To see a trailer of Step Brothers, visit: http://www.youtube.com/watch?v=PHnvULVOtz8

Thursday, July 24, 2008

Harold & Kumar Escape from Guantanamo Bay DVD

DVD Review by Kam Williams

Headline: Racial Profiling Kickstarts Sleazy Sequel Released on DVD

When Harold (John Cho) and Kumar (Kal Penn) burst onto the screen four years ago, we found the nerdy stoners careening all across the State of New Jersey in a weed-fueled haze on a munchies-craving quest to find a White Castle restaurant which was open all night. That irreverent road flick was a laff-a-minute riot funny enough to land on this critic’s Ten Best List for 2004.
Unfortunately, the same can’t be said for Harold & Kumar 2, a pointless downer which fails to measure up to the first either in terms of humor or taste. This is an excellent case study in a sequel’s simply increasing the sleaze factor while pay scant attention to virtually every other aspect of the production.
At the point of departure we find the pot-loving protagonists boarding a plane for Amsterdam where they plan to imbibe legally while looking for Maria (Paula Garces), the heartthrob Harold has been admiring from afar. However, when Kumar impatiently decides to get high in the bathroom, an already suspicious passenger mistakes his bong for a bomb.
So, he and Harold are immediately subdued by federal air marshals who figure them for Al-Qaida and North Korean terrorists working in concert. They are then shipped off to the infamous Guantanamo Prison, though they make a break for it when forced to fellate their guards. And the chase is on.
Next, they make their way back to the U.S. with the help of a boatload of Cuban refugees, and the balance of the practically-pointless plot puts the freewheeling fugitives in a series of sordid situations dreamt up by the mind of a demented degenerate. The humiliation endured by our hapless heroes ranges from finding goat poop on a pillow to having ejaculation shot into a face to being urinated on by Ku Klux Klansmen to something called a cock meat sandwich which leaves little to the imagination.
A crass, classic, take-the-money-and-run ripoff which squanders a golden opportunity to make a statement about racial profiling, the Patriot Act and the Geneva Conventions in favor of serving up a mindless teensploit laced with shockingly-graphic images.

Fair (1 star)
Rated R for profanity, male and female frontal nudity, ethnic slurs, sexuality, crude humor, and drug and alcohol abuse.
Running time: 100 minutes
Studio: Warner Home Video
DVD Extras: PG version, deleted scenes, worker’s diary and clips from upcoming Carnivalesque films.

To see a trailer of Harold & Kumar Escape from Guantanamo Bay, visit:
http://www.youtube.com/watch?v=y_NOc6yH5JY

Doomsday DVD

DVD Review by Kam Williams

Headline: Post-Apocalyptic Sci-Fi Adventure Arrives on DVD

Doomsday is a sloppily-edited rehash of sci-fi clichés which looks like it was thoughtlessly slapped together by Edward Scissorhands. Furthermore, this soulless rip-off shamelessly recreates a host of memorable scenes from a host of popular, post-apocalyptic adventures like Resident Evil, Mad Max, 28 Days, Escape from New York and I Am Legend.
The story is set in 2035, after a deadly virus has contaminated Scotland and turned most of its citizens into a race of cannibalistic zombies. This led to the country’s being quarantined behind a giant wall, a precaution which was thought to have worked, at least until the new outbreak that has just been discovered in London.
Urgently in need of an antidote, Prime Minister Hatcher (Alexander Siddiq) decides to dispatch a rescue squad over the wall to retrieve Dr. Kane (Malcolm McDowell), a scientist rumored to have successfully developed a vaccine. When ordered to send in his best man for the job, Police Chief Nelson (Bob Hoskins) taps a woman, Eden Sinclair (Rhona Mitra), a cool, calm and collected gunslinger every bit as attractive, as she is fearless.
She proceeds to lead a hand-picked team of crack commandos into an unrecognizable environment which has degenerated into lawlessness. The landscape is swarming with aggressive adversaries ranging from ghouls feasting on barbecued human flesh to a gang of big-breasted biker chicks with major attitudes to skull-and-cross boned creeps who look like they wandered in from an Oakland Raider tailgate party.
How these foreign groups have invaded, formed and flourished in the of absence of any infrastructure is never adequately explained, since there’s no time for anything but slaughtering wave after wave of each successive thundering herd. Forget about trying to follow the preposterous plotline of this insult to the intelligence, unless you want to laugh out loud.

Poor (0 stars)
Rated R for profanity, nudity, sexuality and graphic violence.
Running time: 109 minutes
Studio: Universal Studios Home Entertainment
DVD Extras: Unrated version, feature commentary by the director and four cast members, plus two featurettes.

To see a trailer of Doomsday, visit: http://www.youtube.com/watch?v=mJMjiCxHLdg

Mardi Gras: Made in China DVD

DVD Review by Kam Williams

Headline: Powerful Documentary Contrasts Globalization with American Decadence

If you’ve ever witnessed the annual New Orleans ritual of wanton women baring their breasts for beads at Mardi Gras, you probably were too engrossed by the sordid spectacle to stop to think about where all those shiny necklaces came from. Well, Mardi Gras: Made in China traces the gaudy jewelry back to the source, factories in China where very young women are virtually enslaved, forced to work extremely long days literally for pennies an hour while being virtually imprisoned in gated dormitory-style compounds they’re only allowed to leave once every two weeks.
Director David Redmon (Intimidad) deserves accolades galore for crafting this damning expose’ which brilliantly contrasts the plight of obviously impoverished and utterly subjugated Asian females with the embarrassing behavior of all those drunks and bimbos floozies floating up Bourbon Street on Fat Tuesday. Perhaps now proverbial Ugly Americans will be persuaded to reflect upon the role which their decadence plays in an exploitation simply for the sake of disposable trinkets.
Girls Gone Wild meets globalization.

Excellent (4 stars)
Unrated
In Mandarin and English with subtitles
Running time: 75 minutes
Studio: Carnivalesque Films
DVD Extras: PG version, deleted scenes, worker’s diary and clips from upcoming Carnivalesque films.

To see a trailer of Mardi Gras: Made in China, visit: http://www.youtube.com/watch?v=6kCxvbBsv00

Canary

Film Review by Kam Williams

Headline: Terrorism as Pre-Teen Bonding Op in Japanese Road Flick

This impressionistic fantasy was inspired by a real-life act of bioterrorism, namely, the release in 1995 of poisonous sarin gas in the Tokyo subway system by members of a religious cult called Nirvana. (That’s some name for a murderous mob, huh?). Their cowardly act resulted in the deaths of a dozen innocent people and injured over a thousand other commuters.
Oddly, this coming-of-age road flick focuses not on the fallout visited upon any of the victims’ families, but on Koichi Iwase (Hoshi Ishida), a 12 year-old who had been raised inside the apocalyptic sect. Abandoned after the atrocity by his irresponsible, nut case of a single-mom, the boy ended up in the clutches of a bureaucratic, child welfare system.
He makes a break from the orphanage in order to track down his little sister in Tokyo, and en route encounters the equally- traumatized Yuki Niina (Mitsuki Tanimura), a runaway his age who’s escaping an abusive father. The socially-ostracized urchins somehow bond, despite her being a precocious prostitute and his still being pre-pubescent and left a bit of a zombie by all the brainwashing during his dogma-driven upbringing.
Their ensuing misadventures together lie at the heart of Canary, a difficult to peg picture which might best be thought of as chronicling the poignant endeavor to reclaim innocence lost. This proves to be easier said than done because the kids are already pretty damaged goods, and they encounter further adult situations in their meanderings, like the advances of the solicitous lesbians who pick them up hitchhiking.
As you can imagine, getting there is all the fun in this patiently-paced, immorality play. So, by the time they finally rescue Koichi’s sister and return to the road, the question left unanswered is whether they have the wherewithal to survive on the city’s mean streets.
The Orient’s relatively-eloquent answer to Eminem’s 8-Mile and 50-Cent’s Get Rich or Die Tryin’, replete with gangsta’ rap on the soundtrack. A sobering, universal message that it’s even hard out there for the Hip-Hop Generation in Japan. .

Very Good (2.5 stars)
Unrated
In Japanese with subtitles.
Running time: 132 minutes
Studio: ImaginAsian Pictures

To see a trailer of Canary, visit: http://www.iapictures.tv/canary/trailer.php

Wednesday, July 23, 2008

Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun

OPENING THIS WEEK
Kam's Kapsules:
Weekly Previews That Make Choosing a Film Fun
by Kam Williams
For movies opening August 1, 2008


BIG BUDGET FILMS

The Mummy: Tomb of the Dragon Emperor (PG-13 for adventure and action violence) Brendan Fraser returns for a third go-round as intrepid explorer Rick O’Connell who is now joined by his son (Luke Ford), wife (Maria Bello) and her brother (John Hannah) in an epic adventure to the Far East to combat a recently-resurrected, 2,000 year-old, shape-shifting entity (Jet Li) bent on world domination. With Michelle Yeoh, Isabella Leong and Russell Wong.

Midnight Meat Train (R for sexuality, nudity, profanity, eroticized graphic violence and grisly images) Gruesome horror flick about a struggling photographer (Bradley Cooper) who ends up putting his and his girlfriend’s (Leslie Bibb) lives in danger after being egged on by a prominent art gallery owner (Brooke Shields) to get grittier shots for his show by following the trail of the serial killer (Vinnie Jones) who’s been butchering late-night commuters on the NYC subway.

Swing Vote (PG-13 for profanity) Civic duty comedy about an apathetic, alcoholic loser (Kevin Costner) who suddenly finds himself the center of attention after his mischievous, 12 year-old daughter (Madeline Carroll) sets in motion a chain of events which means his vote will decide the outcome of the presidential election. Star-studded cast includes Nathan Lane, Kelsey Grammer, George Lopez, Willie Nelson, Paula Patton, Dennis Hopper and Stanley Tucci, with cameos by political pundits James Carville, Chris Matthews, Larry King, Arianna Huffington, Bill Maher, Tucker Carlson and Campbell Brown.


INDEPENDENT & FOREIGN FILMS

America the Beautiful (R for profanity and some sexual references) Body image documentary explores America’s unhealthy obsession with beauty via an examination of subjects ranging from airbrushed ads to cosmetic surgery to skin color to makeup ingredients to self-esteem. With appearances by Jessica Simpson, pre-teen supermodel Gerren Taylor and celebutante Paris Hilton.

Frozen River (R for profanity) Cross-cultural, Christmastime tale about a recently-abandoned, white housewife (Melissa Leo), struggling to support her sons on a Mohawk reservation in upstate New York, who is pressured by a Native American single-mom (Misty Upham) to start smuggling illegal immigrants across the Canadian border into the U.S. Cast includes Michael O’Keefe, Mark Boone, Jr. and Charlie McDermott.

In Search of a Midnight Kiss (Unrated) New Year’s Eve adventure, shot in black and white, about a 29 year-old slacker (Scott McNairy) with no plans to celebrate the holiday until at the suggestion of his best friend (Brian McGuire) he places a personal ad online which leads to a rendezvous with a beautiful woman (Sara Simmonds) determined to find Mr. Right by midnight.

Profit Motive and the Whispering Wind (Unrated) Whistling through the graveyard documentary, inspired by leftist professor emeritus Howard Zinn, chronicling a “Peoples’ History of the United States” as revealed by headstones and plaques located in American cemeteries.

Sixty Six (PG-13 for profanity, nudity and sexuality) Bio-pic, set in 1966, revisiting real-life events of almost 13 year-old Bernie Reubens (Gregg Sulkin) an asthmatic, bar mitzvah boy whose big day appears ruined when it falls on the same day as the World Cup final. Cast includes Helena Bonham Carter, Stephen Rea and Eddie Marsan.

Stealing America Vote by Vote (Unrated) Post-democracy documentary questioning why exit polls are no longer able to accurately predict the results of elections in America while painting a chilling picture of a possibly tainted voting process.

All You Need to Know about the Music Business

Sixth Edition
by Donald S. Passman, Esq.
Free Press
Hardcover, $30.00
462 pages, Illustrated
ISBN: 0-7432-9318-5



Book Review by Kam Williams

“In the music business, the key to success lies in knowing how to protect yourself. To do that, you need the best and most up-to-date advice available… This latest edition of what the L.A. Times called ‘the industry bible’ will lead novices and experts alike through the fundamental practices as well as the new, uncharted territory of one of this country’s most dynamic industries…
For fifteen years, All You Need to Know about the Music Business
has been universally regarded as the definitive, essential guide to the music industry. Now in its sixth edition, it has been completely revised and updated with crucial, up-to-the-minute information on the industry’s major changes in response to today’s rapid technological advances and uncertain economy…
It’s a book that no musician, entertainment lawyer, agent, promoter, publisher, manager, record company executive – anyone who makes their living from music – can afford to be without.”
-- Excerpted from book jacket cover

Although I no longer practice law, there are two types of people who still routinely approach me for legal advice: convicts behind bars and aspiring musicians. Unfortunately, I’m simply too busy to take on any clients, however, I do have good news for the latter group, a state-of-the-art handbook which breaks down every aspect of the business in relatively-plain language.
Author Donald Passman is a Harvard-trained attorney with over 30 years of experience in the field. His impressive client roster includes such A-list acts as Janet Jackson, Green Day and R.E.M., to name a few. His user-friendly, how-to tome is apt to be of most use to up-and-coming unknowns trying to kickstart their careers, a time when naĂŻve performers are most likely to be exploited and make critical mistakes out of an eagerness for fame and fortune.
Passman addresses virtually every question you can think of, structuring his invaluable advice in the logical order in which it will be needed by the neophyte. He suggests that you start your assault on the industry by assembling a team of advisors which ought to include a personal manager, a lawyer, a business manager and an agent.
The next section breaks down every aspect of a record deal, from advances to royalties to albums to videos to marketing to touring to merchandising. Next, he focuses on an often overlooked area, intellectual property, which is comprised of copyrighting, publishing and songwriting. And the text subsequently answers an array of ancillary inquiries about creative control, bootlegging, fees and financing.
If you know anyone dreaming of making it in the music world, I implore you to insist that they read this priceless treatise from cover to cover before they even think about entering into any agreements.

Tuesday, July 22, 2008

The Order of Myths

Film Review by Kam Williams

Headline: Deep South Documentary Discovers Segregated Mardi Gras Celebrations in Mobile, Alabama

Judging from The Order of Myths, recent pronunciations of America as a post-racial society are a bit premature. For this eye-opening documentary, directed by Margaret Brown (Be Here to Love Me), matter-of-factly examines the still-segregated celebration of Mardi Gras staged in Mobile, Alabama in 2007.
The city was ostensibly picked because it is steeped in tradition, being the site where the annual ritual was first introduced to this country way back in 1703, a full 15 years before New Orleans was even founded. The event has continued to be observed to this day, ostensibly oblivious to the inroads achieved by the Civil Rights Movement elsewhere in terms of integration.
Consequently, Mobile simultaneously mounts two elaborate Mardi Gras
Carnivals: one for blacks, one for whites. Ms. Brown never presumes to take an editorial stance on Mobile’s enduring color line, opting to allow the citizens’ words speak for themselves.
Not surprisingly, the Caucasians are rather comfortable with the arrangement, and generally suggest that the affairs are essentially “separate but equal.” They see the situation as simply a case of people choosing to associate with their own kind. As one salty cracker puts it, “Nobody’s going to tell me who’s going to come into my house. Black people have their own Mardi Gras and want it that way.”
Most of the African-Americans who appear on camera avoid controversy and certainly seem content with the status quo, but one can’t help but wonder whether they might be too intimidated to share their true feelings. Dr. Cain Hope Felder, a Professor at Howard University, is a glaring exception in this regard. He speaks freely about Mobile’s ugly legacy, including a lynching by a 19 year-old by the Klan as recently as 1981. He also notes that there’s a neighborhood known as Slave Town, which is where Africans brought by a slave ship settled in 1859, well after the trade was supposedly illegal.
At least the picture ends on an upbeat, with the black Mardi Gras King and Queen being announced and greeted by the white King and Queen and their Royal Court at their gathering. A nice gesture, but in the sequel I’d like to see these refined rednecks really shaken out of their comfort zone.
Next time, how about taking these folks north of the Mason-Dixon Line to see how the other half of the country lives before they miss out on the 21st Century entirely?

Excellent (4 stars)
Unrated
Running time: 77 minutes
Studio: Lucky Hat Entertainment
Distributor: The Cinema Guild

To see a trailer of The Order of Myths, visit: http://www.youtube.com/watch?v=rVv2Zc52Gek

Man on Wire

Film Review by Kam Williams

Headline: Documentary Revisits Philippe Petit’s Death-Defying High-Wire Walk between the Twin Towers

On the morning of August 7, 1974, a street performer named Philippe Petit sucked the collective breaths out of the world’s stomach when he performed a death-defying, high-wire act between the roofs of the Twin Towers. The daring feat was an achievement almost as impressive as the construction of the magnificent World Trade Center itself, given that because it was not only illegal, but had to be pulled off in absolutely secrecy.
Just think, not only did he have to gain access to the top of the buildings, but he had to figure out a way to string a 200 feet-long, 450-pound cable between them. And he had to factor in that by design the Towers were constantly swaying slightly, more so on windy days. Therefore, any attempt to cross between them without a harness or parachute would seem almost suicidal to any sane person.
Obviously, Petit is a special case, since the fearless Frenchman became consumed with attempting the stunt in 1968, right after reading an article about the erection of the Twin Towers while waiting in his dentist’s office. So, for six years he methodically planned every aspect of his historic walk in meticulous detail, knowing full well that he still could lose his life in a fraction of a second from a momentary slip or loss of balance.
Man on Wire is a riveting documentary which revisits the events surrounding Philippe’s secret mission, including his enlisting the assistance of a handful of accomplices. From flying over the Towers in a helicopter, to securing fake badges to bypass WTC security, to smuggling heavy equipment inside, he and his intrepid band of co-conspirators recount the particulars of their espionage-like operation.
One confesses that he wasn’t quite sure whether Petit was a nut or a con man, yet he opted to persevere in helping his pal realize his dream. It is fascinating to learn that Philippe was essentially a self-taught aerial artist with little experience who had previously supported himself doing pantomime and magic tricks as a street performer.
The film is guaranteed to bring tears to your eyes, when August 7 finally arrives, and we are treated to the breathtaking spectacle of Petit poised to take that first step off one of the Towers. He then proceeds to make 8 crosses back and forth between the buildings at 1368 feet in the air, teasing the exasperated cops imploring him to return to the roof.
Instead, he lies on his back soak in the view, kneels as if in prayer, salutes the heavens, and even peers down into the crowd which had formed far below. Curiously, Philippe says his scariest moment came back on terra firma after he was handcuffed by police and almost broke his neck when an officer shoved him down a flight of stairs. Ain’t that just like New York?
An exhilarating film for the ages not to be missed, either for its enlightening peek inside the elite mind of an extraordinary individual or for its ethereal tribute to the Twin Towers.

Excellent (4 stars)
Rated PG-13 for sexuality, nudity and drug references.
In English and French with subtitles.
Running time: 94 minutes
Studio: Magnolia Pictures

To see a trailer of Man on Wire, visit: http://www.youtube.com/watch?v=YW1b3G2MN3Q

Monday, July 21, 2008

Boris Kodjoe: The All about Us Interview

with Kam Williams

Headline: All about Boris

Boris Frederic Cecil Tay-Natey Ofuatey-Kodjoe was born in Vienna, Austria on March 8, 1973 to Eric, a physician from Ghana, and Ursula, a psychologist from Germany which is where he was raised along with his siblings, Patrick and Nadja.
While attending Virginia Commonwealth University on a tennis scholarship, the striking, 6’3” student-athlete was spotted by a talent scout and signed to a contract with the Ford Modeling Agency. After appearing in ad campaigns for Ralph Lauren, Perry Ellis, Yves Saint Laurent and The Gap, Boris blossomed into a rarity, one of the world’s few male supermodels. So, it’s no surprise that he would one day be named one of the 50 Most Beautiful People in the World by People Magazine.
In 2000, he turned his attention to acting, making his big screen debut in Love & Basketball, following that up with well-received appearances in everything from Brown Sugar to The Gospel to Madea’s Family Reunion. On Broadway, he’s worked opposite James Earl Jones and Phylicia Rashad in Cat on a Hot Tin Roof.
On TV, he was cast in the hit series ‘Soul Food’ as Damon Carter, a role for which he would land a trio of NAACP Image Award nominations. While doing the hit show, he fell head over heels in love with his attractive co-star, Nicole Ari Parker, and by 2005 the inseparable pair would marry back in his hometown, Gundelfingen, Germany. They now have two kids, Sophie Tei-Naaki Lee Kodjoe, 3, and Nicolas Neruda Kodjoe, 1. Despite being quite the power couple, they’ve decided to make their home away from the hustle and bustle of Hollywood in relatively-sedate Atlanta.
Here, Boris talks about all of the above and his latest movie, All about Us, a romantic dramedy about a Hollywood couple who decide to settle down in Mississippi after shooting a movie there, rather than return to L.A.

KW: Hi Boris, thanks for the interview. How are Nicole and the kids?
BK: They’re good. They’re on their way back from L.A. She was doing a pilot for ABC, called Never Better.
KW: What interested you in doing All about Us?
BK: First and foremost was the script, because I rarely, to that point, got a chance to consider playing a role like that, a regular family guy who is basically trying to balance his career goals with his obligations to his family. It’s a very heartwarming story with some really interesting, fleshed-out characters. And when I had a meeting with the director, Christine Swanson, and her husband, Michael, I admired their passion for what they were doing. I think it’s always a
blessing to get to work with people who have that fire about what they’re doing.
KW: What was it like filming All about Us on location in Mississippi?
BK: It was great. I encountered tremendous heat and lovely people.
KW: The script was semi-autobiographical. So, it must have been interesting to be acting out the filmmakers’ life story.
BK: Yeah, it was interesting. I talked with Michael about the character, and about his path and his journey. And it was fun to sort of associate certain things that he went through with things that I’ve been through in my life. For instance, I had a young daughter, too, so there were many parallels that I could draw on. It was funny, because we were different people, yet all young fathers obviously go through some of the same stuff, and have some of the same concerns and anxieties. So, the process was really cool to me.
KW: And you and Nicole left L.A. yourselves, in your case for Atlanta.
BK: [His cell phone rings] Speak of the devil. [Talks with Nicole on phone for a minute]
KW: How did you decide to settle in Atlanta?
BK: We never wanted to raise the kids in Hollywood. We wanted to be in an environment that spoke to us, culturally. That’s how we chose Atlanta and found our dream home. Also, I have family coming from Europe, and her family is in Baltimore, so the choice was very practical at the same time.
KW: I know you are quad-lingual: German, English, French and Spanish. What languages are you going to teach your children?
BK: Well, they speak three, right now: obviously English, plus German and Spanish. Our nanny is Guatemalan, and she only speaks Spanish to them. And we speak German to them.
KW: I heard that your mother’s Jewish. Is that true?
BK: Well, by blood, yeah. My grandmother’s part Jewish, which makes my mother and myself Jewish, by blood. But we weren’t raised in the Jewish faith. I remember my mother teaching me from the age of about 3 or 4 that we had to find our own way based on many different religions, that there were many different doctrines but that they all had the same purpose. I always remember that, because it was so simple, and so poignant and deep at the same time. I try to apply that now and expose my kids to many different ideas and philosophies, so they can find their own way.
KW: Did you lose any relatives in the Holocaust?
BK: Yeah, on my mother’s side, my maternal great-grandmother. It was ironic in a way, because my grandmother wasn’t pure-blooded Aryan, and therefore she wasn’t considered a member of the master race. But she got pregnant by my grandfather who was 200% German. So, it was quite a tumultuous time for her, because they had to hide her for her to survive the Second World War.
KW: Did she have any close calls?
BK: Yeah, she told me that someone once reported her, but she was lucky that when the SS came to investigate and found her hiding in a back room, one of the officers was in a good mood and didn’t arrest her. She said those kind of experiences occurred frequently. It was a time of sheer terror and no one knew what was going on, and everyone knew somebody who had suddenly gone missing for no reason. And apparently you didn’t talk about it over the dinner table at night. They were just paralyzed with fear. You didn’t utter a word about what could possibly be going on or about what they had heard. It was a very scary time.
KW: I hope she’s writing her memoirs.
BK: Yeah, I’m going to help her write it. She had some quite interesting experiences. And then later in her life her daughter brought home an African from Ghana, which didn’t go over so well with my grandfather. He kicked them out of the house until I was born. They went back with me when I was a couple months old, and said, “Look, either you accept us, or you’ll never see us again.” And at that moment he made a 180 degree turn and accepted me from that moment on.
KW: Wow, you’re going to have to write an autobiography, too.
BK: We all lived under the same roof. He had lost both of his arms in the war from a Russian hand grenade. From when I was 4, I would shave him in the morning and feed him breakfast every day.
KW: Did you have to deal with racism as a child? You must have been one of very non-white kids in the neighborhood?
BK: Me and my brother were always the only black kids. Racism is universal, but it’s very different in different cultures. Where I grew up, racism was more about ignorance and a lack of knowledge than a controlled and focused prejudice. So, I was subjected to the type of racism where people called me names, but I had a lot of great friends, too. Overall, it was a great environment to grow up in. The place I was raised was in the Black Forest and looks like The Sound of Music. We had a great childhood, full of fun and outdoor adventure. It was very sane and well-rounded. My mother always told us we were perfect the way we were, and that we wouldn’t have to worry about what people said because there are just a lot of ignoramuses in the world, and that you will encounter them until the day you die. That was her approach, and now when I look back, I can really appreciate it.
KW: Barack Obama also had a white mother and an African father. What do you think of him?
BK: That’s just one of the aspects of him that I find intriguing. I think that he’s an incredible and powerful man, very charismatic and intelligent. He also has great integrity and pride, and loves the country. I believe he’s someone who will not only improve America internally in terms of the economy, healthcare, education, the environment and Social Security but also repair the country’s reputation which has suffered around the world over the past eight years. He’s someone who I believe can sit down with potential allies on the international level and try to make the world a better place for everyone. So, I’m supporting him wholeheartedly. I hope that people will wake up and take the country back. It’s hard to believe that we have a president who could officially deny the fact that the world is being affected by global warming. It’s embarrassing.
KW: What’s it like being named one of the 50 Most Beautiful People in the World? Has it changed your life?
BK: [Laughs] That’s hilarious. No, it hasn’t changed my life at all. It’s one of those things, like the tabloids, that you can’t really take seriously.
Obviously, I’m very flattered, but that’s as far as it goes. It’s a nice thing, but I can’t take any credit for it. I don’t wake up and go, “Woo-hoo! I’m one of the 50 Most Beautiful! Yeah!” There are a lot of things that are much more important, like being a husband and father. I’ve been blessed with a great wife and amazing children who have changed my life. It’s not necessarily a walk in the park every day, but it’s absolutely the most rewarding gift ever.
KW: How was it playing Brick on Broadway in Cat on a Hot Tin Roof?
BK: It was a dream come true, getting to play one of the significant roles in one of the most significant classics. I was honored and humbled by the experience. Everybody was so supportive, James Earl Jones, Phylicia Rashad, Debbie Allen, Anika Noni Rose and Giancarlo Esposito. And the crowd response was great, everything was amazing.
KW: Tasha Smith wants to know if you’re ever afraid.
BK: Oh, absolutely? I’m terrified sometimes, not for myself, but for my kids.
That’s one of the things they don’t tell you when you become a father, but along with unconditional love comes unconditional fear.
KW: The Columbus Short question: Are you happy?
BK: Extremely.
KW: Bookworm Troy Johnson wants to know, what was the last book you read?
BK: Right now I’m on a spiritual trip. I read a lot of that type of book. The last one I read was The Art of Power by Thich Nhat Hanh.
KW: Yeah, I’ve read some of his stuff. He’s great.
BK: He summarizes what we all know, like that the power is within you, and that as long as you can visualize it you can achieve it. Things along those lines.
KW: Is there any question nobody asks you that you wish somebody would ask?
BK: What nobody ever asks me is how difficult it was to come to sound like this, probably because they all assume I’m African-American.
KW: True, your American accent has no traces of German. So, how difficult was it to sound like this? Did you study English in Germany?
BK: I learned it here. I took classes, had a dialect coach, and watched a lot of MTV. When I prepare for a part, I still have to figure out the appropriate accent and cadence.
KW: How do you want to be remembered?
BK: I want to be remembered as a great father, and as someone who inspired people to have integrity and drive.
KW: What’s up next for you?
BK: I’m shooting a movie right now with Bruce Willis called The Surrogates.
KW: Well, good luck with that, and I hope to speak to you again when that gets released.
BK: Cool. Peace.

To see a trailer of All about Us, visit: http://www.youtube.com/watch?v=-NdgzKdXCMQ

Sunday, July 20, 2008

The Dark Knight

Film Review by Kam Williams

Headline: The Joker and Batman Match Wits and Muscle in Heath Ledger’s Swan Song

You heard it here first: the late Heath Ledger will win an Academy Award for his defining, spine-tingling performance as The Joker. Forget Cesar Romero’s hamming it up on the campy Sixties TV series. Ditto, Jack Nicholson’s equally-over the top rendition in the first screen adaptation of Batman back in 1989.
Ledger easily eclipses each of his predecessors via an inspired interpretation of the character as a maniacal misanthrope much more menacing than mirthful. Not that he doesn’t also have a full complement of laugh-inducing lines like “Whatever doesn’t kill you simply makes you stranger,” “I love this job,” and “You know, you remind me of my father. I hated my father.” Still, what makes this incarnation of The Joker unforgettable is that under that garish clown makeup is a philosophical and downright scary psychopath with mayhem at the top of his agenda.
The accolades for The Dark Knight don’t stop with Ledger, as the picture itself happens to be not only the best blockbuster of the summer, but perhaps the best comic book adaptation ever brought to the big screen. And although it’s awfully early to be talking Oscar buzz, nominations also ought to be in order for director Christopher Nolan (Memento) and for oft-overlooked Christian Bale who delivers again as The Caped Crusader.
As for the plot, at the point of departure, we find Gotham winning its battle against the underworld, thanks in no small part to the efforts of Batman. Everything changes the day The Joker shows up in town and pulls off a brazen bank robbery of a fortune of laundered mob money during which he strategically knocks-off each of his accomplices at the moment he no longer needs their services.
Next, the double-crossing clown approaches the city’s loose confederation of crime bosses and offers, for a price, to kill the vigilante on the brink of shutting down their embattled syndicate. They reluctantly agree, which means Batman must match wits as much as muscle with this most-worthy adversary.
Fortunately, his alter ego, billionaire Bruce Wayne, with the help of his loyal butler, Alfred (Michael Caine) and genius inventor Lucius Fox (Morgan Freeman), is capable of outfitting himself with a new line of state-of-the-art Bat gadgetry, including a Batmobile, a Batsuit, a Batpod, Batdarts, Batsonar, and so forth.
Yet, despite all the bells and whistles and eye-popping special f/x, The Dark Knight is fated to be remembered unavoidably as Heath Ledger’s chilling swan song. At least he saved his best performance for last.

Excellent (4 stars)
Rated PG-13 for menacing and for intense violence.
Running time: 152 minutes
Studio: Warner Brothers

To see a trailer of The Dark Knight, visit: http://www.youtube.com/watch?v=WaIR9dAZRR0&feature=related

Friday, July 18, 2008

Heartbeat Detector (La Question Humaine) DVD

DVD Review by Kam Williams

Headline: Social Satire Coming to DVD Examines Nazi Influence on Current Corporate Culture in Europe

Simon Kessler (Mathieu Amalric) is the staff psychologist working in the Human Resources Department of the French subsidiary of SC Farb, a German petrochemical corporation. His job description involves employee selection with the aim of amassing an army of “highly competitive subalterns.”
However, when it appears that the company’s CEO, Mathias Just (Michael Lonsdale), has begun behaving erratically, the managing director (Jean-Pierre Kalfon) asks the shrink to psychoanalyze their boss. His delicate assignment is to determine whether the aging captain of industry still has the mental capacity to continue running the multi-national operation.
Since this is to be done surreptitiously, Simon resorts to an elaborate ruse insinuating himself so as not to arouse anyone’s suspicion. Eventually, after a very loooooong lead-in, he finds evidence linking Just to unspeakable crimes committed by the Nazis during World War II.
So unfolds the tortoise-paced Heartbeat Detector, a fatally-flawed film which, unfortunately, takes forever to get around to addressing those shocking revelations. Instead, director Nicolas Klotz first devotes over an hour to distracting intimations of office hanky-panky while substituting what looks like surrealistic improv and interpretive dance for plot development.
If the movie was trying to make any thought-provoking social statements bemoaning a corporate philosophy which has minions marching in lockstep or comparing modern business mores to the Holocaust, those allusions were uncovered in far too deliberate a fashion for this critic to appreciate. For by the time the message finally arrived, this viewer had long since been turned off by its overindulgence in inscrutable asides.
A cinematic flatliner that was dead on arrival.

Fair (1 star)
Unrated
In French with subtitles.
Running time: 141 minutes
Studio: New Yorker Home Video

To see a trailer of Heartbeat Detector, visit: http://youtube.com/watch?v=eqCEay3jt1Y

Duck DVD

DVD Review by Kam Williams

Headline: Senior Citizen Bonds with Duck in Unlikely-Buddy Drama Due on DVD

It’s 2009, Jeb Bush is president and the U.S. has become no place for those societal castoffs unfortunate enough to have to subsist on fixed incomes or insufficient government subsidies. Retiree Arthur Pratt (Philip Baker Hall) is just one such poor soul, having landed homeless and alone on the streets of Los Angeles after using up all his savings.
Broke and despondent, the grieving widower is contemplating suicide in the park where his wife’s and son’s remains lay, when he encounters a duckling who mistakes him for its mother. Instead of following through, Arthur’s paternal instincts kick in, and he adopts the waddling orphan and names him Joe. The two soon bond and become inseparable, wandering all around the city, trying to survive and find their place in a world which considers them extraneous.
Ala Amelie (2001), the naĂŻve waif who won everyone’s hearts in the Oscar-nominated French film, they magically enrich the lives of similarly-situated strangers they encounter on their peripatetic sojourn. For instance, they befriend a blind man (Bill Cobbs) with a seeing-eye dog, an Asian manicurist (Amy Hill) whose clients never look her in the eye, and a little girl separated from her nanny (Annie Burgstede)
Some are hostile, however, such as the callous construction workers, bus driver, mental health workers and members of a hobo support group. This bittersweet flick works only because its star, Philip Baker Hall, throws himself into the role ever so convincingly opposite his anthropomorphized companion in a manner reminiscent of Jimmy Stewart with his imaginary 6-foot tall rabbit in Harvey (1950) and of Tom Hanks talking to a volleyball he called Wilson in Cast Away (2000).
A geezer and his pet pal performing random acts of kindness till they find salvation at the ocean shore.

Very good (3 stars)
Rated PG-13 for brief profanity.
Running time: 98 minutes
Studio: Westlake Entertainment
DVD Extras: Audio commentary by Philip Baker Hall and the director, interviews, cast bios, desktop downloads, theatrical trailer, photo gallery and movie poster.

To see a trailer of Duck, visit: http://youtube.com/watch?v=C23X-B2gjA4

Without the King DVD

DVD Review by Kam Williams

Headline: DVD Features the Misadventures of Mswati in Swaziland

King Mswati III is a benevolent despot ruling the tiny African nation of Swaziland with a velvet-gloved iron fist. This last absolute monarch on the continent governs just about the only sub-Saharan country somehow untouched by civil war or ethnic cleansing over the last 30 years. In contrast to such war-torn lands as Uganda, Rwanda, Congo, Liberia, Sierra Leone and The Sudan, Swaziland has enjoyed a relatively-peaceful existence.
This, despite the fact that its citizens have a 42% AIDS rate and the world’s lowest life expectancy at 31. Plus, most of the population has to survive on about 63 cents a day, and are thus very dependent on donations from international charities to survive.
Meanwhile, the royal family lives in the lap of luxury, starting with the king. He has 14 wives, and picks another new one to add to his harem from the 75,000 topless young virgins participating in the annual Reed Dance, a weeklong celebration of chastity.
He also owns 7 palaces, a fleet of luxury cars, the media and sugar industries, and most of the developed real estate. Plus, he has $45 billion stashed away in a Swiss bank for safekeeping. Political parties are banned in Swaziland, so the miserable plight of the people isn’t about to change any time soon in the absence of a revolution.
Besides Mswati, the film focuses on the decadent behavior of his spoiled-rotten eldest child, an airhead attending college in California. Well aware of the exploitation of her father’s subjects, this future queen sarcastically appraises the situation shortly before the curtain comes down, vaguely promising to make some changes while rolling her eyes.
We’re supposed to buy the idea that the Swazis will be saved by Africa’s answer to Paris Hilton? Yeah, right. Proof-positive that decadence comes in all colors.

Excellent (4 stars)
Unrated
In English and Siswati with subtitles.
Running time: 84 minutes
Studio: First Run Features
DVD Extras: Deleted scenes and a theatrical trailer.

To see a trailer of Without the King, visit: http://youtube.com/watch?v=o37iJhBo7VU

Thursday, July 17, 2008

Mad Detective (HONG KONG)

Film Review by Kam Williams

Headline: Clairvoyant Cop Cracks Cases with Unorthodox Methods in Crime Caper from Hong Kong

Despite a knack for solving crimes with his intuition, Inspector Bun (Ching Wan Lau) was forced to take an early retirement after he pulled a Van Gogh and sliced off his own ear as a going away gift to his boss. Now five years later, the clairvoyant cop is being recruited back onto the police force by young Inspector On (Andy On) who needs help in solving the mysterious disappearance of a fellow officer (Kwok-Lun Lee) who has been AWOL for a year and a half.
Teetering between inspired and insane, Bun has his new partner do things like zip him up in a suitcase and throw him down the same flight of stairs as a murder victim only to emerge knowing who the perpetrator was. “Seeing Things” (1981-1987) was a PBS-TV series which successfully employed a similar gimmick, though such supernatural contrivances invariably feel a little hokey to all but the most gullible.
In the case of Mad Detective, the device is more comical than compelling, given that the whodunit is a collaboration of Hong Kong action mavens Johnny To Ka-Fai Wai. So brace yourself for a trademark low-budget, high body-count, blood and guts affair resting on an implausible plot which doesn’t always make logical sense.
But what do you expect of a chopsocky revolving around a head case of a hero asking to be buried alive in order to channel his psychic powers?

Very Good (3 stars)
Unrated
In Cantonese and English with subtitles.
Running time: 90 minutes
Studio: IFC Films

To see a trailer of Mad Detective, visit: http://www.youtube.com/watch?v=rotL2JpoBcI

disFIGURED

Film Review by Kam Williams

Headline: Obese and Anorexic Women Bond in Body Image Dramedy

Lydia (Deidra Edwards) is a queen-sized sales clerk who lives and works in Venice Beach, a trendy section of L.A. where it’s fashionable for women to be thin. Unable to measure up to that unreasonable, hourglass ideal despite dieting, she joins a fat acceptance support group dedicated to fighting prejudice against the obese. In meetings, the members share their fears and frustrations about everything from dating to being teased to weight-loss surgery, while encouraging each other to love themselves just the way they are.
Darcy (Staci Lawrence), on the other hand, is an emaciated anorexic with a body dysmorphic disorder who thinks of herself as too fat. So, when she shows up saying she wants to join the group, people don’t know what to make of her. After they take a vote and decide to reject her application, only Lydia offers a shoulder to cry on.
Although physically polar opposites, chubby and skinny still manage to bond because they are both lonely and many issues in common revolving around hunger, fear, fashion and femininity. And their unlikely friendship is the focus of disFIGURED, a female empowerment flick filled with painful dramatic moments offset by occasional comic asides.
This slice of life adventure paints a picture so realistic you often wince while wondering whether the talented cast was acting or just encouraged to be themselves in a series of improvised scenarios. Regardless, director Glenn Gers deserves raves for his refreshingly-honest exploration of such a sensitive subject.
A novel buddy vehicle contrasting the unique perspectives of a two segments of society ordinarily either marginalized in movies or treated almost as if they didn’t exist at all.

Excellent (4 stars)
Unrated
Running time: 96 minutes
Studio: Cinema Libre Studio

To see a trailer of disFIGURED, visit: http://www.youtube.com/watch?v=V4MVXkCKbyA

A Man Named Pearl

Film Review by Kam Williams

Headline: Black Man’s Green Thumb Proves Best Revenge for White Intolerance

When Pearl Fryar needed to move to Bishopville, South Carolina in 1976 to start a new job as a janitor in a can factory located there, the first house he and his wife, Metra, settled on was located on the white side of town. However, they changed their plans upon being informed by their new neighbors that they weren’t welcome because “Black people don’t keep up their yards.”
Though hurt by the racist remark, the African-American couple didn’t become embittered but instead opted to buy a place on a 3½ acre plot across the proverbial tracks in the black community. Immediately, Pearl began to cultivate a top-flight garden, determined to make those bigots eat their words. Even though he had to work a 12-hour day shift, he would find time in the evenings to attend to his flowers and bushes, hoping to become the first black person to win the Iris Garden Club’s “Yard of the Month Award.”
Because he didn’t have much money to fund his ambitious enterprise, most of Pearl’s plants and seedlings came from the dump behind the local nursery. And even though this son of a sharecropper didn’t have any book knowledge about botany, he had enough of a green thumb to figure out ways to revive all sorts of ailing and abandoned vegetation.
Mr. Fryar knew that to land the “Yard of the Month Award” he would have to create something spectacular, so he began shaping his growing shrubs into an eye-catching collection of over 150 topiary figures. Not only did he ultimately earn the coveted accolade, but today folks flock from all over to see his world-renowned garden. In fact, because Bishopville is in economic decline due to the outsourcing overseas of the industries which had served as the city’s backbone, it can thank its lucky stars that Pearl’s topiaries have turned tourism into an alternate source of revenue.
This moving story of rejection-turned-acceptance is the subject of A Man Named Pearl, a touching bio-pic about a humble man who encountered intolerance and responded with love, peace and goodwill towards all people. A life-affirming documentary illustrating how a black man’s green thumb proved to be the best revenge for white intolerance.

Excellent (4 stars)
Unrated
Running time: 78 minutes
Studio: Shadow Distribution

To see a trailer of A Man Named Pearl, visit: http://www.youtube.com/watch?v=yFW2zuWCcFg

Wednesday, July 16, 2008

Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun

OPENING THIS WEEK

Kam's Kapsules:

Weekly Previews That Make Choosing a Film Fun

by Kam Williams

For movies opening July 25, 2008





BIG BUDGET FILMS



American Teen (PG-13 for sexuality, profanity, smoking and alcohol consumption, all involving teens) Coming-of-age documentary traces ten months in the lives of four high school seniors, a popular jock (Colin Clemens), a nerdy band geek (Jake Tusing), a spoiled prom queen (Megan Krizmanich) and an artsy bohemian (Hannah Bailey) in the tiny town of Warsaw, Indiana.



Brideshead Revisited (PG-13 for sexuality) Emma Thompson stars in this WWII era tale of forbidden love set in England and based on Evelyn Waugh’s classic novel about a Protestant of humble birth (Matthew Goode) who becomes infatuated with the sister (Hayley Atwell) of a college classmate (Ben Whishaw) from an aristocratic Catholic family when brought home to their palatial castle over vacation.



The Longshots (Unrated) Overcoming-the-odds sports saga chronicles the real-life tale of a pigtailed, 11 year-old tomboy (Keke Palmer) who, with the help of her uncle (Ice Cube), became the first girl in league history to play Pop Warner football. Cast includes Tasha Smith, David Banner and Earthquake.



Step Brothers (R for crude humor, sexuality and pervasive profanity) Will Ferrell and John C. Reilly co-star in this dysfunctional family comedy about a couple of immature slackers still living at home with a single parent who suddenly find themselves forced to coexist under the same roof when one’s mother (Mary Steenburgen) marries the other’s father (Richard Jenkins).



The X-Files: I Want to Believe (PG-13 for mature themes, violence and disturbing content) David Duchovny and Gillian Anderson reprise their lead roles as FBI Agents Mulder and skeptic Scully in second screen adaptation of their hit TV-show about paranormal phenomena. This installment, a sci-fi thriller set six years after the end of the series, co-stars Amanda Peet, Billy Connolly and Xzibit.





INDEPENDENT & FOREIGN FILMS



Back to Normandy (Unrated) Nicolas Philibert directed this documentary chronicling his return to the village of La Faucterie in Normandy to find out what became of the local peasants who had starred in the historical crime drama which he had shot there thirty years earlier. (In French with subtitles)



Baghead (R for nudity, profanity and sexuality) Horror farce abut four struggling actors (Ross Partridge, Elise Muller, Greta Gerwig and Steve Zissis) who retreat to a cabin in the woods to collaborate on a screenplay about a stalker wearing a bag over his head only to find themselves on the run from a madman with the same modus operandi.



Boy A (Unrated) Flashback flick about the frustrations encountered by an ex-con (Andrew Garfield) who paid his debt to society as he tries to make a new life for himself after having served a 14-year sentence for a monstrous murder he committed as a minor. Principal cast includes Siobhan Finneran, Peter Mullan Shaun Evans and Katie Lyons. .



Bustin’ Down the Door (Unrated) Edward Norton narrates this “Hang Ten” documentary recounting how the sport of surfing was revolutionized, popularized and corporatized in the Seventies in the wake of the arrival in Hawaii of a half-dozen, brash young beach boys from Australia and South Africa.



Canary (Unrated) Docudrama revisits the events surrounding the release of a deadly gas in the Tokyo subway system by members of a religious cult. Fact-based plot revolves around the friendship forged between a 12 year-old refugee (Hoshi Ishida) from the apocalyptic sect and a young runaway (Mitsuki Tanimura) escaping an abusive father. (In Japanese with subtitles)



CSNY: DĂ©jĂ  Vu (R for profanity and brief war images) Combination concert flick and anti Iraq War polemic shot during Crosby, Stills, Nash and Young’s 2006 “Freedom of Speech Tour.” Featuring an appearance by Comedy Central talk show host Steven Colbert.



Late Bloomer (Unrated) Gruesome horror flick, shot in black & white, about a severely disabled man (Sumida Masakiyo) who goes berserk after an unrequited crush on his caregiver (Mari Torii) turns him into a maniacal misanthrope. (In Japanese with subtitles)



Man on Wire (PG-13 for sexuality, nudity and drug references) Don’t look down documentary revisits Frenchman Philippe Petit’s daring, death-defying and illegal high-wire walk at 1368 feet in the air between the roofs of the World Trade Center’s Twin Towers back in 1974. (In English and French with subtitles)



The Order of Myths (Unrated) Mardi Gras in Mobile, Alabama is the subject of this documentary about a still segregated city which stages two annual celebrations, one black, one white.



Red 71 (Unrated) Neo-noir, set in an Arizona desert town where a private eye (Nathan Ginn) develops a crush on a mysterious woman (Michelle Belegrin) whose husband (Ted Parks) has just been killed. Plot thickens when the femme fatale’s lover (Justin Kreinbrink) is murdered, too.



A Thousand Years of Good Prayers (Unrated) cross-cultural drama about a retired, widowed rocket scientist (Henry O) who travels to America from Beijing to be with his small town librarian daughter (Feihong Yu) as she recovers from the trauma of her recent divorce. (In Mandarin, Persian and English with subtitles)

Letters to a Young Sister: Define Your Destiny

by Hill Harper
Gotham Books
Hardcover, $22.50
312 pages, illustrated
ISBN: 978-1-592-40351-6



Book Review by Kam Williams

“In Letters to a Young Sister, Hill has covered all the important issues. As a woman, I can’t agree more with how important it is to focus on becoming your best self, a point Hill makes several times in this book. That means focusing on individual accomplishments and doing the things that help you become a whole person...

Part of the reason I like having a friend like Hill is because during a time when my goals are constantly changing, he helps me find clarity... He wants to make sure I always do my best and challenge myself. He constantly reminds me that I am worthy and deserving of the best. There truly are good ‘brothas’ out there, and Hill is one of the best. I hope you enjoy the book.” -- Excerpted from the Foreword by Gabrielle Union (pages xvi-xvii)


Attorney-turned-actor Hill Harper received nothing but positive feedback a couple of years ago after the release of Letters to a Young Brother, his inspirational how-to book aimed at African-American males. Its uplifting message emphasized the value of a good education over the accumulation of material possessions while also stressing the importance of being the architect of your own life.
Still, everywhere he went, Hill was surprised at how many women approached him about an opus offering similar sensible advice for their daughters, so it was only fitting that he would choose to write a companion text entitled Letters to a Young Sister. With the help of a host of celebrities from all walks of life, such as Angela Bassett, Michelle Obama, Ruby Dee, Congresswoman Carolyn Cheeks Kilpatrick, Nikki Giovanni, Sanaa Lathan, Bishop Noel Jones, Dr. S. Elizabeth Ford, Nia Long, Tatyana Ali, Lauren London and business executive Cathy Hughes, he addresses a litany of concerns occupying the inquiring minds of impressionable black females in their formative years.
The subjects touched upon range from boys to morals to self-esteem to sexuality to academics to faith to racism to reputation to sexism to fathers to misogyny and beyond. To give you a taste of what to expect, here’s an excerpt of how Michelle Obama responds to an A-student who says she’s being teased for getting good grades.

“I was once in your shoes... Neither of my parents went to college, and I never knew college or Ivy League universities were an option for me… Because of how hard I worked and the grades I made, I was ready for anything – ready for Princeton, and next Harvard Law – ready to move home to Chicago to give back to my community… Ready to be a strong woman and raise two strong daughters. And ready to be the First Lady of the United States, if that’s what the future holds for me.
So I encourage you, young sister, to stay smart and thoughtful and creative… Keep reading and learning and sharing your thoughts and ideas. Own who you are and be proud of you. I am.”

Overall, an uplifting collection of sage insights aimed at instilling black girls with self-confidence, self-respect and self-reliance while imploring them to dream big every step of the way to becoming a fulfilled and successful woman.

Monday, July 14, 2008

Bobby Seale: The Chicago 10 Interview

with Kam Williams



Headline: Seizing the Time with the Black Panther Founder



Robert George Seale was born on October 22, 1936 in Dallas, Texas where, from the age of six, he was raised by his father to be a carpenter-builder and a hunter-fisherman. During WWII, the family migrated to Northern California where Bobby graduated from Berkeley High with plans of becoming an architect.

However, those plans were put on hold when he instead enlisted in the Air Force, serving for almost four years, till being discharged for insubordination. He then moved to Los Angeles to take a shot at showbiz as a stand-up comedian and as a jazz musician, before returning to the Bay Area in 1961.

The next year, while working the night shift, full-time in the aerospace industry, Bobby attended Merritt College as an Engineering Design major. It was during this period of his life that he would meet Huey Newton and develop a passion for grassroots organizing and progressive politics.

After identifying some pressing needs of black America, the two decided to create a grass roots community-based organization. On October 15, 1966, they founded the Black Panthers, outlining the new political party’s 10-Point Platform, and naming Bobby its Chairman, and Huey its Minister of Defense, after flipping a coin.

The organization membership rolls surged in the wake of the assassination of Dr. Martin Luther King, when most young African-Americans began to question the wisdom of the late civil rights leader’s philosophy of civil disobedience and passive resistance. But the government would come down hard on the Panthers, using the FBI’s notorious Counter-Intelligence Program (COINTELPRO) along with local authorities to discredit, kill, frame, imprison and otherwise neutralize its members and sympathizers.

Although Bobby would himself spend over two years in jail on a variety of trumped-up charges, he was ultimately vindicated in every case. The most famous trial he was ever associated, dubbed the Chicago 8, began after his arrest along with 7 other activists for conspiracy and inciting to riot at the Democratic Convention in Chicago during the Summer of 1968.

The proceedings became something of a shameful spectacle when the judge had Bobby bound, shackled and gagged in the courtroom for repeatedly demanding that he be allowed to exercise his Constitutional right to represent himself. Here, he reflects on the new animated docudrama about the trial called Chicago 10, and on his enduring career as an unwavering advocate of the rights of the disenfranchised and the downtrodden.



KW: Hey, Bobby, it’s an honor to speak with you. Thanks for the time.

BS: Thank you, Kam. How do you spell your name?

KW: K-A-M. It’s short for Kamau, an African name.

BS: Oh, I see, not C-A-M but K-A-M.

KW: Yeah. So, what did you think of the film, Chicago 10?

BS: Well, it needed my voice.

KW: I take it you would’ve preferred to do your own voice for the animation, instead of having Jeffrey Wright do you.

BS: Sure, the director [Brett Morgen] has since admitted to me that when he heard I was 70 years-old, he didn’t even consider me. He expected that I was going to be an old guy with a shaky voice going, “Well, you know, back in the day…” I said, “No, brother,” and got to reciting strings of historical facts about the Black Panther Party, and he said, “My God! You run off at the mouth like you’re 19!”

KW: I guess it must be strange to hear someone else doing you, especially since you have such a distinct, and recognizable voice.

BS: Well, it’s alright, thought I feel he should have at least made a better effort to contact me and consult me about the film and about the history, regardless of how he ultimately made the movie. Plus, I had produced my own documentary, so I’m aware of a lot of the factors that go into making a halfway decent movie. I think I could’ve made a hellified contribution in terms of the storyline.

KW: I even had a problem with the title. I felt it should be called The Chicago 8, as the defendants were known collectively, not Chicago 10.

BS: I think it was a bad title, too. It should have been The Chicago 7 or The Chicago 8, preferably, the latter, because that’s the historical reference point for the average person who knows something about the Sixties. It reminds me how in 1988 I put a bad title on my own cookbook, calling it just “Barbeque’n with Bobby.” Only in small letters at the bottom did it say “recipes by Bobby Seale.” The title should have been Barbeque’n with Bobby Seale, because 100 million people know my name. So, that was bad marketing on my part.

KW: Other than the title and not using your voice, what did you think of Chicago 10?

BS: I thought it was pretty good, for a doc. It could have been about ten minutes longer to include more about what happened to me when I was in lockup, because I was in jail the whole time of the trial. The other seven defendants were out on bail, except for Jerry Rubin for three weeks.

KW: Why do you think Judge Hoffman had you bound and gagged, and had your trial separated? Do you think he got an order from above, from someone like J. Edgar Hoover?

BS: Nah, he just couldn’t handle me. He kept trying to say that William Kunstler was my lawyer. I kept telling him that Kunstler was not my lawyer. He and I went around and around arguing about that.

KW: Charles Garry was your attorney, right?

BS: Yeah, but Charles Garry was in the hospital recovering from a gall bladder operation. So, I had made a motion to defend myself at the beginning of the trial, before the jury had heard even one shred of evidence, since my lawyer wasn’t there. Every time anyone would mention my name in the courtroom, I would jump up out of my chair and yell, “I object! I object, because my lawyer, Charles R. Garry, is not present.” He’d order me, “Sit down, Mr. Seale.” And I’d respond, “No, I want the record to reflect that I am objecting, and I am going to continue to object because you denied me my right to defend myself.” So, he chained, shackled and gagged me for three days, until finally the press went against him.

KW: Did you behave yourself after the restraints came off?

BS: No. For instance, after the defense attorneys finished cross-examining an FBI agent on the witness stand, the judge would say, “Are there any more questions?” I would jump up and say, “Well, I want cross-examine the witness.” And I’d walk over to the lectern and say, “Looka here, what the hell were you doing following me around in the first damn place?” I wasn’t a learned lawyer, but I but I was still doing my best to defend myself by asking logical questions. The judge would interrupt and say, “No, no, no, you don’t have to answer him” And I’d ask, “Why not? Why shouldn’t he have to answer the question? I’ve been denied the right to defend myself. Somebody has to answer these pointed questions if I’m going to be given a fair chance to prove my innocence.” At that point, Hoffman decided to charge me with 16 counts of contempt, and to sever my trial from that of the others. So, really, he got rid of me because he couldn’t handle me.

KW: Do you think he would have had you bound, gagged and shackled, if you weren’t black?

BS: I don’t know. That’s hard to say. The fact that I was a Black Panther, a political revolutionary, had a lot more to do with the mentality of Judge Julius Hoffman, and his, quote-unquote, putting Bobby Seale the Black Panther leader down. In other words, J. Edgar Hoover, the FBI, the right-wing, the prosecution, the Nixon Administration, etcetera had all declared me and the other defendants a threat to the internal security of America. The government hated us. And Hoffman knew this. So, his thinking in gagging me was “I’m going to gag this Black Panther.”

KW: I was fifteen in the 1968, and like the typical black teenager, the Panthers became my heroes after Martin Luther King was assassinated. We saw where non-violence and passive resistance would get a pacifist begging for equality in a racist society.

BS: Before King was killed, my friend Huey was in jail. To that point, I had only organized about 400 Black Panther Party members up and down the West Coast, between San Diego and Seattle. There were no other branches or chapters elsewhere in the country. Alright? Then, in April, 1968 King is murdered, and by late May, when schools start letting out, I begin getting a flood of people into the organization, folks flying from cities all over the nation into Oakland to talk to me and the central committee about setting up new chapters in their hometowns. Young black people were reacting to the fact that Dr. Martin Luther King had been killed. That tragedy enabled my organization to spread across the country. By November, I had 5,000 members and 49 branches. That’s 49 cities that we operated offices of the Black Panther Party in. We had the Free Breakfast for Children Program, free Sickle Cell Anemia Testing and Free Preventative Medical Healthcare Clinics in every last one of them. These programs organized and unified people on the grassroots level in the black communities where we operated. And it is a real threat to the power structure, when you can organize and unify people around something concrete. Do you see what I’m getting at?

KW: Yeah.

BS: So, here is the Counter-Intelligence Program of the FBI (COINTELPRO) doing everything it can to distort and stereotype us. They don’t tell you that I was an engineer on the Gemini missile program, and an architect, and a stand-up comedian. All they said was that I was a hoodlum and a thug. They never said that Huey Newton had finished two years of law school by the time that we created the Black Panthers. They don’t say that I was actually employed by the City of Oakland when we created the Black Panther Party.

KW: Do you think the Panther 10-Point Program is as relevant today as it was then?

BS: Yes, as profoundly relevant. In fact, Congresswoman Barbara Lee, who worked with my organization for five years back then, says that the Black Panther Party’s 10-Point Program is just as relevant today as it was years ago. And we could add some points to this son of a gun.

KW: The big sister of a friend of mine was married to one of the Panther 21 arrested in NYC in 1969. I remember him telling me they had all been framed on bogus charges. Did you ever determine exactly when the FBI began infiltrating the Panthers and to what lengths it went to bring down the organization?

BS: First of all, let’s say it this way. The FBI’s Counter-Intelligence Program would work hand-in-hand with police departments, literally planning attacks on Black Panther Party offices throughout the United States of America. They did this over a period of time. They also used provocateurs, and had agents infiltrating the organization. And they would issue press releases every month or so which they would send to politicians and the press in cities where we were operating. But the most profound thing the FBI did was being complicit in the murder of Fred Hampton and Mark Clark in Chicago, working with a special police division. The FBI was complicit in setting up that operation in December of 1969. A former FBI Agent named Wesley Swearingen even admitted it in a book published by South End Press called “FBI Secrets.” He also shows how the FBI was involved in the killings of Black Panthers John Huggins and Bunchy Carter at UCLA in January of 1969. COINTELPRO was trying to terrorize us out of existence. They didn’t say you’re under arrest on a bullhorn and ask for us to surrender. They just came in shooting. By the end of ‘69, every Black Panther Party office in this country had been attacked.

KW: In 1969, there was also a lot of tension in L.A. between the Panthers and Ron Karenga’s black nationalist organization, US.

BS: It was half generated by COINTELPRO. The FBI admitted it in the Senate investigation hearings.

KW: Would you say the FBI succeeded in bringing you down?

BS: No, we weathered everything they threw at us. At a certain point, the U.S. Senate started investigating their attacks on us. When the FBI couldn’t give a good explanation as to why they were attacking all our offices, the raids finally stopped.

KW: Meanwhile, how were you holding up behind bars?

BS: In the end, I won all my cases. They had to let me out after holding me for two years in jail without bail. Lots of people think I went to prison. I never went to prison. I was in jail without bail. After I won all the cases, they had to release me. And from 1971 to 1974 there were no shootouts. We maintained our programs and ran for political office. So, the Black Panther Party was not destroyed in that sense, but our Constitutional, democratic, civil, human, and life rights had been violated.

KW: What would you have done differently, had you known the government was going to come down on you like that?

BS: What would I have done differently? I don’t know. I’ve tried to assess that. You know that racists are going to attack you. When we started out, we accept the fact that sooner or later they were going to try to kill us. But we decided not to let that deter us. We chose to stand on the right to self-defense as best we could. And it just so happened that they came down on us. Ultimately, 28 of my Black Panther Party members were killed in various attacks by or shootouts with the police. And in those confrontations, at least a dozen black police officers were killed. I still have 10 political prisoners in jail to this day behind some of those dead cops, when they were just defending themselves against those policemen. They were convicted of first-degree murder, but they were really only defending themselves. I wish I could get amnesty for them, and get my political prisoner friends out. At any rate, I can’t obsess about what I would have done if I knew they were going to come down on me, because I did kinda know they were going to come down on us. They were coming down on the black community in the first place via institutional racism, rampant police brutality and so on.

KW: What do you think of the New Black Panthers? Their philosophy strikes me as being totally different from yours.

BS: Thumbs down! They hijacked our name. They do not represent what we represent. Our program was about all power to all the people. We had a progressive program… a relevant humanistic program… a true human liberation program. I have no time for the so-called New Black Panthers. We have invited them to three different Black Panther reunions, and every time they act stupider and stupider. I’m tired of them and have not time for them. It’s gotten to the point where we believe that their leadership is nothing but government operatives. They spout stuff that we were not about. The rank-and-file New Black Panthers probably don’t even know this. It’s like a COINTELPRO operation. I think the leadership is working for the government to spout a bunch of black racist remarks and attitudes, saying they support Al-Qaeda and that sort of crap. I’m very skeptical. I feel for the young brothers who don’t know this is what’s happening. They should get out of that group. They act so silly and stupid. For instance, they took that famous picture of me and Huey standing in front of the original Black Panther Party office, and cut my head off and replaced it with Brother Khalid Muhammad’s. In other words, they want to hijack our reunions. They’re arrogant, and I have no time for that. So, I told them, “Don’t talk to me. And don’t try to act bad, just because you’ve got some little pistols under your coats there, because if you jump up in people’s faces here, they will defend themselves.” In fact, I said, “Your damn leadership ain’t nothing but a bunch of CIA a-holes.” That’s what I believe.

KW: Yet, I always see some spokesman for them on Fox.

BS: Fox News never calls up Bobby Seale to articulate a stance in opposition to right-wing conservatives. To me, giving the New Black Panthers a platform on Fox is a subtle tactic to scare people. As far as I’m concerned, any extremist organization whether it’s Al-Qaeda, the Ku Klux Klan, or any other a-holes who indiscriminately murder and blow-up innocent people, need to be routed out and dealt with. If they claim to be fighting for human liberation, they’re liars, because when you start killing indiscriminately on that level, you have totally stepped outside the civility of what human liberation is all about.

KW: Were you politicized while serving in the Air Force?

BS: Oh, no. I didn’t know politics back then. They put me in the stockade twice. I had been an honor student. But I ran into racism in the military and didn’t know how to handle it. I’d knock a racist out. So, they put me in the stockade.

KW: So, what would you say politicized you?

BS: The first thing that began to politicize me was Jomo Kenyatta’s “Facing Mount Kenya.” I started reading that in the Spring semester of 1962. From there, I went to hear Martin Luther King speak. In the early part of ’63, I was working on the freedom of Nelson Mandela and on ending apartheid. Next, I was listening to Malcolm X after he’d left the Nation of Islam. I was thinking about joining his new organization, the OAAU, but that never happened, because he wound up getting assassinated before I had an opportunity. I was steeped in African-American history and in and out of many different organizations in the Oakland area. I was a programmatic organizer. I quit my engineering job after three years to work at the grassroots level. I wasn’t married and had no kids, so I was able to do those things.

KW: What was at the heart of your and Huey Newton’s creating the Panthers?

BS: Patrolling the police, the breakfast and job programs were all political moves, but our overall objective was to organize a mass membership organization and to evolve a political, electoral, community unity in the black community. That was my objective.

KW: Do you think the government would have come down as hard on you if you hadn’t exercised your right to bear arms?

BS: Yeah, because they came down hard on peaceful protesters. They were already shooting, killing, murdering and brutalizing peaceful protesters, so what’s the difference?

KW: How do you think you managed to survive the Sixties when so many black leaders either ended up dead, in prison or in exile?

BS: I think they thought it was best to put Bobby Seale in jail and to try to convict him than to kill him, because killing him might make him a martyr and cause his organization to grow some more.

KW: What do you think of Barack Obama?

BS: I like Obama very much. He’s representative of a lot of changes which are necessary for the country. He might just be another guy who has been handed the keys by the corporate establishment. But if he can make it to President and actually use the bully pulpit to become a driving force for some progressive legislation related to human liberation, then that’s all the better.

KW: How would you describe yourself politically today?

BS: I am still a progressive, political revolutionary. I am a revolutionary humanist, like I was in the Sixties. Do you understand what I mean by revolution? Revolution is about the need to re-evolve political, economic and social justice and power back into the hands of the people, preferably through legislation and policies that make human sense. That’s what revolution is about. Revolution is not about shootouts.

KW: The Tasha Smith question: Are you ever afraid?

BS: What do you mean by afraid? I’m too old to be running around being afraid. I been through a lot of [expletive] in my life. Beat up… choked unconscious by cops, etcetera.

KW: Is there any question no reporter has ever asked you, that you wished one would?

BS: Yeah, Where’s my eldest son?

KW: Where is he?

BS: In Iraq. He just got shipped there on June 19th. He’s been in the Army Reserves from the age of 18 to 30. He was going to leave, but he agreed to reenlist if they would make him a Military Police Officer, because that would help him get a higher paying job he wanted as a security guard with a bio-tech company. And right after that Bush started that damn, dumb-ass Iraq War. And my son just got shipped to Iraq for the first time.

KW: Are you able to sleep, or are you always worried now?

BS: Sure, I’m able to sleep. But I got a kid in Iraq, and I just don’t want him to be killed over there. I call him and email him and tell him I’m behind you and the troops, but not behind Bush. I also have a son who’s a doctor, and a daughter who’s 30. She’s finished school and needs to get married. I’m hoping she’ll find somebody really nice soon. But she’s got her job, and her principles, and her independence, which are all important in terms of her personalized liberation.

So, what else do you want ask? How much my income is?

KW: I wasn’t planning to but, okay, how much money do you make?

BS: How do you think I survive?

KW: By giving lectures and writing books.

BS: Yep, college lectures. I do about 20 lectures a year. I haven’t written any books for a while, although I have two books in the works. I’ve almost finished “The Eighth Defendant.” I’m looking for a top publisher who’ll give me a half-million dollar advance for it. I need a big advance to make my family secure. Are you going to write include that in the article?

KW: Yep. I’m going to write-up every word of this conversation.

BS: Have you heard about the Spielberg film? He’s make a drama call The Trial of the Chicago 7. Guess who he has playing me?

KW: Jeffrey Wright again?

BS: Nope, Will Smith. And Kevin Spacey will be playing one of the attorneys.

This is going to be a big Hollywood production. So, I need to publish “The Eighth Defendant.” by the time the movie is released.

KW: Bookworm Troy Johnson wants to know, what was the last book you read?

BS: The last book I read, digested and loved was “Shades of Love” by Leon Higginbotham.

KW: I haven’t read that one, but I loved his book “In the Matter of Color.” Do you still live in Philly?

BS: No, man, I’m living in Oakland. I lived in Philly for a while because my wife was from Philadelphia, and she had a home and everything there. But we moved back to my home in Oakland, California four or five years ago. In fact, we really started coming back about eight years ago when my daughter began studying at San Francisco State University. She graduated, let me see, about five years ago now.

KW: You can look for this article in a couple of your local papers. I write for, the Oakland Globe and the Oakland Post.

BS: Paul Cobb’s paper.

KW: Yep, the Post is the paper whose editor, Chauncey Bailey, was murdered on the street about a year ago for writing an expose’. I had just spoken to him a couple of days before.

BS: Yeah, that was a tragedy.

KW: Well, Bobby, thanks for your lifelong commitment to oppressed people, and thanks for the great interview.

BS: You’re welcome. Thanks a lot.



CHICAGO 10 will have its broadcast premiere on Tuesday, October 22, at 9 PM ET (Check Local Listings) as the season opener of the award–winning PBS series Independent Lens, hosted by Terrence Howard.
For more information, visit: http://www.pbs.org/independentlens/about.html



To see archival footage of Bobby Seale explaining the Black Panther Party’s political platform, visit: http://www.youtube.com/watch?v=LPP0hiLuxdQ

Sunday, July 13, 2008

Days & Clouds (ITALIAN)

(Giorni & Nuvole)
Film Review by Kam Williams

Headline: Unemployment Takes Toll on Marriage in Dysfunctional Family Drama

When Michele (Antonio Albanese) was fired from the company he had built into a very successful enterprise, he was too embarrassed about having been stabbed in the back by his co-founder to tell his pampered wife, Elsa (Margherita Buy), or their 20 year-old daughter, Alice (Alba Rohrwacher). Wallowing in a state of denial, he allowed them to continue enjoying the lavish lifestyle to which they had become quite accustomed over the years.
But after behaving like an ostrich for a couple of months, the bills began to mount and it was only a matter of time before Michele would have to pull his had out of the proverbial sand. He finally ‘fesses up to Elsa about the family’s dire economic straits the morning after throwing her an expensive, surprise birthday party.
This development is particularly upsetting to her because she had recently gone back to college to pursue her love of art history. And now, unfortunately, she’ll have to drop out of school prior to completing her degree. Worse, when she tries to find employment, the only gig she can find is working as a telemarketer at a call center.
In the interim, Michele becomes frustrated by his own job search after not being able to land a high-paying professional position. He settles for odd-jobs like delivering messages and hanging wallpaper only to end up depressed by this sorry state of affairs.
Then, he quits even these minimum-wage, make-do positions and stops
looking entirely, Elsa becomes emotionally distant and loses respect for her husband over his failure as a provider.
Next, she starts coming home late in order to entertain the advances of her solicitous boss after hours. Eventually, Michele gets the message, moves out of the house and is humbled when he has to crash on the couch of his daughter and her ne’er-do-well boyfriend (Fabio Troiano).
“Can this marriage be saved?” is the timely theme explored by Days & Clouds, a compelling, dysfunctional family drama from Italy by Silvio Soldini (Bread and Tulips). Plausibly-scripted and well-acted, the telling tale proves to be decidedly universal, given the world economy’s currently teetering on the brink of a widespread recession. Undoubtedly, plenty of previously comfortable middle-aged middle-managers must be struggling with the same sort of marital and money issues in the wake of the toll taken on that beleaguered demographic by downsizing and globalization.
Dude, where’s my wife and job?

Excellent (4 stars)
Unrated
In Italian with subtitles.
Running time: 115 minutes
Studio: Film Movement

To see a trailer of Days & Clouds, visit: http://www.youtube.com/watch?v=hiyORFElMGg

Meet Dave

Film Review by Kam Williams

Headline: Eddie Murphy Misfires as Brother from Another Planet

In 1984, John Sayles directed The Brother from Another Planet, a thought-provoking, sci-fi comedy about an alien who washes ashore at Ellis Island and makes his way to Manhattan where he does his best to blend in because he’s being chased by a couple of bounty hunters who had followed him to Earth. Aside from being hilarious, what made that screen classic worthwhile was its touching on a timely theme in a meaningful manner.
For the film’s protagonist was an escaped slave who looked exactly like a black man. However, he had been persecuted back on his planet not on account of his skin color but rather because he was born with only three toes on each foot.
Ironically, his effort to survive in New York City was complicated by his having to accommodate himself to an unfamiliar form of prejudice, namely, American racism. Sayles’ overall aim was to make a subtle statement about bigotry of any form by showing how silly it would be to divide people into minority groups based on the number of their toes or along the lines of any other arbitrary physical characteristics.
Almost a quarter century later, we now have Meet Dave, a sci-fi adventure which borrows Brother’s basic premise, while conveniently ignoring the movie’s more cerebral aspects. The dumbing-down is no surprise since it stars Eddie Murphy who is again directed by Brian Robbins with whom he successfully collaborated last year on the equally brainless Norbit.
The familiar-sounding storyline starts with the crash of a human-looking spacecraft played by Eddie Murphy next to the Statue of Liberty (instead of on Ellis Island ala Brother). But we still get the idea that we’re dealing with the theme of America as a melting pot and a land of opportunity.
The rocket, we learn, is being operated by 100 tiny aliens under the command of a Captain also played Mr. Murphy. He guides the vehicle to Manhattan where the movie morphs into the kind of fish-out-of-water comedy we’ve seen countless times before, from Crocodile Dundee to Mr. Deeds to Elf to Enchanted. This repeatedly recycled scenario revolves around a naĂŻve newcomer who must survive a series of ordeals on the mean streets of the city.
At this juncture, the plot thickens when Dave is hit by a car driven by Gina (Elizabeth Banks), a widowed-mom with a heart of gold. When she then brings the odd fellow home to recuperate, her precocious young son, Josh (Austyn Myers), immediately picks up on the fact that their guest isn’t normal.
For example, Dave defecates dollar bills and sharpens pencils by sticking them up his nose. Plus, he can be very literal, such as the occasion on which he shoved everything to the floor when asked to clear the table. These eccentricities don’t prevent Gina from developing a crush on innocent Dave, which simply cannot be reciprocated since he’s a machine after all.
Forget the love story, this is a flick to be savored for its asinine slapstick, the sort of infantile poop and fart fare likely to keep the tykes in stitches for ninety minutes. Besides Brother from Another Planet, Meet Dave shamelessly steals bits made famous by a few other films, such as In and Out’s coming out scene (“I’m Dave Ming!” instead of “I’m gay!”), and Chris Rock’s unsuccessful hail of a taxi from Down to Earth (“What, an alien can’t get a cab in this town?” instead of “I’m a black man again!”)
All in all, this unoriginal, derivative disaster is the worst sci-fi comedy since, well, since Eddie Murphy made The Adventures of Pluto Nash.

Poor (0 stars)
Rated PG for action, suggestive humor and mild epithets.
Running time: 90 minutes
Studio: 20th Century Fox

To see a trailer of Meet Dave, visit: http://youtube.com/watch?v=rhDX0fTq7WY

Friday, July 11, 2008

Eight Miles High (GERMAN)

(Das Wilde Leben)
Film Review by Kam Williams

Headline: Bio-pic of German Groupie Revisits the Sixties, Man

If they gave out an Academy Award for Most Nudity, Natalia Avelon would win one for her almost always naked portrayal of Uschi Obermaier. And who exactly, you ask, was Uschi Obermaier? Only Germany’s most celebrated groupie in the Sixties, thank you very much. A gal famous for sleeping with such rock icons as Jimi Hendrix and The Rolling Stones’ Mick Jagger and Keith Richards.
A more important question might be, why would anyone want to make a movie about the life of a groupie? Upon viewing, it becomes apparent that this hedonistic adventure was designed more as a nostalgic reminder of the hippie days of sexual freedom, cheap weed and rebellion for rebellion’s sake than as a bio-pic about a charismatic figure. In this regard, the picture stands as a gritty, super-realistic contrast to Almost Famous (2000), Cameron Crowe’s relatively-romantic, anti-septic take on the same era.
Eight Miles High is based on an authorized biography about Uschi by Olaf Kraemer entitled “Das Wilde Leben.” And since he and his subject share screenplay credits with several other scriptwriters, it’s safe to say that the movie must be a fairly faithful adaptation of the source material. As brought to the big screen by director Achim Bornhak, that vision revolves around the image of a relentlessly-naked heroine.
For whether Uschi is running away from home as a carefree teenager to a free love commune, working as a runway fashion model, hanging with rock icons or marrying a guy who owned a strip club in Hamburg’s red light district, she invariably behaves as though she’s allergic to clothes. The backdrops may change, but in every scene, there’s our perky protagonist cavorting in her birthday suit.
Whether getting mixed up with radical politics, indulging in no-strings attached, one-night stands, posing for the cover of Playboy or offering oral favors to band members, you could always count on Uschi to be disrobed. And the pretty, petulant anarchist even took her act on the road, sharing her wares not only with folks in Germany, Europe and the U.S., but also delighting people in Pakistan, India, Mexico and elsewhere.
To her credit, the sixty-something bon vivant survived the debauchery and lived to tell the tale, which is more than can be said of many of that generation who flamed out well before their time. Today, Uschi lives near L.A. in Topanga Canyon where she plies a legit trade as a fully-clothed, jewelry designer.
A revealing (pardon the expression) tell-all which examines nudity not as a fashion statement, but as a tool wielded by a master manipulator to bring grown men to their knees. You will marvel, at just how naked the talented Natalia Avelon remains scene after scene.
Forget Almost Famous, try Almost Covered!

Excellent (3.5 stars)
Unrated
In German, English and Italian with subtitles.
Running time: 114 minutes
Studio: Dokument Films

To see a trailer of Eight Miles High, visit: http://www.imdb.com/video/screenplay/vi3790078233

Thursday, July 10, 2008

The Reflecting Pool

Film Review by Kam Williams



Headline: Conspiracy Theories Abound in Docudrama Revisiting 9/11



If you are familiar with Loose Change, the internet documentary implicating the U.S. 9/11 Commission in a cover-up, then you have a good idea of what to expect of The Reflecting Pool, a docudrama covering essentially the same ground. The difference is that this version is presented from the perspective of a couple of fictionalized characters, one, an intrepid, Russian-American journalist (Jarek Kupsc), the other, the grieving father (Joseph Culp) of a woman who perished in the terrorist attack.

Together, these two leave no stones unturned in their endeavor to elicit the truth about whether an aircraft ever hit the Pentagon and how the 47-story World Trade Center 7 collapsed without ever being hit. In addition, they question whether either Twin Tower could have been brought down by a jet crash alone, and it doesn’t take long for them to sense that something’s rotten in the State of Denmark.

After interviewing eyewitnesses, grilling government bureaucrats or examining video footage of the disaster frame by frame like the Zapruder film, these researchers arrive at a shocking conclusion, namely, that Vice President Cheney had orchestrated the whole international incident, from ignoring FBI warnings about Al-Qaeda to keeping NORAD fighter planes on the ground on 9/11 to making sure the matter was ultimately whitewashed.

And what was Cheney’s motivation? That’s less of a surprise. An excuse to unleash the Military-Industrial Complex in the Persian Gulf Region not only to ensure American dominance but war profiteering opportunities for his corporate cronies.

The Reflecting Pool is the sort of expose’ that will divide an audience along party lines. It is likely to confirm everything leftist conspiracy theorists have long suspected, while infuriating those Republicans still in the Bush-Cheney camp. A damning indictment of the White House which concludes that 9/11 was less a failure of intelligence than a willful failure to act.



Very Good (3 stars)

Unrated

Running time: 106 minutes

Studio: BW Filmworks



To see a trailer of The Reflecting Pool, visit: http://reflectingpoolfilm.com/reflectingpooltrailer.htm

College Road Trip DVD

DVD Review by Kam Williams

Headline: Raven-Symone’s Coming-of-Age Comedy Comes to DVD

When high school senior Melanie (Raven-Symone’) announces plans to drive from Illinois to Washington, DC with a couple of girlfriends to visit Georgetown University, her overprotective, police chief father (Martin Lawrence) decides to drive his daughter there himself. With days dwindling down before her he figures that this will be his last chance to spend a little quality time with his daughter before she moves out of the house.
Besides, the manipulative cop has an ace up his sleeve, namely, an unscheduled pit stop at Northwestern where, with the help of some undercover confederates, he’s hoping to talk his daughter into making that nearby school her first pick. What Chief Porter never banked on, however, is that his young son, Trey (Eshaya Draper), would stow away in the car, and bring his pet pig along for the ride, too.
This kookie cast of characters keeps College Road Trip in motion, one of those wacky misadventures fueled by an ever-compounding comedy of errors. Unfortunately, director Roger Kumble (Cruel Intentions) failed to include any humor for a demographic over the age of about five in the film’s formulaic recipe. This is a bit strange given that the movie is featuring the theme of going off to college.
Anyhow, before they arrive at Georgetown, the Porters and their anthropomorphic boar get a flat tire, before having their car rolls into a ravine. Proceeding on foot, James soon becomes the straight man for all manner of infantile slapstick, from being tasered by a sorority house mother (Kelly Coffield) to falling off a ladder.
More funereal than funny, with a universal message which almost gets lost in the shuffle. Don’t tase me bro!

Fair (1 star)
Rated G
Running time: 83 minutes
Studio: Walt Disney Home Entertainment
DVD Extras: Gag reel, alternate opening and endings, deleted scenes with optional director’s commentary, Raven-Symone’ music video, Raven’s video diary, another featurette, and two audio commentaries: one with Raven and the director, the other with the scriptwriters.

American Zombie DVD

DVD Review by Kam Williams

Headline: Mockumentary on DVD Delivers Message That “Zombies Are People, Too!”

Grace Lee (The Grace Lee Project) shot and co-stars in this silly mockumentary based on the proposition that the undead are people, too. The picture is set in Los Angeles where she and her faux co-director, John Solomon, do their best to track down zombies to find out who they are, where they come from and why they exist.
The film focuses on the day-to-day lives of four functioning, if socially-ostracized ghouls in their struggle to be accepted as normal. There’s Judy (Suzy Nakamura), who says she’s just like everybody else and just wants to get married. Ivan (Austin Basis) is a convenience store clerk who self-publishes a comic book called American Zombie in his free time.
Activist Joel (Al Vincente), meanwhile, runs ZAG, the Zombie Advocacy Group, an organization which seeks a guarantee of every reanimated creature’s fundamental rights. Relying on a variation of the Act-Up rallying cry, he and his cohorts demand equality with warm-blooded humans by chanting, “We’re here! We’re dead! Get used to it!” Finally, we have Lisa (Jane Edith Wilson) a florist whose specialty is funeral arrangements.
If the idea here was to have fun while delivering a subtle statement about tolerance and discrimination, that aim is achieved by the end of the first hour. Unfortunately, the story starts to drag a bit at that juncture and virtually runs out of steam until the plot belatedly thickens to make a secondary statement shortly before the closing credits roll.
Overall, American Zombie Is a cleverly-comedic, high-concept adventure, artfully-executed, and thought-provoking, too. How else can you describe a flick which presumes to answer everything you always wanted to know about Zombies but were afraid to ask while simultaneously suggesting that our fascination with creature features might merely be a reflection of some sick human desire?

Very Good (3 stars)
Unrated
Running time: 91 minutes
Studio: Cinema Libre

Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun

OPENING THIS WEEK
Kam's Kapsules:
Weekly Previews That Make Choosing a Film Fun
by Kam Williams
For movies opening July 18, 2008


BIG BUDGET FILMS

The Dark Knight (PG-13 for menacing and for intense violence) Christian Bale returns as The Caped Crusader in an action thriller co-starring the late Heath Ledger as Batman’s archenemy, a psychopathic clown known as The Joker. Cast includes Morgan Freeman, Michael Caine, Maggie Gyllenhaal, Gary Oldman, Aaron Eckhart and Michael Jai White.

Mama Mia! (PG-13 for sex-related material) Screen adaptation of the hit Broadway musical, set on an enchanting Greek island, where an 18 year-old bride-to-be (Amanda Seyfried) has invited all three of her mother’s (Meryl Streep) ex-lovers to her wedding, hoping to determine which one is her father: the businessman (Pierce Brosnan), the adventurer (Stellan Skarsgard) or the banker (Colin Firth).

Space Chimps (G) Animated adventure about a trio of chimp astronauts (Andy Samberg, Cheryl Hines and Patrick Warburton) rocketed to another galaxy to rescue the peaceful inhabitants of an uncharted planet from the clutches of an evil tyrant (Jeff Daniels). Voice cast includes Kenan Thompson and Stanley Tucci.

Transsiberian (R for violence, torture and profanity) Crime thriller about an American couple (Woody Harrelson and Emily Mortimer) traveling by train from China to Moscow who become unwittingly involved with Russian cops and mobsters after being befriended by another couple (Eduardo Noriega and Kate Mara) en route. Cast includes Ben Kingsley and Thomas Kretschmann.

INDEPENDENT & FOREIGN FILMS

Before I Forget (Unrated) Jacques Nolot wrote, directed and stars in this new lease on life drama about a suicidal, 58 year-old, HIV+ former gigolo who decides to deal with his depression by indulging his every sexual fantasy. (In French with subtitles)

Disfigured (Unrated) Body dysmorphic disorder drama chronicles the unlikely friendship which evolves between an obese sales clerk (Deidra Edwards) and a woman (Staci Lawrence) recovering from anorexia who meet at a fat acceptance group meeting.

The Doorman (Unrated) Manhattan mockumentary about NYC’s most powerful doorman’s (Lucas Akosin) being humbled by losing his job at the city’s trendiest nightclub. Cast includes Oscar-nominated director Peter Bogdanovich.

Felon (R for brutal violence, brief nudity and pervasive profanity) Stephen Dorff portrays the title character in this prison drama about a family man who ends up behind bars with a mass murderer (Val Kilmer) for a cellmate after being convicted of manslaughter for killing an intruder during a home invasion.

Hounddog (Unrated) Coming-of-age drama, set in rural Alabama in the late Fifties, revolving around a young girl (Dakota Fanning) whose obsession with Elvis Presley serves as an avenue of emotional escape from a dysfunctional home life shared with an incapacitated father (Daddy Morse) and a strict, religious grandmother (Piper Laurie). With Jill Scott as Big Mama Thornton.

Lou Reed’s Berlin (PG-13 for brief profanity) Oscar-nominee Julian Schnabel (for The Diving Bell and the Butterfly) directs this concert flick, shot over the course of five nights inside a Brooklyn warehouse in 2006, featuring Lou Reed’s performance of his 1973 concept album “Berlin” with an orchestra which included his band, backup singers, strings, horns and a choir.

Mad Detective (Unrated) Psychological crime thriller about a young cop (Andy On) who teams up with a retired psychic detective (Ching Wan Lau) to track down an AWOL colleague (Kwok-Lun Lee) only to suspect the missing man’s partner (Ka Tung Lam) of being a serial killer. (In Cantonese and English with subtitles)

A Man Named Pearl (Unrated) Uplifting documentary about Pearl Fryar, a son of sharecropper denied a chance to buy a house on the white side of town in Bishopville, South Carolina because he was black who settles across the tracks in the African-American community where he garners international fame by cultivating an award-winning topiary garden.

No Regret (R for profanity, nudity, violence and graphic sexuality) Homoerotic
drama about a teenage orphan (Young-hoon Lee) working as prostitute in a gay bar who becomes the boy-toy of a rich kid (Han Lee) whose conservative family expects him to proceed with an arranged marriage to a woman he isn’t in love with or even attracted to. (In Korean with subtitles)

Take (R for violent and disturbing content) Flashback flick about a still-grieving mother (Minnie Driver) on her way to witness the execution of the Death Row inmate (Jeremy Renner) who murdered her young son (Bobby Coleman) during a supermarket robbery.

A Very British Gangster (Unrated) Mob documentary paints a cinematic portrait of Dominic Noonan, the charismatic Irishman running one of England’s most vicious crime families.

Wonderful Town (Unrated) Romance drama, set in a Thai town devastated by the tsunami, revolves around the relationship between a rebuilding architect (Supphasit Kansen) and the owner (Anchalee Saisoontorn) of the hotel where he’s staying. (In Thai with subtitles)

Wednesday, July 9, 2008

All about the Beat

All about the Beat:
Why Hip-Hop Can’t Save Black America
by John McWhorter
Gotham Books
Hardcover, $20.00
192 pages
ISBN: 978-1-592-40374-5



Book Review by Kam Williams


“There is apparently something about hip-hop that distracts people into, in some part of their brains, seeing something in it that is… inspirational. From what I see, it’s the beat…

People hear a certain truth in a statement when it is uttered over a beat… Rhythm is deeply seductive. Even babies like it. It is so seductive that it can discourage reflection, and in the case of the idea of rap as politically significant, I think it is doing precisely that.

Let’s face it – [Hitler’s] Mein Kampf would sound good set over beats.”

n Excerpted from All about the Beat (pages 67 & 144)


Is the Hip-Hop Generation a political movement worth taking seriously? John McWhorter vehemently says “No!’ and he has plenty of reasons why. First of all, he says that Hip-Hop Generation “is nothing but a term of emotion” that sounds cool, and that “sounding good is not the same thing as changing the world.”
He also points out that while some artists might be recording socially-conscious rap with positive messages, a Hip-Hop Revolution could never be spearheaded by a brand of music nobody wants to listen to. Afterall, it’s easy to know what’s popular, and the weekly charts indicate that fans prefer classic gangsta’ imagery and values promulgated by BET where scantily-clad sisters are still referred to as bitches and hos.
According to the author, females unfortunately seem to revel in the abuse, dancing euphorically while singing along with lyrics which demean them. Why so? Professor McWhorter, a linguist by trade, says it’s all in the beat. As he explains it, “The problem is when we start pretending that rhythms and inflections – color, we might say – constitute coherent political insight worthy of attention.”
As a wordsmith, he knows that the cadence and pulse of rap might be seductive, but it is no substitute for logical conscious thought. He cleverly shows how inherently limited hip-hop actually is as a form of expression, given that lines have to rhyme. For instance, try rhyming a word with “purple” or “orange.” Having to rhyme reduces ones options.
I know that Mr. McWhorter’s prior work has generally been dismissed by his detractors as the rants of an effete, out-of-touch, neo-con. I probably trashed a couple of his earlier books myself. However, this one is worth reading, if only for its highlighting a serious flaw in African-American culture which allows cadence to serve as a substitute for substance and critical thinking.

Monday, July 7, 2008

Full Battle Rattle

Film Review by Kam Williams

Headline: GIs Play Simulated War Games in Mojave Desert Documentary

The final stop American soldiers make before being deployed to Iraq is at a top-secret, billion-dollar, 1,000 square-mile facility situated in the middle of the Mojave Desert. There, the Army has constructed a virtual version of Iraq on a small scale, a place comprised of 13 villages where GIs to prepare for service overseas. The Department of Defense employs hundreds of Iraqi immigrants full-time to inhabit the fake towns and to play a variety of civilian roles in simulated war games.
Full Battle Rattle, directed by Tony Gerber and Jesse Moss, follows a battalion from Texas, the 4th Brigade of the 1st Cavalry, for the duration of its three-week training regimen in Medina Wasl, a mock city slipping suffering from a simmering insurgency which is threatening to explode into all-out civil war. Superficially, the task at hand is to quell the rebellion while trying to win the hearts and minds of the locals. The challenge the soldiers face is familiarizing themselves with a strange culture and a strange language in a strange environment while trying to discern which of the smiling faces might be a terrorist with an IED or a suicide bomb.
Why the U.S. Government ever agreed to let anyone film these maneuvers on location at Fort Irwin is beyond me, but the directors ended up fashioning a fascinating film from the 350 hours of footage they shot. The simulations seem more like acting on a movie set than confrontations at an actual theater of war, since no one gets hurt here, and everyone knows on some level that these situations are not real.
Consequently, far more interesting than the staged standoffs are the heartfelt reflections of the participants during downtime. There’s an irony about the contrast of hearing Iraqi-Americans talking about life in this country and watching the military-industrial complex putting the finishing touches on young emlistees about to ship out to a godforsaken land to kill or be killed.
Full Battle Rattle’s closing credits include a sobering postscript noting that five members of the battalion starring you’ve just watched play war have already died over in Iraq, thereby turning the surreal grim in an instant.

Excellent (4 stars)
Unrated
Running time: 85 minutes
Studio: Mile End Films
Distributor: The Film Sales Company

To see a trailer for Full Battle Rattle, visit: http://youtube.com/watch?v=niFXXEFmc0o

Kellee Stewart: The My Boys Interview

with Kam Williams

Headline: Kellee’s Close-Up

Kellee Stewart was born in Norristown, Pennsylvania on April 15, 1976 where she developed a love for the stage at an early age, appearing in school productions and studying drama at Philly’s famed Freedom Theater. She later attended SUNY Purchase where she would earn a bachelor’s degree in acting. After graduation, she appeared in Off-Broadway plays and worked as a modeling agent in NYC, before heading west to try to make it in L.A.
In Hollywood, she landed recurring roles on several TV series, including the WB’s “Living with Fran,” Comedy Central’s “Wanda Does It” and the UPN’s “Sex, Love, & Secrets.” But Kellee is probably best known for her breakout performance as Bernie Mac’s daughter Keisha in the feature film Guess Who? On the big screen, she has since appeared in the blockbuster comedy Monster-in-Law and in the recently-released indie flick I’m Through with White Girls.
Here, she talks about her career and about new TV show, TBS’ “My Boys,” a sitcom set in Chicago where she co-stars opposite Jordana Spiro.

KW: Hi Kellee, thanks so much for the time.
KS: Oh, thanks for having me.
KW: Congrats on My Boys being renewed for a second season.
KS: Thank you.
KW: How do you like the evolution of your character, Stephanie?
KS: Oh, I love it. Stephanie actually writes a book about dating.
KW: I know. I watched the season premiere and the next episode, and saw how you and boyfriend had problems while vacationing in Italy. Is he written off the show now?
KS: Yes, he’s gone. Lance [played by Schuyler Yancey] and I broke up. On the heels of that, Stephanie wrote a book and becomes famous, so some fun things start to happen.
KW: I like that your character isn’t the stereotypical African-American sidekick. Not that very limited best friend we usually see, but a much more complex and well-rounded individual.
KS: The role wasn’t written that way.
KW: So, was this a case of colorblind casting?
KS: When I went for my audition, I saw every ethnicity there. Caucasian women, black women, Asian women…
KW: How did they settle on you?
KS: It was really about finding the right chemistry for the entire ensemble. After I read with Jordana Spiro for [show creator and executive producer] Betsy Thomas during a call back, they decided to screen test me with her. And after we finished, as I was getting into my car to drive home, my phone rang, and they said, “Don’t leave, you got the job. Come back for the table read.” And when I sat down for the table read I had not yet been introduced to any of the other actors. My first line was “Hi Mike… hi Kenny.” I delivered “Hi Mike” in a nice way, but I decided spontaneously that I didn’t like Kenny. So, I said, “Hi Kenny” in a very nasty, sarcastic manner, and he looked back at me and grunted and shot me this disapproving look which made the audience crack-up. And instantly the chemistry of our characters not liking each other was found. I believe that happens when the right actors organically just go with the flow and go with the moment. I hadn’t even shaken his hand at that time. Now, here we are starting season two and we still can’t stand each other and we don’t even know why, but it works.
KW: Do you think your experience as a modeling agent has helped you in landing roles?
KS: I think being on the other side of the desk helped me in terms of gaining a perspective on the business. I learned not to take everything personally or so seriously, because sometimes you’re just not right for a particular job. You have to be able to take rejection quickly and honestly, know what you need to work on, and move on, all kind of in the same instant.
KW: Why is it I sense that you’re a bit of a perfectionist.
KS: [Laughs] A little bit. I think that what makes my job so much fun is that I continue to try to grow. I still take acting classes and go to improv shows.
KW: Why is that?
KS: There are a lot of great actors and actresses out there who are trying to get the same jobs that you are. So, you’ve got to give it your best shot and think “I’m going to go for it and not look back.”
KW: That reminds me of the documentary Confessions of a Superhero, which follows four struggling actors who panhandle on Hollywood Boulevard to survive in between auditions while they’re waiting to make it.
KS: The things that dreams will make you do. Giving up is not an option if you want to succeed. That’s how I feel about it. If you really want to be in this business, and it’s something you can’t live without, you just have to keep going. And one day that shot will be given to you.
KW: I think there’s an “It” factor which some people have and some don’t. After seeing you on this show, in Guess Who and I’m Through with White Girls, I’d definitely say you have that certain something. Despite playing the second banana, there’s something magnetic about you which enables you to shine and almost upstage the lead.
KS: Oh, thank you. I appreciate that. I try.
KW: I’m guessing that it’s a combination of attractiveness, intelligence, persistence and the “It” factor. So, when are going to land your feature lead role?
KS: [Laughs] I don’t know. Hopefully, soon. I still feel like I’m getting my feet wet.
KW: What did you think of I’m Through with White Girls? I thought it was a charming little romantic comedy.
KS: I actually haven’t seen it. Lamman Rucker, who plays my love interest in it, recommended me for the role. He’s a friend of mine from way back.
KW: He’s an excellent up-and-coming actor who’s been in a lot of movies lately, including Meet the Browns and Why Did I Get Married? Tell him I want to interview him, and that I’m friends with a friends of his, Al Flowers.
KS: I will. I’ll pass that message along to him.
KW: Are you anything like your character Stephanie in real life?
KS: I’m like her in the sense that she lives her life by a set of rules that work for her. I’m pretty much the same way, although I’m not as girly as she is. She’s also this smart, on top of her game woman, and that’s where I identify with her.
KW: Troy Johnson, the bookworm, wants to know, what was the last book you read?
KS: A New Earth by Eckhart Tolle.
KW: Columbus Short told me nobody ever asks him, are you happy? Are you happy?
KS: I am very happy, and I’m content with living each day and just being grateful first that I woke up and have another opportunity to have a good time. So, yes, I’m very happy. I love that he suggested that question, because nobody does ever ask that. When I come home, the parents of some of my friends ask me things like, “When are you going to get married? When are you going to have kids? What are you going to do with your life?” But they never ask me if I’m happy. I’ve actually had this conversation with my mom, because nobody asks you that. They think you need to fit into a certain mold to be happy. Bu I’m ecstatic about the way my life is going.
KW: Great.The Tasha Smith question: Are you ever afraid?
KS: Hmm… interesting. Am I ever Afraid? Yes, I’d be lying if I said I wasn’t. But somewhere, faith creeps in, and fear goes away.
KW: How do you want to be remembered?
KS: As being honest, and as going about my life with integrity.
KW: The “Realtor to the Stars” Jimmy Bayan question, Where in L.A. do you live?
KS: I live in the Carthay Circle, Beverly Hills area.
KW: Can you still go to the movies and the supermarket without being bothered by fans?
KS: Absolutely! This is my job. And my job is no more important or special than anybody else’s. So, I don’t find myself thinking, “Oh, I’m going to get recognized, today.” That is not a part of my psyche at all. On the occasions that I am recognized, I say, “Thank you,” but you can’t place yourself in a bubble.
KW: Is there a question nobody ever asks you that you wished somebody would?
KS: Yeah, what advice would you give young women today?
KW: Okay, what advice would you give young women today?
KS: Don’t believe the hype of the things that you are reading and seeing on TV and in movies. The reason that I say that is because when I was growing up, we didn’t have this super-skinny, flawless image to compete with. Far too often, I see it now that actresses are displayed in a way that seems very airbrushed and hard to attain. I find it unfortunate that young women may look at those images and think that is the ideal of beauty. It can cause a lot of problems and self-esteem issues if we don’t remind girls that being healthy and exactly who you are is the main thing. I’m grateful I didn’t grow up with those images. If I were growing up today, and I thought that was the ideal standard, I think I might be in a little trouble. I‘m a black girl with curves and a butt, and I’m going to continue to embrace my femininity and to be comfortable in my body, even on TV. That doesn’t mean that I’m not insecure at times, but it does mean that at least I know who I am and that I’m not trying to fit into somebody else’s pants. I’m just going to fit in my own.
KW: I think that naturalness is part of your beauty that comes through in your work. How do you feel about all the murders in your hometown, Philly?
KS: How do I feel about it? It’s just insane! It leaves you speechless, because I don’t understand what’s going on in our communities that we have left out the option of talking. People are resolving problems in the absolutely wrong way, and innocent bystanders are losing their lives. I feel that we all need to take responsibility by turning your neighbors or starting a program at your community center or a school that will help young people have a purpose. If we as a community don’t take responsibility for every crime that happens, then we are just onlookers. Enough is enough. Kids should be able to go to their high school graduations without being shot in the back. When I heard about that incident it broke my heart. It only takes for one person to remind you that you are special, and then your whole life is changed.
KW: Great idea. Thanks again, Kellee, and best of luck with the show and your career.
KS: Thank you so much for your time, Kam.

Sunday, July 6, 2008

The Exiles

Film Review by Kam Williams

Headline: Docudrama from Fifties Captures Indians Partying in L.A.

The Exiles strikes me as less a convincing docudrama than an amusing amalgam of period footage from the Fifties overlaid with a trite soundtrack of dialogue that doesn’t pass the smell, or should I say the ear test. The upshot is that because the movie never feels authentic, it’s hard to invest emotionally in its slight storyline or in the plight of any of its characters.
The picture was shot in 1958 by Kent Mackenzie who wanted to capture on film a day in the lives of young Native Americans from the reservation who had settled in the Bunker Hill section of Los Angeles. The late Mackenzie wrote the script which his well-rehearsed cast executed, although most of their lines were later lip-synched during post-production, and it shows.
After about five minutes of watching The Exiles, you’re wondering is this it? Is it ever going to become realistic? But it never does. I’m not sure what to make of it, or why it’s supposed to be of interest. I can relate that it’s little more than a very tame, dubbed home movie of partying Indians mugging for the camera, but never working up the nerve to do anything daring.
The most remarkable aspect about the annoying experience was that I managed to stay awake from beginning to end. I figured that there had to be a reason why it took a half century for The Exiles to be released in theaters. It must be that enough time has passed to attract an audienc as a nostalgic curiosity rather than as a conventional flick offering a satisfying cinematic experience.

Fair (1 star)
Unrated
In black and white
Running time: 72 minutes
Studio: Milestone Films

To see a trailer of The Exiles, visit: http://www.youtube.com/watch?v=9VepP9Eyfp0

The Pimp Chronicles, Part 1 DVD



DVD Review by Kam Williams

Headline: It Ain’t Hard out Here for Katt Williams

I knew I better brace myself when Katt Williams opened his concert flick getting high with Snoop Dogg in the back of a gaudy pimpmobile with a chandelier dangling from its ceiling. For Snoop, well-known for his low regard for females, was giving the diminutive comedian pointers on his stand-up act.
Next, after being introduced to the Atlanta audience by Anthony Anderson, the flamboyant Katt, decked out in a full-length, white fur coat, launches into an expletive and ethnic slur-laced pro-drug use routine which was apparently very well-received by the crowd. Williams, who made a most memorable screen debut as the proprietor of the “Pimps and Hos” clothing store in Friday after Next, apparently has opted to milk the most out of his career by appealing to the lowest common denominator.
He explains his preference for the B-word to the women in attendance with, “I’m only calling you bitches because I don’t know your name individually.” And he enjoys the N-word just as much, as here, where he castigates sisters for always dogging brothers with the line, “Niggers ain’t shit.” “Ladies,” he says, “you need to get a handle on your mother-f*cking life and take some responsibility b*tch. What you mean to say is that all the niggers you f*cked with ain’t shit.”
Apparently his intended demographic delights in being the butt of such insults, given the euphoric reaction shots and snippets of impromptu interviews with female fans greeting their idol with lines like “Pick up the phone, your hos are calling!” Is the DVD funny? Absolutely, Katt is a charismatic entertainer with a way with words and a big set of balls for a dwarf.
But the more important question might be whether impressionable young minds will understand that his misogynistic, self-hating, self-destructive message is all an act. Otherwise, they might find themselves heading down the wrong road if for instance they heed his advice when he wonders, “If you ain’t smoking weed, I don’t know what you’re doing with your mother-f*cking life.”
Hilarious, provided you have a very strong stomach for modern minstrelsy.

Excellent (3.5 stars)
Unrated
Running time: 45 minutes
Studio: Salient Media
Distributor: Codeblack Entertainment


Garden Party

Film Review by Kam Williams

Headline: Ensemble Drama Dissects a Day in Life of 21st Rebels without a Clue

When April (Willa Holland) catches her pervert stepfather peeping at her in the shower again, she decides its time for her to leave home. However, the spunky runaway soon discovers that it’s hard for a 15 year-old girl to find a decent-paying job that doesn’t involve taking off her clothes or worse. Although she can make $450 per session posing for nude photos, she’d prefer to survive without relying on the sex industry.
Consequently, wandering the streets leads April to the sleazy side of
Sunset Boulevard where her path crosses with other rudderless rebels without a clue pursuing a bohemian lifestyle. For instance, there’s Sammy (Erik Smith), a just off the bus, struggling street musician hoping for superstardom.
And Todd (Richard Gunn), a porn-addicted artist, finds himself like putty in the hands of powerful realtor Sally St. Clair (Vinessa Shaw), a seductive temptress with a knack for spotting lost souls. Nathan, (Alexander Cendese), an aspiring dancer from Nebraska, makes ends meet as Sally’s assistant, helping his devious boss implement her kinky agenda.
A seemingly endless stream of such morally-compromised characters dominates the screen in Garden Party. These unfortunate individuals share a certain desperation which suggests that present-day L.A. is a place where far more dreams are being dashed than realized.
Written and directed by Jason Freeland the film paints a convincing, if dizzying picture of Tinseltown as a dangerous den of iniquity that eats away at one’s optimism until you capitulate and become just as jaded and hardened as the vultures who have made a career out of preying on the naĂŻve and needy. Not exactly a feelgood drama, but nonetheless an eye-opening peek at the ugly underbelly of a merciless metropolis that could care less about the fate of the least of its brethren.

Very Good (3 stars)
Unrated
Running time: 89 minutes
Studio: Roadside Attractions

To see a trailer of Garden Party, visit: http://www.gardenpartymovie.com/gardenparty.html#trailer

Saturday, July 5, 2008

Tell No One (FRENCH)

(Ne Le Dis Ă  Personne)
Film Review by Kam Williams

Headline: Grieving Husband Ends-Up Prime Suspect in Wife’s Murder in French Crime Thriller

Margot (Marie-Josee Croze) and Alexandre Beck (Francois Cluzet) were celebrating their anniversary at their favorite spot to rendezvous since they were kids along the shore of a secluded lake when she was brutally murdered by a serial killer. That was eight years ago and today the disconsolate widower continues to mourn the loss of his childhood sweetheart
Meanwhile, Dr. Beck has continued to practice medicine but he has only been able to function with the help of his younger sister’s (Marina Hands) lesbian lover, Helene (Kristin Scott Thomas). Then, mysterious messages begin to arrive via email suggesting that Margot might somehow still be alive, despite the fact that her body was presumably cremated. Furthermore, he is warned to “Tell no one” because “we’re being watched.”
Desperate to get to the bottom of what must be either a cruel joke or to enjoy the best reunion he could have ever imagined, Alex begins to follow clues which have him interacting with a criminal element on the seamy side of Paris. But what he doesn’t know is that the police have decided to reopen the case after finding another couple of bodies buried back at the lake, along with new evidence.
Dr. Beck becomes the prime suspect, and there are question aplenty waiting to be answered in Tell No One, a cleverly-concealed whodunit directed by Guillaume Canet. Is Margot dead or alive? If deceased, was her husband involved
Clocking in at a tedious 2+ hours, this over-plotted crime caper could’ve easily have had an excess half-hour of filler hit the cutting room floor and thereby offered a more riveting experience. Nonetheless, those blessed with patience are likely to deem the denouement well worth the wait.

Very Good (3 stars)
Unrated
In French with subtitles
Running time: 125 minutes
Studio: Music Box Films

To see a trailer of Tell No One, visit: http://www.youtube.com/watch?v=QeQXVrzbJzI

We Are Together (Thins Simunye)

Film Review by Kam Williams

Headline: Musical Documentary Examines Plight of South African AIDS Orphans

Grandma Zodwa Mqadi was working as an AIDS counselor in the KwaZulu-Natal province of South Africa when she decided to do something about the fact that the epidemic had created over a million young orphans. For she witnessed that, invariably, dying parents would expressed a concern that their offspring be cared for in their absence. So, she founded Agape, an orphanage capable of housing about 30 AIDS orphans, a place appropriately named after the Greek word meaning unconditional love.
In 2003, the fledgling charity came to the attention of Paul Taylor who spent three months there as a volunteer. Deeply affected by what he witnessed, he soon returned with a camera and would devote the next several years of his life to making a movie about Zodwa and the children she’d adopted.
The upshot of those efforts is We Are Together, Taylor’s brilliant directorial debut and as inspirational a documentary as you could ever hope to find. Relying on music to grieve, bond and overcome their mutual hardships, the kids form a choir not only to help with the healing, but to make a CD, go on tour, and raise money to enable Grandma Zodwa to extend her services to more orphans.
This heartrending film focuses on the misfortunes of one family in particular, the Moyas, especially Slindile, now 17. She has been staying at Agape since she was 8 with three younger sisters and a younger brother. She also has a big brother, Sifiso, who is HIV+ and still lives at home over an hour away. We learn that he can’t afford the expensive AIDS medication, so he must make do with the Vitamin B he gets from a local hospice.
I guarantee that there won’t be a dry eye in the house by the time these innocent, wide-eyed waifs make their way from Africa to New York City to perform their well-rehearsed repertoire at an uplifting benefit concert.

Excellent (4 stars)
Rated PG for mature themes.
In Zulu and English with subtitles.
Running time: 86 minutes
Studio: Palm Pictures

To see a trailer of We Are Together, visit: http://youtube.com/watch?v=LpX4JGn4PzU

Graffiti Verite’ 7: Random Urban Static DVD

DVD Review by Kam Williams

Headline: Slam Poets Deliver Powerful Performances in Spoken Word Documentary

If you enjoy the strident, staccato cadence of commercial rap music but not its uniformly antisocial, macho content, then you’ll probably find GV7, aka Graffiti Verite’ 7, a refreshing alternative. Just when you’re convinced hip-hop is dead as an art form, along comes this collection of powerful performances by 15 talented innovators as different from each other as they are entertaining in their own unique ways. Black, white, Latino, gay, straight, male and female, the only thing they have in common is a compelling ability to express themselves eloquently on the subjects most meaningful to them.
With the same raw intensity which the icons of BET videos celebrate misogyny, conspicuous consumption and black-on-black crime, these wordsmiths explore a variety of themes ranging from politics to privilege to sexual preference to self-esteem to racism to religion to AIDS to anorexia in a heartfelt and intimate fashion. Directed by Bob Bryan, GV7 features both interviews and acappella readings by accomplished artists on the poetry circuit, such as two-time Grand Slam-winners Bridget Gray and Sekou (the misfit), along with the likes of L.A. champ Mollie Angelheart who warns, “If you don’t cut deep… you don’t make a difference.”
Highlights include The Lindz, who deftly blends talk and song to produce a unique brand of soulful, blue-eyed lyricism, and Tim’m T. West, who reflects in rhyme about what it’s like to be gay, black, and HIV+. I found his contribution to be particularly of value since the AIDS epidemic is hitting the African-American community the hardest, yet the voices of the victims of the disease rarely get heard. Obviously, Tim’m is not one to allow any stigma to prevent him from sharing his feelings with the world.
Ready to be discovered is Bridget, a charismatic beauty beloved by the camera with a look and attitude are tailor-made for movies. Nonetheless, each and every cast member holds his or her own, here, including Nicolas Lopes, Poetri, Jessica Healy, GaKnew Roxwel, J. Walker, Hunter Lee Hughes, Vejea Jennings, Eric Haber, Natalie Patterson and Rachel Kann.
A delightful indulgence in the lyric form likely to restore your faith in the Hip-Hop Generation.

Excellent (4 stars)
Unrated
Running time: 120 minutes
Studio: Bryan World Productions

To see a trailer of GV7, visit: http://youtube.com/watch?v=qbWDtzl_9gQ&feature=user
Or: http://www.youtube.com/watch?v=8j_a5TF1iBI
Or: http://youtube.com/watch?v=HG92I5WJ0WM&feature=user

Friday, July 4, 2008

Very Young Girls

Film Review by Kam Williams

Headline: NYC Documentary Shows It’s Hard Out There for a Ho, Too

Anyone with a pre-teen daughter ought to be required
to watch this revealing expose’. For, 13 is now the average age at which an unsuspecting girl becomes ensnared in a life of prostitution in the United States.
What is most shocking is the fact that most of these adolescents come from good families and were your average adolescents when they disappeared in an instant after being kidnapped by some sweet-talking pimp they met while alone on the street or in a public place like a bus stop or a train station. Perhaps because this is an age where pimps are a part of mainstream culture, being enthusiastically promoted on TV by everyone from rapper Snoop Dogg to comedian Katt Williams, impressionable females are apparently not being effectively schooled about how evil and seductive these monsters actually are.
Very Young Girls is an eye-opening documentary by David Schisgall and Nina Alvarez, although the filmmakers ought to share directorial credits with Anthony and Chris Griffith, since these sick siblings shot a lot of the footage. Believe it or not, the brothers are New York pimps who have videotaped themselves plying their trade hoping to interest BET or some other network into giving them their own reality show. So, we’re treated to the sight of these vultures roaming the city in their pimpmobile, boasting “We’re gonna find a new ho today.”
Just as compelling as the antics of these godless creeps are the heartbreaking stories of their victims. For instance, there’s Shaneiqua who was an A-student when abducted at the age of 12. She recounts how she was flattered that a 30 year-old man was showering her with attention.
However, two weeks after one took her virginity, his personality changed like Jekyll and Hyde. He suddenly announced for the first time that he was a pimp, raped her anally, and called her a dumb bitch before turning her out on the street.
The sad narratives of the other girls interviewed here sound similar. 13 year-old Dominique says she doesn’t understand why her pimp beat her and had other whores slap her, too. She admits to snorting coke before having sex in a crackhouse with a dozen guys who dumped her in the back of an abandoned car without any seats when they were through with her.
Kim wants to run away but is scared since she’s been threatened with death by her pimp. Staci wonders why her parents haven’t come to rescue her. 14 year-old Nicole, who says she was kidnapped and forced to sleep with 30 men in 5 days, was recently arrested, but treated like a criminal instead of a victim.
The picture drives home the point that the criminal justice system is not working since these teens are being carted off to jail when they obviously ought to be hospitalized or returned to their parents. The picture also highlights the efforts of one desperate mother, LaSharon, to rescue her underage daughter who’s been missing for a couple of months and is rumored to be under the thumb of a pimp.
Believe it or not, the cops callously refuse to intervene when LaSharon arrives at her local precinct with a fresh lead, since they prefer to treat the case as a runaway, not as an abduction. Fortunately, there is a group willing to help, the Girls Education Monitoring Services (GEMS). Founded by Rachel Lloyd, herself a survivor of sexual exploitation, the organization is relentless in its efforts to find young hookers in order to offer them shelter, protection and an avenue back to a normal life.
Yeah, it’s hard out here for the million plus hos currently caught up in the world’s oldest profession, but should we really be surprised about this explosion in human trafficking in the ghetto when it has been celebrated for over a decade in every other gangsta’ video?

Excellent (4 stars)
Unrated
Running time: 83 minutes
Studio: Swinging T Productions
Distributor: Showtime Networks

To see a trailer of Very Young Girls, visit: http://www.youtube.com/watch?v=7fX6EaHuRCg

Thursday, July 3, 2008

The Tracey Fragments DVD

DVD Review by Kam Williams

Headline: DVD Features Ellen Page as Another Troubled Teen

When we last saw Ellen Page, she was delivering her Oscar-nominated performance as Juno, a terminally-hip smart aleck who frustrated her parents by making light of her pregnancy after being knocked-up by a boy she barely knew. Now the talented young actress is back in another title role as another troubled teen from another dysfunctional nuclear family, except she’s not cracking any jokes.
As Tracey Berkowitz, she plays a clinically-depressed 15 year-old in crisis who hates herself, wants to be raped and murdered, and suspects that she might be going insane to boot. The source of her despair starts with her emotionally-distant mother (Erin McMurtry), a chain-smoking, substance-abusing couch potato and her failure of a father (Ari Cohen) who takes his daughter to a drag queen psychiatrist (Julian Richings).
Life is just as bad for Tracey at school where her cruel classmates call her everything from “Geek Girl” to “Slutty Pants.” Given all of the above, it’s not much of a surprise that at the point of departure we’d find her wrapped naked in a shower curtain and riding around Toronto on the back seat of a bus, claiming to be looking for the little brother (Zie Souwand) she’s hypnotized into believing he’s a dog.
But because The Tracey Fragments is a flashback flick, most of the movie is devoted to showing exactly why the waifish Ms. Berkowitz went berserk as she meanders about the metropolis mumbling to herself in a rage. Director Bruce McDonald deserves high praise for the chance he takes, here, departing from convention by experimenting with split screens for the duration of his claustrophobic psychodrama. The dizzying cinematic technique works, making for a viewing experience that is as convincing as it is unsettling.
Juno’s crazy twin sister!

Excellent (3.5 stars)
Unrated
Running time: 77 minutes
Studio: THINKfilm Company
DVD Extras: “The Making of” featurette.

To see a trailer of The Tracey Fragments, visit: http://www.youtube.com/watch?v=b-TbdIKhvn4

Stop-Loss DVD

DVD Review by Kam Williams

Headline: Drama about Iraq War’s Emotional Toll Released on DVD

After serving in Iraq, Staff Sergeant Brandon King (Ryan Phillippe) returned to Texas a decorated war hero. However, all the accolades did next to nothing to ameliorate the deep emotional toll taken on his psyche by the months on end spent engaged in deadly battle.
So, now that the patriotic hoopla has died down, King finds himself plagued by flashbacks. And while his well-meaning parents (Ciaran Hinds and Linda Emond) might be happy to have their son back, they simply aren’t equipped to recognize the signs of Post-Traumatic Stress Disorder. Fortunately, the about to be honorably discharged soldier does have several sympathetic shoulders to lean on in his best friend, Sergeant Steve Shriver (Channing Tatum), and others from their squad also trying to make the challenging adjustment back to civilian life.
Whether designed with a pacifist agenda or simply intended to make the case for a return of the draft, Stop-Loss is a compelling saga which compassionately establishes that veterans of the Iraq conflict shouldn’t have to be wounded physically to be considered damaged goods. And as we find ourselves empathizing with the GIs plight because of the absence of treatment for their psychological trauma, the drama ups the ante by having Brandon informed that he’s just been stop-lossed, and must return overseas.
But instead of reporting back to the base, he impulsively goes AWOL, knowing full well he’s risking jail and a bad conduct discharge. Will the once-admirable patriot really abandon the US, ostensibly forever, or will he bite the bullet and re-up for another tour of duty in the name of God, mom and apple pie?
Well-scripted and convincingly executed, this raw, super-realistic thriller is made all the more riveting by the sense you get that very similar scenarios are likely currently unfolding all across America.

Excellent (3.5 stars)
Rated R for graphic violence and pervasive profanity.
Running time: 111 minutes
Studio: Paramount Home Entertainment
DVD Extras: Commentary by director Kimberly Peirce and co-writer Mark Richard, 11 deleted scenes with optional commentary, and “A Day in Boot Camp” and “The Making of” featurettes.

To see a trailer of Stop-Loss, visit: http://www.youtube.com/watch?v=gmePzcsegk4

Chop Shop DVD

DVD Review by Kam Williams

Headline: End of Innocence Flick Arrives on DVD

Siblings Ale (Alejandro Polanco) and Isamar (Isamar Gonzales) are orphans forced by circumstances to fend for themselves in an industrial section of New York City known as the Iron Triangle. Located in the shadow of Shea Stadium, this sprawling Queens neighborhood is comprised of nothing but acre after acre of junkyards, scrap heaps, garbage dumps and auto-body repair garages.
Kids grow up fast and living in such a godforsaken environment and, even though he’s only 12, Ale works full-time in a chop-shop, a front where stolen cars are purchased, quickly disassembled to be sold for parts. He’s also sees himself as the man of the family, and is very protective of his 16 year-old big sister with whom he shares a one-room dive above the shop. It ain’t much, but it’s home.
He even found a job for her as a cook in a mobile food canteen catering to folks employed in the area.
Despite their dire circumstances, Ale still dreams of going into business with his sis as the owners of their own deli van. However, Isamar, a budding beauty, is already attracting men interested in her for the wrong reasons. She discovers a way to make some fast money, although Ale is unprepared to handle it emotionally when he and his pal, Carlos (Carlos Zapata), catch her in a compromising position.
So unfolds Chop Shop, an engaging end-of-innocence flick directed by Ramin Bahrani (Man Push Cart). What makes this film fascinating is that it’s hard to know whether what you’re watching is acting or just a slice-of-life documentary. Consequently, you might start to feel uncomfortable to see children with such a hard knock life involved in so much antisocial and immoral adult behavior, whether they be thespians or hooligans.
Little Orphan Annie Latino-style, with an Oliver Twist.

Excellent (3.5 stars)
Unrated
Running time: 84 minutes
Studio: Koch Lorber Films
DVD Extras: Audio commentary with the director, cast and crew, rehearsal footage and the original theatrical trailer.

To see a trailer of Chop Shop, visit: http://www.youtube.com/watch?v=MjL8NLanOeg

Wednesday, July 2, 2008

Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun

OPENING THIS WEEK
Kam's Kapsules:
Weekly Previews That Make Choosing a Film Fun
by Kam Williams
For movies opening July 11, 2008


BIG BUDGET FILMS

Hellboy II: The Golden Army (PG-13 for profanity, violence and sci-fi action) Ron Perlman reprises the title role in this horror sequel about a red-horned hellspawn who returns to Earth to save the day when the truce between humanity and the invisible realm is broken by a diabolical demon with an army of marauding creatures.

Meet Dave (PG for action, suggestive humor and mild epithets) Sci-fi comedy starring Eddie Murphy as a human-looking spaceship from outer space which lands in Manhattan where it falls in love with a widowed single-mom (Elizabeth Banks). Cast includes Gabrielle Union, Judah Friedlander, Scott Caan, Kevin Hart and Adam Tomei (Marisa’s brother).

INDEPENDENT & FOREIGN FILMS

August (R for profanity and sexuality) Dot.com bubble drama about a couple of brothers (Josh Hartnett and Adam Scott) struggling to keep their failing financial startup afloat on Wall Street during the month leading up to the 9/11 tragedy. With Rip Torn, David Bowie, Naomie Harris and Emmanuelle Chriqui.

Days and Clouds (Unrated) Dysfunctional family drama about a middle-aged housewife (Margherita Buy) living in the lap of luxury in Genoa who finds a job and romance after being belatedly informed by her husband (Antonio Albanese) that they’re in debt because he’s been laid-off for months. (In Italian with subtitles)

Death Defying Acts (Unrated) Fictional romance thriller, set in 1926, revolving around an ill-fated affair between Harry Houdini (Guy Pearce) and a Scottish psychic (Catherine Zeta-Jones) intent on fleecing the famed escape artist with the help of her daughter (Saoirse Ronan) during a fake séance.

Eight Miles High (Unrated) Bio-pic about the life of Bavarian Sixties icon Uschi Obermaier (Natalia Avelon), a free-spirited club kid-turned-fashion model-turned drug-addicted groupie who slept with Hendrix and the Stones. (In German, English and Italian with subtitles)

The Exiles (Unrated) Better late than never documentary, shot in the Fifties on a shoestring budget, just being released in theaters for the first time, about a group of young Native Americans just off the reservation adjusting to life in L.A..

Full Battle Rattle (Unrated) Surreal, simulated war games documentary follows an Army battalion training for a tour of duty overseas in a fake Iraqi village located in the middle of the Mojave Desert outfitted with IEDs and actors playing insurgents and innocent civilians.

Garden Party (Unrated) A day in the life ensemble drama about a 15 year-old (Willa Holland) who runs away from home to escape a pervy stepfather only to fall in with a fast crowd of kids under the spell of a sensual, pot-dealing realtor (Vinessa Shaw) with a kinky agenda.

Harold (PG-13 for profanity, sexuality, crude humor and underage alcohol use) Spencer Breslin handles the title role in this chrome dome comedy about a teenager afflicted with male-pattern baldness who is helped to deal with being teased by bullies by the janitor (Cuba Gooding, Jr.) at his new high school.

Journey to the Center of the Earth 3D (PG for intense action and scary scenes) Brendan Fraser stars in this adaptation of the Jules Verne classic about a science professor who discovers a portal to the bowels of the planet while searching a cave for his missing brother.

La France (Unrated) WWI musical drama about a woman (Sylvie Testud) who disguises herself as a man in order to search for her husband (Guillaume Depardieu) on the Western Front after receiving a letter from him ending their relationship. (In French with subtitles)

Roman Polanski: Wanted and Desired (Unrated) Documentary revisits the question of consent surrounding the case of fugitive director Roman Polanski who eluded justice by fleeing America for good following his conviction for drugging and raping a 13 year-old girl. (In English, French and German with subtitles)

The Stone Angel (R for sexuality and profanity) Road saga starring Ellen Burstyn as a fiercely-independent senior citizen who runs away when her son (Dylan Baker) and daughter-in-law (Sheila McCarthy) try to force her to move into a nursing home.

Hancock

Film Review by Kam Williams

Headline: Will Smith as Alcoholic Superhero in Need of AA and a New Image

John Hancock (Will Smith) is a superhero who has fallen out of favor with the public, and for good reason. First of all, he can usually be found passed out with a bottle of whiskey in his hand, draped across a bench in downtown L.A. He routinely antagonizes pedestrians, behaving no differently than a typical bum living on Skid Row, whether cursing curious little kids for waking him or trying to molest attractive women as they pass by.
And when he springs into action as his crime-fighting alter ego, Hancock tends to cause more trouble than he’s preventing. For instance, there’s the time he drunkenly intervened during a televised police freeway chase (reminiscent of O.J.’s) and overreacted after the abusive Cholos inside the white SUV called him an “a-hole.”
The epithet makes him lose his temper the way the Three Stooges did whenever they heard “Niagara Falls.” So, he impaled their auto on the spire high atop the Capitol Records building, ruining one of the skyline’s most recognizable landmarks in the process.
The cleanup of that messy arrest cost the city $9 million, prompting the fed-up chief of police (Greg Daniel) to urge the disgraced superhero to leave town. Just as Hancock hits rock bottom he is offered a chance at redemption by Ray Embrey (Jason Bateman), a man he rescues from a car sitting on the train tracks at a railroad crossing and about to be slammed by a locomotive with a full head of steam.
Grateful Ray just happens to be a public relations expert who diagnoses that all his well-meaning savior really needs is an image overhaul. So, he brings Hancock home to meet his wife (Charlize Theron) and young son (Jae Head), before convincing him to try alcohol and anger management counseling, and to don a superhero outfit, so that he can at least look the part.
The trouble is Hancock has a very big secret, which if divulged here, would entirely spoil the picture for the reader. Suffice to say that he’s suffering from amnesia, so he himself is initially unaware of the rabbit about to be pulled out of the hat.
In a summer blockbuster season boasting several spectacular comic book adaptations in Iron Man, The Hulk and Wanted, the last thing we need is a spoof of the superhero genre so unpleasant and unfocused. The fatal flaw is the fact that the protagonist isn’t even likable.
Who would opt to cast the ever-charming French Prince against type as a surly, foul-mouthed misanthrope? Nobody wants to root for an a-hole (there I called him one, too) who refers to women by the b-word, bullies children and makes a pass at the spouse of the only guy willing to help him.
Equally-annoying is the awkward, improbable and terribly twisted plotline which can only be comprehended with the benefit of 20-20 hindsight once all the pieces of the puzzle have finally been revealed. I’m not even sure how I would explain the resolution to an inquiring child incapable of such contorted mental calisthenics.
For better or worse, Will Smith is a name long associated with July 4th blockbusters. Unfortunately, Hancock is more on the order of Wild Wild West, than Independence Day or Men in Black. Don’t expect to laugh more than five times and you won’t be disappointed.

Fair (1 star)
Rated PG-13 for profanity and sci-fi violence.
Running time: 92 minutes
Studio: Columbia Pictures

To see a Hancock trailer, visit: http://www.youtube.com/watch?v=rZQQgvhn4jg

Tuesday, July 1, 2008

The Legacy of Islamic Anti-Semitism: From Sacred Texts to Solemn History

The Legacy of Islamic Anti-Semitism:
From Sacred Texts to Solemn History
Edited by Andrew G. Bostom, MD
Foreword by Ibn Warraq
Prometheus Books
Hardcover, $39.95
768 pages
ISBN: 978-1-59102-554-2



Book Review by Kam Williams

“Is Islamic anti-Semitism only a modern phenomenon? During the last fifteen years, certain Western scholars have tried to argue that, first, Islamic anti-Semitism -- that is, hatred of Jews -- is only a recent phenomenon learned from the Nazis during and after the 1940s, and, second,.that Jews lived safely under Muslim rule for centuries, especially during the Golden Age of Muslim Spain. Both assertions are unsupported by the evidence…

While the West has recognized its own shameful part in the slave trade and anti-Semitic persecution… the Islamic lands remain in constant denial. Until Islamic countries acknowledge the realities of anti-Jewish persecution in their history, there is no hope of combating the continuing hatred of Jews in modern times.” -- Excerpted from the Foreword (pages 21-25)

Does Muslim intolerance of Jews emanate from the creation of Israel 60 years ago, or is it merely the reflection of a deep-seated prejudice which is part and parcel of their religion? This is the question relentlessly addressed in The Legacy of Islamic Anti-Semitism: From Sacred Texts to Solemn History an exhaustive study undertaken by Andrew Bostom, MD.
His 768-page opus, the result of years of scholarly research into the subject, makes a persuasive argument that, while the animosity currently exhibited by Muslims toward Jews might have been further fueled by the Arab-Israeli conflict, such hatred is a motif which has been around since the inception of Islam. Bostom, a physician and professor of medicine at Brown University, is an expert on the Middle East and author of another best seller, The Legacy of Jihad: Islamic Holy War and the Fate of Non-Muslims.
This meticulously-annotated tome is comprised of entry after entry after entry of accounts of anti-Semitism culled from documents, journals, articles and even the Koran itself. Almost like a trial lawyer, Bostom builds his case simply by quoting from these historical sources, never editorializing, but just allowing the mounting evidence to speak for itself.
His aim, ostensibly, is to embarrass responsible members of the Muslim community into acknowledging this unfortunate aspect of their culture in the hope that initial steps will now be taken to eradicate an entrenched attitude accepting the widespread mistreatment of Jews. While Dr. Bostom might not want to hold his breath in that regard, he nonetheless deserves praise for having compiled a seminal treatise likely to enlighten intellectuals in search of the truth about anti-Semitism for generations to come.