Steve McQueen (INTERVIEW)
Steve McQueen
The “12 Years a Slave” Interview
with Kam Williams
Artist and
filmmaker Steven Rodney McQueen was born in London on October 9, 1969. His
critically-acclaimed directorial debut, Hunger, won the Camera d’Or at the 2008
Cannes Film Festival. He followed that up with the incendiary offering Shame, a
well-received, thought-provoking drama about addiction and secrecy in the
modern world.
In 1996, McQueen was
the recipient of an ICA Futures Award. A couple of years later, he won a DAAD
artist’s scholarship to Berlin.
Besides exhibiting at the ICA
and at the Kunsthalle in Zürich, he also won the coveted Turner Prize. He has
exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville
de Paris, Documenta, and at the 53rd Venice Biennale as a representative of Great Britain.
His artwork
can be found in museum collections around the world like the Tate, the Museum of Modern Art, and the Centre Pompidou. In
2003, he was appointed Official War Artist for the Iraq War by the Imperial War Museum
and he subsequently produced the poignant and controversial project Queen and
Country commemorating the deaths of British soldiers who perished in the
conflict by presenting their portraits as a sheet of stamps.
Steve and
his wife, cultural critic Bianca Stigter, live and work in Amsterdam which is where they are raising
their son, Dexter, and daughter, Alex. Here, he talks about his latest film, 12
Years a Slave, which recently won the People’s Choice Awards for Best Film and
Best Director at the Toronto Film Festival.
Kam
Williams: Hi Steve. Thanks for honoring me with
the opportunity to interview you.
Steve McQueen:
Thanks so much for the interest, Kam.
KW:
I’ve loved all three of your feature films, this new one,
and Hunger and Shame as well. They are so different from each other and yet
quite remarkable and memorable, each in their own way.
SM:
Thank you. Well, I do my best. I’m just happy that people are responding to the
films as positively as they are. To be honest with you, it’s one of those
things where we’re just happy to get them made. When you get to make something,
you always hope people will go and see it. And we’re very, very pleased by the
response to 12 Years a Slave. It’s kind of humbling and remarkable.
KW:
Your work reminds me of Ang Lee’s in terms of its quality
and versatility in the way that his movies are each phenomenal yet so very
different from each other.
SM:
Wow! That’s a huge compliment. What can I say? He’s a master. Ang Lee is a
person I really admire and look up to. I love so many of his films, especially Ride
with the Devil, Sense and Sensibility, and The Ice Storm.
KW:
Editor/Legist Patricia Turnier asks: What does it mean to you to be in charge of adapting Solomon
Northup’s memoir? How do you explain that
his autobiography was buried for around a hundred years contrary to those of
some of his contemporaries like Frederick Douglass?
SM:
I feel tremendously honored but I also feel a tremendous responsibility because
through this film we can bring Solomon Northrup’s memory to the surface. His
story was buried for so long. When the book first came out in 1853, it was a
phenomenal best seller for its time, and sold 27,000 copies in 18 months. But what
happened was Uncle Tom’s Cabin was published the following year, and that was
it for 12 Years a Slave. It fell into obscurity. Academics knew about the
memoir but it otherwise became lost. To me, it was always like the American
equivalent of The Diary of Anne Frank. That’s why it became my passion to get
this film made.
KW:
Harriet Pakula-Teweles asks: In
a film described as a historical drama, how do you establish a healthy balance
between history and drama?
SM:
By relying on the book. As a filmmaker I was interested in illustrating the
history of what slavery was about, which was slave labor. In the background of
one frame, for example, you see sugar cane. In the second plantation, you see
logging. And on the third location, we see corn. So, at the same time you’re following
Solomon’s adventure of trying to get home, in the background you simultaneously
see the horrors and pains of what slavery was about.
KW:
Fellow director Rel Dowdell asks: Do you feel that the great success of Django Unchained
improves your very visceral film’s chances for a warm reception?
SM:
I think that film was very helpful, of course, in making people aware by
getting the subject-matter on film. So, I couldn’t say it didn’t help.
KW:
What interested you as a Brit in an African-American story?
SM:
The story’s not just an African-American story. It’s a universal story. It’s a
world story. My parents are from the West Indies.
My father’s from Grenada
which is where Malcolm X’s mother was born. My mother was born in Trinidad which is where Stokely Carmichael, the man who
coined the phrase “Black Power!” was born. Sidney Poitier was born in the Bahamas. I’m
part of that diaspora of people displaced by the slave trades. I’m part of that
family. It’s our story. It’s a global story.
KW:
My grandparents were born St. Croix, St. Kitts and Barbados. Do
you eat any West Indian food like curried goat, callaloo or roti?
SM:
Yeah, all of that. And then, when you go to New Orleans, you find similar dishes. We’re
all family!
KW:
How did you settle on Chiwetel as Solomon Northrup?
SM:
Chiwetel was always the one I wanted to make the movie with because there’s a
certain humanity and gentility about him that I needed for the lead role.
Solomon was a person who maintained his humanity whatever his circumstances,
and I needed someone of that same caliber, because he would be tested to the
breaking point. I needed an actor who could hold up during those moments of
extreme stress.
KW:
Why did you use the great Michael Fassbender in each of your
films?
SM:
I think Michael is the most influential actor of his generation. He’s like a
Mickey Rourke or a Gary Oldman. People want to be him. Actors want to act with
him. Students choose to pursue acting because of him. I was very fortunate to
land him for Hunger. We’ve been close friends ever since. He’s an amazing actor
I willl always want to work with.
KW:
How did you assemble such a top-flight cast: Benedict
Cumberbatch, Paul Giamatti, Brad Pitt, Quvenzhane Wallis, Paaul Dano, and
newcomer Lupita Nyong’o.
SM:
I had huge help from the casting director, Francine Maisler. She did an
incredible job. We auditioned over a thousand girls for the role of Patsey. And
we ended up with Lupita who hadn’t even graduated from acting school yet. But
she auditioned for us, and that was it. A star was born!
KW:
The bookworm Troy Johnson question: What was the last book
you read?
SM:
The last one I actually read was a children’s book I read to my son last night
called something like “Teacher Goes to School.”
KW:
What is your favorite dish to cook?
SM:
Pasta, because it’s easy.
KW: When you look in the mirror, what
do you see?
SM: I see all the lines in my face from tiredness.
KW:
The Ling-Ju Yen question: What is your earliest
childhood memory?
SM:
Borrowing roller skates from a next-door neighbor when I was about 3 or 4
years-old.
KW:
The Mike Pittman question: What was your
best career decision?
SM:
Meeting my wife.
KW:
If you could have one wish instantly granted, what would
that be for?
SM:
World peace. It might sound corny, but that’s the truth.
KW:
The Jamie Foxx question: If you only had 24 hours left to
live, how would you spend the time?
SM:
With the people I love.
KW:
The Kerry Washington question: If you could be another animal, which one would you choose?
SM:
A dolphin.
KW:
The Melissa Harris-Perry question: How
did your first big heartbreak impact who you are as a person?
SM:
I learned that life is a long and difficult road, but you have to keep going,
or you’ll fall by the wayside.
KW:
The Anthony Mackie question: Is there
something that you promised to do if you became famous, that you still haven’t
done yet?
SM:
Am I famous?
KW:
The Tavis Smiley question: How do you want to be remembered?
SM:
As a person who tried.
KW:
Thanks again for the time, Steve, and best of luck with the
film.
SM:
Thank you. Take care, Kam.
To see a trailer for
12 Years a Slave, visit:
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