The Man from U.N.C.L.E.(FILM REVIEW)
The Man from U.N.C.L.E.
Film
Review
by Kam Williams
Sixties TV-Series Adapted as Cat and Mouse, Cold War Thriller
The Man
from U.N.C.L.E. was a popular television series which enjoyed a
four-year run on NBC from 1964-1968. Ostensibly trading on the
phenomenal success of the James Bond film franchise, the show
revolved around a Cold War character created by Ian Fleming, author
of the 007 novels.
The big
screen adaptation stars Henry Cavill in the title role as Napoleon
Solo, a suave, sophisticated spy employed by U.N.C.L.E. (United
Network Command for Law and Enforcement), a top secret, international
espionage agency. While the TV Solo was a college grad and honorably
-discharged Korean War veteran, this Napoleon is a convicted art
thief who reluctantly agrees to work for the CIA in return for a
lesser prison sentence.
The picture
was directed by Madonna's ex-hubby Guy Ritchie who is better-known
for over the top action adventures like Snatch (2000) and Lock, Stock
and Two Smoking Barrels (1998) than the relatively-cerebral fare he
serves up here. The movie co-stars Armie Hammer as Solo's sidekick,
KGB agent Ilya Kuryakin. However, where the original Ilya was a
mild-mannered sleuth, this time around he's a hot head inclined to
lose his temper at the drop of a hat.
This
origins tale unfolds in East Berlin in 1963, which is where we find
Solo and Kuryakin initially squaring off as adversaries. The former
is behind the Iron Curtain to recruit Gaby Teller (Alicia Vikander),
the daughter of a missing nuclear scientist feared fallen into the
clutches of a crime syndicate seeking
to acquire the bomb.. Only after Ilya fails to foil the
extraction is he introduced to Napoleon as his new partner.
Soon, with
Gaby in tow, they're in a race against time to find
Victoria Vinciguerra (Elizabeth Debicki), the brains behind the
Italian terrorist operation suspected of kidnapping Gaby's father.
Unfortunately, the deliberately-paced cat-and-mouse
caper which ensues is too low-key to generate much in the way of
edge-of-the-seat tension. In this regard, the picture pales in
comparison to Kingsman, another nostalgic homage to Sixties spy
flicks.
A
passable, nostalgic period piece which does a far better job of
recreating Cold War ambience than intrigue.
Good (2
stars)
Rated
PG-13 for violence, suggestive material and partial nudity
In English, German, Russian and
Italian with subtitles
Running time:116 minutes
Distributor: Warner Brothers
Pictures
To see a trailer for The Man from
U.N.C.L.E., visit: https://www.youtube.com/watch?v=4K4Iv_N9Nno
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