Beasts of the Southern Wild (FILM REVIEW)
Beasts of the Southern Wild
Film Review
by Kam Williams
Carefree Cherub Laments Climate Change in Enchanting Cautionary Parable
6
year-old Hushpuppy
(Quvenzhané Wallis) is being raised under the
radar in “The Bathtub,” a backwoods bayou located on the swamp side of a Louisiana levee. The self-sufficient
tomboy divides her days between attending to her sickly father (Dwight Henry) and
living in harmony with a handful of other hardy refugees from civilization.
Hushpuppy
feels sorry for children growing up on the land in nearby New Orleans because they eat fish wrapped in
plastic and have been taught to fear the water. And while those city kids were
caged in strollers and baby carriages during their formative years, she’s been free
to explore surroundings teeming with vegetation and a menagerie of wildlife.
Yet,
her existence is far from idyllic, given how much she pines for the mother her ostensibly-widowed
daddy explained simply “swam away” one day. The heartbroken little girl tries
to fill the void via flights of fancy coming courtesy of a vivid imagination that
enables her to carry on imaginary conversations with her long-lost mom.
Hushpuppy’s
vulnerability is further amplified by her father’s failing health and by an
ominous foreboding that climate change could destabilize the eco-system of her natural
habitat. For, she’s been warned by Miss Bathsheeba (Gina Montana), a sage
soothsayer who also serves as her surrogate mother, that “The trees are gonna
die first, then the animals, then the fish.”
So
unfolds Beasts of the Southern Wild, a compelling, coming-of-age parable marking the extraordinary
directorial debut of Benh Zeitlin. An early entry in the Academy Awards
sweepstakes, this surreal fairy tale about the prospects of the planet so
richly deserves all the accolades already heaped upon it at Sundance, Cannes and other film
festivals.
Considerable
credit must go to newcomer Quvenzhané Wallis, a talented youngster who not only
portrays protagonist Hushpuppy but narrates the film as well. Like a clever
cross of Mark Twain’s Huckleberry Finn and Al Gore’s An Inconvenient Truth, the
movie repeatedly reminds us of a pre-pollution, pre-digital era when children
were still encouraged to plunge headlong into nature to experience the world
firsthand rather than artificially through electronic stimuli.
A
visually-enchanting fantasy shot from the perspective of a naïve waif magically
untouched by the 21st Century.
Excellent
(4 stars)
Rated PG-13 for profanity, mature themes, child imperilment, disturbing
images and brief sensuality.
Running time: 91 minutes
Distributor: Fox
Searchlight
No comments:
Post a Comment