Bob Zemeckis (INTERVIEW)
Bob Zemeckis
The “Flight” Interview
with Kam Williams
Oscar-Winning Director Weighs-In on His Latest Picture
Born in Chicago on May 14, 1951, Bob Zemeckis won an Academy Award for
Best Director for the hugely successful “Forrest Gump.” The film’s
numerous honors also included Oscars for Best Actor (Tom Hanks) and Best
Picture. The Library of Congress recently selected the film to join the
esteemed National Film Registry.
Zemeckis
re-teamed with Hanks on the contemporary drama “Cast Away,” the filming
of which was split into two sections, book-ending production on What
Lies Beneath. Earlier in his career, Zemeckis co-wrote and directed
“Back to the Future,” which was the top-grossing release of 1985, and
for which Zemeckis landed an Oscar nomination for Best Original
Screenplay.
He then went on to helm “Back
to the Future, Part II and Part III,” completing one of the most
successful film trilogies ever. In addition, he directed and produced
“Contact,” starring Jodie Foster, based on the best-selling novel by
Carl Sagan; and the macabre comedy hit “Death Becomes Her,” starring
Meryl Streep, Goldie Hawn and Bruce Willis.
He also wrote and directed the box office smash “Who Framed Roger
Rabbit?,” cleverly blending live action and animation. And he directed
the action-adventure hit “Romancing the Stone,” pairing Michael Douglas
and Kathleen
Turner.
In March 2001, the USC School of Cinema-Television celebrated
the opening of the Robert Zemeckis Center for Digital Arts. This
state-of-the-art facility is the country’s first fully-digital training
center, and houses the latest in non-linear production and
post-production equipment as well as stages, a 50-seat screening room
and a USC student-run television station, Trojan
Vision.
Here, he talks about his latest film, Flight, a combination
special f/x and legal thriller starring Denzel Washington, Don Cheadle,
John Goodman and Melissa Leo.
Kam Williams: Hi Bob, thanks so much for the interview.
Bob Zemeckis: You bet.
KW:
I’m honored to have this opportunity to speak with you. I loved the
film and found it fascinating. I told my readers I’d be speaking with
you, so I’ll be mixing my questions in with theirs. What interested you
in making Flight?
BZ: I thought it was a wonderful,
beautifully-written screenplay with some really interesting, complex
characters, including Denzel’s, obviously. I found it to be very bold
and very courageous.
KW: Did your being a pilot play into your decision to make it?
BZ:
No, not at all. But I would think that just being a pilot was helpful
in creating a sense of realism to the incident on the airplane.
KW:
When I saw the film, I sat next to a pilot friend who explained to me
that everything that was going when the plane lost its hydraulics was
technically accurate. That prevented me from being at all skeptical.
BZ: Well, that’s good.
KW:
Larry Greenberg asks: What did you do as a director to show Whip
Whitaker's [Denzel Washington’s character] inner struggle to the
audience?
BZ: Most of the credit for that has to go to Denzel.
He really has an amazing talent, and was able to evoke the inner pain
that the character was dealing with on a constant basis. I think his
entire performance is sort of shrouded in the internal misery that Whip
was feeling.
KW: Harriet Pakula-Teweles asks:
How does a director who is truly gifted in the use of special f/x
prevent them from overwhelming the performances of a great actor like
Denzel?
BZ: Well, I use special f/x in exactly the same way
that I use a camera. They’re simply an extension of the camera, and
they’re there just to complement what the actors are doing?
KW: How do you balance storyline versus special f/x?
BZ:
Like I said, the special f/x are there to serve the story. Just like
the camera is there to serve the story, and the cast is there to serve
the story. I think that’s the only way that I approach it.
KW: Editor/Legist Patricia Turnier asks: What message do you think people will take away from Flight?
BZ:
I don’t like to use that word “message.” My feeling is, if you want to
send a message, you should Twitter. I think the movie is a very human
story that everyone can identify with on some level and that, at the end
of the day, is a very hopeful story.
KW:
Patricia also says: I believe that the word "can't" should not be
addressed to people, especially children, when they share their dreams
with the world. They have all their lives ahead of them and nobody can
predict their destiny. I am sure that in the past you met many naysayers
while you wanted to be involved in the movie industry. What is the best
advice you can give to aspiring filmmakers?
BZ: Yeah, I think
the best advice is to get a video camera and just start making movies,
little movies… youtube videos… and write. We’re in desperate need of
good screenplays.
KW: Attorney Bernadette Beekman asks: How did you achieve that breathtaking effect of a plane flying upside-down?
BZ: It’s all digital.
KW: Bernadette would also like to know: What is your favorite charity?
BZ: Gee, I have a lot of them.
KW:
Documentary filmmaker Kevin Williams asks: Do you feel any pressure to
measure up to your ever increasingly-impressive body of work every time
you make a movie?
BZ: I really can’t worry about that sort of
thing. All I can do is just keep doing what I’ve been doing, which is to
do movies I’m attracted to. If the screenplay is an interesting story,
just go for it.
KW: Kevin has another question: What film most inspired you to become a director?
BZ:
Bonnie and Clyde. I saw it when I was in high school. I was being moved
emotionally, and I thought, “Well, this is pretty powerful stuff.” And I
wanted to find out more about what it was a director actually did. That
sort of put me on the path.
KW:
Professor/Author/Documentary director Hisani Dubose says: I love all
your movies but found Cast Away especially fascinating as a great
example of product integration with FedEx. I would like to know if FedEx
was part of the original script.
BZ: It was, but not because
of any product placement. As a matter of fact, FedEx didn’t give us any
money at all because, if you remember the movie, the plane crashes. But
they understood the reality of what it was we were doing, and said they
were okay with it as long as the accident wasn’t caused by the
incompetence of any FedEx employees. So, they were cooperative with us,
which was great because it brought a realism to the movie to use an
actual corporation rather than a fictional one.
KW: Is there any question no one ever asks you, that you wish someone would?
BZ: No, I’m good.
KW: The bookworm Troy Johnson question: What was the last book you read?
BZ:
A little book by Christopher Hitchens called “Mortality.” It’s a
collection of all the essays he wrote during his struggle with cancer.
KW: What is your favorite dish to cook?
BZ: I like to make pizza.
KW: The Sanaa Lathan question: What excites you?
BZ: Getting a hold of a really good screenplay.
KW: Dante Lee, author of "Black Business Secrets,” asks: What was the best business decision you ever made, and what was the worst?
BZ:
My best business decision was to get all my money out of the stock
market. My worst? I honestly don’t know how to answer that one. I don’t
think I’ve made a bad one yet, other than something small. I’ve been
pretty fortunate in that regard.
KW: When you look in the mirror, what do you see?
BZ: My father.
KW: If you could have one wish instantly granted, what would that be for?
BZ: A thousand more wishes.
KW: The Judyth Piazza question: What key quality do you believe all successful people share?
BZ: A need to express themselves creatively.
KW: The Tavis Smiley question: How do you want to be remembered?
BZ: As a good father.
KW: Thanks again for the time, Bob, and best of luck with the film.
BZ: Thanks Kam, I appreciate it.
To see a trailer for Flight, visit:
http://www.youtube.com/watch?v=cYplvwBvGA4
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