The Color of Christ (BOOK REVIEW)
The University of North Carolina Press
Hardcover, $32.50
352 pages
ISBN: 978-0-8078-3572-2
“How is it that a Jewish prophet from the Roman era ran so
explosively into the American obsession with race that his image has
been used to justify the worst atrocities of white supremacy as well as
inspire the most heroic of civil rights crusaders? The Color of Christ
explores the ways Americans gave physical forms to Jesus… and how they
remade the Son of God… time and again into a sacred symbol of their
greatest aspirations, deepest terrors, lowest actions, highest
expressions, and mightiest strivings for racial power and justice.
The Color of Christ… by showing how Americans imagined and depicted
Jesus Christ’s body, skin tone, eye color… and hairstyle, reveals a new
face of the power and malleability of race in our history. At the center
of the book is the story of white Jesus… how he rose to become a
conflicted icon of white supremacy… and how he was able to endure all
types of challenges to remain the dominant image of God’s human form in
the nation and throughout the world.”
-- Excerpted from the Introduction (page 7)
What did Jesus look like? The only hint we get from the
scriptures is contained in the book of Revelation which describes Christ
as having woolly hair. Otherwise, we know he was a Jew from an area of
the world where most folks were brown-skinned a couple of millennia ago.
So, when Christianity crossed the Atlantic, there was not
yet an ethnicity associated with Jesus, since “the writers of the Bible
had their own obsessions, but race was not one of them.” This is the
thesis of Edward J. Blum and Paul Harvey, co-authors of The Color of
Christ: The Son of God and the Saga of Race in America.
In the book, the pair put forth the proposition that the
religion only became racist after the American Revolution when “a white
Jesus was first used to try to bring unity and purpose to the young
nation.” They go on to argue that the promotion of the Son of God as
Caucasian put a racial spin on both creation and redemption.
Consequently, “the white Jesus promised a white past, a
white present, and a future of white glory.” Curiously, not only
Europeans, but Africans and Indians would embrace the image of Jesus
with “blondish hair that fell below his shoulders” and “blue eyes” that
“gazed into the distance.”
Furthermore, Christianity provided plantation owners with
a rationalization for slavery, as much as it offered their desperate
chattel the faint hope of ever-elusive freedom. Those
diametrically-opposed perspectives survived way past emancipation with
both the Ku Klux Klan and the black civil rights activists relying on
the notion that “God is on our side” to advance their conflicting
causes.
Blum and Harvey conclude that “Jesus will probably remain
white for most Americans,” because that version of Christ is “a symbol
and a symptom of racial power yet to be put fully to death.” An
insightful, historical opus delivering a sobering message about how we
all might have been harmed, psychically, by the generally-accepted image
of the Messiah.
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